THE ARTISTIC IMAGES OF POST-DEATH IN THE POETRY BY JOSEPH BRODSKY AND OLGA SEDAKOVA

Pavel E. Spivakovskii
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Abstract

The article analyzes how Joseph Brodsky and Olga Sedakova depict the posthumous existence of a human. Brodsky holds an agnostic view on the world, tending to a positivism. The poet concentrates on depicting the Homeric horror of the very fact of death and its inevitability. Olga Sedakova tends to the Christian view of the world, taking into account the experience of the catastrophes of the 20th century, literature after Auschwitz. Unlike the traditionalist image of Paradise, Sedakova sees in it not only ‘incredible happiness’, but also an experience of tragedy and compassion, which leads her to a very unconventional form of idyll.
约瑟夫·布罗茨基和奥尔加·谢达科娃诗歌中的死后艺术意象
本文分析了约瑟夫·布罗茨基和奥尔加·谢达科娃如何描绘一个人死后的存在。布罗茨基对世界持不可知论的观点,倾向于实证主义。诗人专注于描绘荷马式的对死亡事实及其必然性的恐惧。奥尔加·塞达科娃倾向于基督教的世界观,考虑到20世纪的灾难经历,奥斯维辛之后的文学。与传统的天堂形象不同,塞达科娃不仅看到了“难以置信的幸福”,还看到了悲剧和同情的经历,这使她进入了一种非常非传统的田园诗形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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