RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series最新文献

{"title":"OBELISK OF PIANKHY FROM KADAKOL","authors":"Zviady V. Makhachashvili","doi":"10.28995/2686-7249-2021-10-132-151","DOIUrl":"https://doi.org/10.28995/2686-7249-2021-10-132-151","url":null,"abstract":"The article is concerned with the study of the monument of the king from the XXV dynasty of Piankhy. It is a pillar with inscriptions on 4 sides. In the scientific literature, it is called an obelisk. The present article attempted to point out the circumstances that make it possible to restore its original form, as well as to compare it with Egyptian obelisks. The monument was found outside the archaeological context, so the focus was on the inscriptions that have been preserved on it. The study of these inscriptions showed that the presence of the formula saHa n.f txn, the similarity in the structure of the text, in particular the royal titulature, which are found on Egyptian obelisks, give reason to restore the original form of the Piankhy monument as an obelisk. Analysis of the inscriptions allowed us to identifying common features in comparison with the Egyptian obelisks, and distinctive local features related to the placement of the text and images, as well as the paleographic specifics in the outline of the idiographic hieroglyphic signs.","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129068514","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE MIRCOWORLD OF THE LOGICAL AND MODAL PARTICLES. OUTLINES TO LINGUISTIC “PORTRAIT” OF DAZHE","authors":"Karen S. Hakobyan","doi":"10.28995/2686-7249-2021-10-212-231","DOIUrl":"https://doi.org/10.28995/2686-7249-2021-10-212-231","url":null,"abstract":"In recent times, in the context of the contemporary anthropocentric linguistics, when the study of the pragmatic aspect of the language system functioning becomes particularly relevant, many linguists turned to an issue of particles that are the universal explicators of the semantic and pragmatic meanings (refer to works of A. Wierzbicka, T.M. Nikolaeva, I.M. Boguslavskiy, V. Gast and many others). Despite very active and rather fruitful studying of particles, that for a long time had remained on the periphery of research interests, a whole set of their categorical features has been under investigated. Our article is devoted to the functioning of the particle dazhe [даже “even”] in the affirmative and negative contexts. As an example of research language material, we constructed several sentences representing the basic syntactic structures of the analyzed utterances, and many examples from the main corpus of the electronic resource “Russian National Corpus”. The main purpose of the article is to study semantic and pragmatic implicatures that are included in the semantics of the particle dazhe, and their modifications, including those arising under the influence of negation. Moreover, we dispute the opinion of I.M. Boguslavsky on the need to remove the scalar implicature from the interpretation of that particle, to which he came because of the insufficiently strict separation of the two scales in the double scalar implicature. The methods of conducting the research were 1) the analysis of the semantic and pragmatic presuppositions and implicatures generated by dazhe in the affirmative utterances and negative utterances utterances with negation as a result of interaction of the semantics of the particle and negation; 2) the analysis of dazhe’s functioning in the gradational constructions; 3) the comparative analysis of its functioning in the contexts of neutral and contrastive negation that enables to reveal the specifics of the double scalar implicature and that of unexpectedness, which are the components of the semantic and pragmatic structure of the particle in question.","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121825783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE POSTMODERNISM PLAY IN THE PAGES AKUNIN’S NOVEL “ZVEZDUKHA”","authors":"Mariya G. Elfimova","doi":"10.28995/2686-7249-2023-3-91-100","DOIUrl":"https://doi.org/10.28995/2686-7249-2023-3-91-100","url":null,"abstract":"There is increased interest in history as a basis for searching the answers to many questions of our time recently. The historical project by B. Akunin clearly demonstrates improved author’s methods well knowns of his early works. The article analyzes B. Akunin’s controversial view of the Horde invasion of Old Russia a difficult period in its history. The writer deconstructs the chrestomatic representation of that era, depicting it from different angles: the publicist (“Part of Asia”) and the fiction (“Zvezdukha”). Such textual polyphony allows Akunin to involve readers in a kind of postmodern game with history. In such a way, B. Akunin not just shows and analyses events of the past but also creates the complex fictional text with filled a lot of description of the era and transformations of the main characters against the background of history.","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"244 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115224406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE ARTISTIC IMAGES OF POST-DEATH IN THE POETRY BY JOSEPH BRODSKY AND OLGA SEDAKOVA","authors":"Pavel E. Spivakovskii","doi":"10.28995/2686-7249-2021-7-141-165","DOIUrl":"https://doi.org/10.28995/2686-7249-2021-7-141-165","url":null,"abstract":"The article analyzes how Joseph Brodsky and Olga Sedakova depict the posthumous existence of a human. Brodsky holds an agnostic view on the world, tending to a positivism. The poet concentrates on depicting the Homeric horror of the very fact of death and its inevitability. Olga Sedakova tends to the Christian view of the world, taking into account the experience of the catastrophes of the 20th century, literature after Auschwitz. Unlike the traditionalist image of Paradise, Sedakova sees in it not only ‘incredible happiness’, but also an experience of tragedy and compassion, which leads her to a very unconventional form of idyll.","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"72 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115298919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"CONCERNING THE PECTORAL FROM THE BURIAL MOUND TOLSTAYA MOGILA. BASED ON THE STUDY OF SCYTHIAN RELICS OF GREEK WORK","authors":"E. Savostina","doi":"10.28995/2686-7249-2021-6-14-27","DOIUrl":"https://doi.org/10.28995/2686-7249-2021-6-14-27","url":null,"abstract":"The uniqueness and complexity of the composition on the pectoral examined here, a piece gold jewelry from the Scythian burial mound Tolstaya Mogila, С. 4 BC, encouraged researchers to assume it held exceptional significance in Scythian culture, and the idea emerged that the pectoral belonged to a Scythian cult role, and this view has been developed in most studies. However, we do not have any information confirming ritual its use. The pectoral was found in the mound, but outside the burial itself. The plot of the main narrative depicted can be correlated with an ancient legend about the origin of the dynasty of the Macedonian kings, the Argeades. Its style and technical features do not rule out identification of the place of manufacture as Macedonia or Northern Greece. The “Scythian tradition” in modern scholarship allows for the exchange of Royal gifts, as well as military trophies, between Scythian and Macedonian (Greek) rulers. Still, many things remain unclear. The pectoral has no analogues either in the Scythian world, or in the Greek. Despite the correspondence of its elements and techniques with those of other works, the pectoral remains an exceptional and individual work of art, still unsurpassed in the complexity of its design and the quality of its workmanship.","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115456114","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"IN THE FACE OF. FOCUS SHIFT IN CONDITIONS OF ACTIVE LANGUAGE CONTACTS","authors":"O. V. Evtushenko","doi":"10.28995/2686-7249-2022-8-65-77","DOIUrl":"https://doi.org/10.28995/2686-7249-2022-8-65-77","url":null,"abstract":"The article is devoted to the analysis of the influence of international languages on each other at the level of cognitive structures. The paper considers the mistakes made by the interpreters of international organizations in the design of the left and right context of the preposition in the face of, and it is concluded that the reason for such errors is the wrong choice of the conceptual base of the preposition in the conditions of competition between two metaphorical cognitive models – CONFRONTATION and APPEAL (with a model COURT). The base imposes referential, morphological and semantic restrictions on the filling of the left and right context of the preposition in the face of. The study of the materials of the National Corpus of the Russian Language, including the historical corpus, showed that the cognitive model APPEAL was more often activated by those who wrote in Church Slavonic, and then in Russian, then the model CONFRONTATION. The established discursive practice ensured the dominance of the cognitive model APPEAL in cognitive structures of modern Russian speakers. An analysis of the use of in the face of and face à, as well as other phraseological units with face in English and face in French, showed that the cognitive model CONFRONTATION is more significant for their speakers. Currently, under the influence of the languages of global communication in the Russian language, there is an increase in the compatibility of the preposition in the face of and an increase in the importance of the cognitive model CONFRONTATION.","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"76 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115484367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"BORDERLINE STATES IN FICTIONAL NARRATIVE","authors":"Valerij I. Tiupa","doi":"10.28995/2686-7249-2019-2-10-18","DOIUrl":"https://doi.org/10.28995/2686-7249-2019-2-10-18","url":null,"abstract":"","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127359169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE RECEPTION OF E. KEOSAYAN’S “ELUSIVE AVENGERS” IN SOVIET PRINTED MEDIA 1960S - 1970S","authors":"E. V. Brodskaya","doi":"10.28995/2686-7249-2022-10-49-61","DOIUrl":"https://doi.org/10.28995/2686-7249-2022-10-49-61","url":null,"abstract":"The article is focused on reception of the movie Elusive Avengers (1967) by E. Keosayan in the Soviet media of 1960s – 1970s. The film by E. Keosayan is a kind of remake of I. Perestiany’s Red Devils (1923) based on P. Blyakchin’s story published in 1921. The Perestiani movie by 1960 got the status of classic piece of Soviet cinematograph. Elusive Avengers appeared at the juncture of two epochs: Krushchev’s “thaw” was nearly over anyway yet the Soviet tanks had not rolled into Prague. The film met the mixed review from critics. The movie was released towards the 50 years jubilee of the revolution and it was really caught in the “gaping” between the party of the artists who wanted to speak and articulate their position and attitude with free language and the party of conservative guards which upheld conservative values, what naturally affected the language of description of cinematic reality.","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124908537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ATLAS AS A VISUAL IMAGE OF CULTURAL MEMORY: THE CONCEPT OF G. DIDI-HUBERMAN","authors":"I. Zakharchenko","doi":"10.28995/2686-7249-2019-8-132-148","DOIUrl":"https://doi.org/10.28995/2686-7249-2019-8-132-148","url":null,"abstract":"","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125094758","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE CITY AS AN IMAGE AND A CONCEPT IN S. KRZHIZHANOVSKY’S STORY \"THE STAMP: MOSCOW\"","authors":"Victoria Malkina","doi":"10.28995/2686-7249-2019-2-101-112","DOIUrl":"https://doi.org/10.28995/2686-7249-2019-2-101-112","url":null,"abstract":"","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125851358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}