20世纪60 - 70年代苏联印刷媒体对e.k oosayan“难以捉摸的复仇者”的接受

E. V. Brodskaya
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引用次数: 0

摘要

本文主要分析了20世纪60 - 70年代苏联媒体对E. Keosayan的电影《难以捉摸的复仇者》(1967)的接受情况。Keosayan导演的这部电影是根据1921年出版的P. Blyakchin的故事改编的I. Perestiany的《红魔》(1923)。到1960年,佩列斯蒂亚尼电影获得了苏联电影经典作品的地位。难以捉摸的复仇者出现在两个时代的交汇处:无论如何,赫鲁晓夫的“解冻”即将结束,但苏联坦克还没有开进布拉格。影评人对这部电影的评价褒贬不一。这部电影是在革命50周年之际上映的,它确实陷入了想要用自由的语言表达和表达自己立场和态度的艺术家党与坚持保守价值观的保守卫兵党之间的“鸿沟”,这自然影响了电影现实的描述语言。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE RECEPTION OF E. KEOSAYAN’S “ELUSIVE AVENGERS” IN SOVIET PRINTED MEDIA 1960S - 1970S
The article is focused on reception of the movie Elusive Avengers (1967) by E. Keosayan in the Soviet media of 1960s – 1970s. The film by E. Keosayan is a kind of remake of I. Perestiany’s Red Devils (1923) based on P. Blyakchin’s story published in 1921. The Perestiani movie by 1960 got the status of classic piece of Soviet cinematograph. Elusive Avengers appeared at the juncture of two epochs: Krushchev’s “thaw” was nearly over anyway yet the Soviet tanks had not rolled into Prague. The film met the mixed review from critics. The movie was released towards the 50 years jubilee of the revolution and it was really caught in the “gaping” between the party of the artists who wanted to speak and articulate their position and attitude with free language and the party of conservative guards which upheld conservative values, what naturally affected the language of description of cinematic reality.
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