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‘Servir avec désintéressement la cause du cinéma français’: Julien Duvivier’s film columns in Cinémonde (1946–1947) “无私地为法国电影事业服务”：朱利安·杜维埃在Cinemonde（1946—1947）的电影专栏
IF 0.4 4区 社会学
French Cultural Studies Pub Date : 2026-05-20 DOI: 10.1177/09571558261445334
Ben McCann
{"title":"‘Servir avec désintéressement la cause du cinéma français’: Julien Duvivier’s film columns in Cinémonde (1946–1947)","authors":"Ben McCann","doi":"10.1177/09571558261445334","DOIUrl":"https://doi.org/10.1177/09571558261445334","url":null,"abstract":"In 1946, French film director Julien Duvivier was invited by the popular film magazine <jats:italic toggle=\"yes\">Cinémonde</jats:italic> to write a series of weekly columns and give his anonymous views on current filmmaking policy in France and the role of the popular film critic and rate new film releases. Writing under the pseudonym ‘Platon' between October 1946 and February 1947, Duvivier wrote fascinating interventions that reveal a great deal about his own aesthetic, formal and ideological preoccupations and his proposed direction of travel for France’s post-war film industry. This article will demonstrate how the director provides a snapshot of a domestic film culture grappling with new concerns. It will argue that he deftly articulates a set of positions that contribute to broader discussions around the direction of the post-war French film industry. And it will show how Duvivier proposes a particular view of cinematic realism that combines different aesthetic and ideological strands.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"57 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2026-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148285752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La figure maternelle chez Mahi Binebine : Entre absence, possessivité et quête d'idéal 马希·比内宾的母亲形象：在缺席、占有和对理想的追求之间
IF 0.4 4区 社会学
French Cultural Studies Pub Date : 2026-05-06 DOI: 10.1177/09571558261443616
Sidi Mohamed Bouhssine
{"title":"La figure maternelle chez Mahi Binebine : Entre absence, possessivité et quête d'idéal","authors":"Sidi Mohamed Bouhssine","doi":"10.1177/09571558261443616","DOIUrl":"https://doi.org/10.1177/09571558261443616","url":null,"abstract":"Résumé Cet article analyse la figure maternelle dans l'œuvre de Mahi Binebine, en explorant les thèmes de l'absence, de la possessivité et de l'idéalisation dans la relation mère-enfant. Une exégèse textuelle, combinée aux cadres théoriques de la psychologie de l'attachement et de la psychanalyse, permet de déconstruire la complexité de cette figure et d'élucider son influence sur la construction identitaire des personnages. Loin d'une approche réductrice, l'étude révèle comment Binebine explore avec nuance les tensions et les paradoxes de l'expérience maternelle, mettant en lumière les vulnérabilités et les aspirations qui modèlent la condition humaine. Cette analyse contribue à une compréhension plus riche des dynamiques familiales et des enjeux psychologiques complexes dans la littérature contemporaine.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"22 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2026-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148285753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Against ‘AIDS-writers’: HIV/AIDS, writer culture and racial stigma in Cyril Collard’s Taggers (1990) 反对“艾滋病作家”：西里尔·科拉德的《标签者》中的艾滋病毒/艾滋病、作家文化和种族耻辱
IF 0.4 4区 社会学
French Cultural Studies Pub Date : 2026-04-29 DOI: 10.1177/09571558261445339
Orsolya Katalin Petocz
{"title":"Against ‘AIDS-writers’: HIV/AIDS, writer culture and racial stigma in Cyril Collard’s Taggers (1990)","authors":"Orsolya Katalin Petocz","doi":"10.1177/09571558261445339","DOIUrl":"https://doi.org/10.1177/09571558261445339","url":null,"abstract":"Taggers\u0000Le Lyonnais","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"19 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2026-04-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"149173044","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La race dans le rap français, un signifiant flottant ? Diam's et la construction d'une persona en clair-obscur 法国说唱音乐中的种族，一个浮动的含义？戴姆和明暗人格建构
IF 0.4 4区 社会学
French Cultural Studies Pub Date : 2026-04-24 DOI: 10.1177/09571558261443619
Keivan Djavadzadeh
{"title":"La race dans le rap français, un signifiant flottant ? Diam's et la construction d'une persona en clair-obscur","authors":"Keivan Djavadzadeh","doi":"10.1177/09571558261443619","DOIUrl":"https://doi.org/10.1177/09571558261443619","url":null,"abstract":"Résumé À travers l’examen de la persona de Diam's, cet article interroge la façon dont la race se pose en signifiant flottant dans le rap de la seconde moitié des années 2000 en France. Première rappeuse française à avoir rencontré le succès auprès du grand public, Diam's est l’objet d’une attention particulière de la part des médias, qui l’érigent en représentante de la jeunesse métissée des banlieues. La médiatisation de l’artiste emprunte à la figure de la «jeune fille de banlieue», construite à l’intersection du genre, de la race et de la classe. Dans le contexte français où parler ouvertement de race est un tabou et où la culture vient signifier la différence, l’association de la rappeuse à la banlieue et son ascendance chypriote par son père participent alors à une forme de trouble dans son identification raciale.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"35 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2026-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148589123","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Encoding, decoding race. The politics of production and reception in cultural industries 编码，解码竞赛。文化产业中的生产与接受政治
IF 0.4 4区 社会学
French Cultural Studies Pub Date : 2026-04-13 DOI: 10.1177/09571558261420124
Maxime Cervulle, Anamik Saha, Karim Hammou, Emily Q. Shuman
{"title":"Encoding, decoding race. The politics of production and reception in cultural industries","authors":"Maxime Cervulle, Anamik Saha, Karim Hammou, Emily Q. Shuman","doi":"10.1177/09571558261420124","DOIUrl":"https://doi.org/10.1177/09571558261420124","url":null,"abstract":"In this joint interview, Anamik Saha and Maxime Cervulle discuss their respective acts of scholarship. Their research shares a common root in British Cultural Studies, particularly in the foundational work of Stuart Hall. Based on distinct case studies and research trajectories in two different academic contexts, each scholar has offered essential contributions to the study of how race configures the contemporary cultural industries. Their exchange particularly homes in on how to grasp the relationship between race and popular culture in the current conjuncture, and defends a view of research as a political intervention within a situated power dynamic.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"5 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2026-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147682085","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nostalgia, hauntings and feminine icons: Locating whiteness in television series about French cinema 怀旧、闹鬼和女性形象：关于法国电影的电视连续剧中的白人定位
IF 0.4 4区 社会学
French Cultural Studies Pub Date : 2026-04-06 DOI: 10.1177/09571558261438607
Emily Q. Shuman
{"title":"Nostalgia, hauntings and feminine icons: Locating whiteness in television series about French cinema","authors":"Emily Q. Shuman","doi":"10.1177/09571558261438607","DOIUrl":"https://doi.org/10.1177/09571558261438607","url":null,"abstract":"Following critiques of French cinema's whiteness, this article explores the roles of race and gender in the television series <jats:italic toggle=\"yes\">Dix pour cent</jats:italic> (2015–2020) and <jats:italic toggle=\"yes\">Irma Vep</jats:italic> (2022). Both series express nostalgia towards French cinema's female icons and ethos. <jats:italic toggle=\"yes\">Dix pour cent</jats:italic> 's playful nostalgia looks to the hegemonic French femininity of renowned actresses to embody cinematic ideals. It weaves the racialised aspiring actress Sofia into these storylines in ways that reinforce French cinema's universalist self-image. <jats:italic toggle=\"yes\">Irma Vep</jats:italic> , Olivier Assayas’ mise en abyme remake of <jats:italic toggle=\"yes\">Les Vampires</jats:italic> , expresses melancholic nostalgia for the 1915 serial. It satirises industry debates over representation and revisits Assayas’ 1996 film of the same name, weighing the stakes of recasting Maggie Cheung with Alicia Vikander. The article locates whiteness in tensions in both series between reflecting on representation and absorbing critique in defence of a status quo in which representational politics are seen to threaten transgressive aestheticism.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"195 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2026-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147635726","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Human constellations and the postcolonial state: The music of Black So Man and the pathologies of Burkina Faso 人类星座和后殖民国家：黑人的音乐和布基纳法索的病态
IF 0.4 4区 社会学
French Cultural Studies Pub Date : 2026-02-28 DOI: 10.1177/09571558261423871
Abubakar S Tajudeen
{"title":"Human constellations and the postcolonial state: The music of Black So Man and the pathologies of Burkina Faso","authors":"Abubakar S Tajudeen","doi":"10.1177/09571558261423871","DOIUrl":"https://doi.org/10.1177/09571558261423871","url":null,"abstract":"This study examines the music of Burkinabé artist Black So Man, bringing into focus how his songs articulate political critique and social commentary through what I term “human constellations”—metaphorical figures of lovers, youth, elders, parents, and workers. Focusing on four key songs—“Adji” (1998), “J’étais au Procès” (1997), “On S’en Fout” (1997), and “Le Système du Vampire” (1997)—the analysis demonstrates how Black So Man mobilizes affective registers of love, betrayal, pain, and resilience to render visible the failures of the postcolonial Burkinabé state. His lyrics expose the disillusionment that followed independence, the persistence of neocolonial exploitation, and the moral and social fractures that stem from corruption, privatization, and economic despair. By centering an understudied figure in Francophone West African music, this study fills a critical gap in African musical cultural scholarship and spotlights the significance of Burkinabé voices in theorizing political life.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"28 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2026-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147319554","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Recover, amplify, reimagine: Transnational solidarities and anticolonial utopias in Dreams Have No Titles by Zineb Sedira 恢复，扩大，重新想象：跨国团结和反殖民乌托邦的梦想没有标题，由Zineb Sedira
IF 0.4 4区 社会学
French Cultural Studies Pub Date : 2026-02-26 DOI: 10.1177/09571558261423868
Amanda Tavares
{"title":"Recover, amplify, reimagine: Transnational solidarities and anticolonial utopias in Dreams Have No Titles by Zineb Sedira","authors":"Amanda Tavares","doi":"10.1177/09571558261423868","DOIUrl":"https://doi.org/10.1177/09571558261423868","url":null,"abstract":"This article analyses Dreams Have No Titles (2022), a multidisciplinary and immersive installation by UK-based, French-Algerian artist Zineb Sedira. Commissioned for the French Pavilion at the 59th Venice Biennale, the project takes inspiration from the anticolonial and self-determining spirit of early post-independent Algeria, as well as activist films co-produced in the 1960s, 70s and 80s between Algeria, France and Italy. Following the multidirectional character of Sedira's work, this article first offers an overview of the installation and the many cultural references it contains. It then looks at the artist's mobilisation of personal narratives of migration and diaspora in relation to previous forms of cultural and political struggle, highlighting the cross-temporal and transnational effects of colonialism, but also many forms of resistance to it. It also explains how Dreams Have No Titles amplifies learnings from internationalist filmmaking in Algeria, especially through the prisms of relationality, solidarity and imagined possibility. Finally, the article discusses how Dreams Have No Titles reactivates utopias and political communities through strategies of mise en abyme, audience engagement, multi-platform referencing and do-it-yourself techniques, opening up paths for the production and transmission of transnational, cross-generational sociopolitical knowledge.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"8 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2026-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147287306","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Les frontières raciales du show business français. Soul Makossa et la presse professionnelle musicale des années 1970 法国演艺界的种族界限。Soul Makossa和70年代的专业音乐出版社
IF 0.4 4区 社会学
French Cultural Studies Pub Date : 2026-02-23 DOI: 10.1177/09571558251406511
Karim Hammou
{"title":"Les frontières raciales du show business français. Soul Makossa et la presse professionnelle musicale des années 1970","authors":"Karim Hammou","doi":"10.1177/09571558251406511","DOIUrl":"https://doi.org/10.1177/09571558251406511","url":null,"abstract":"Résumé Cet article analyse les frontières raciales à l’œuvre dans l’industrie française du disque dans les années 1970, au moyen d’une analyse systématique du principal titre de presse professionnelle du secteur, <jats:italic toggle=\"yes\">Show Magazine</jats:italic> , et d’une étude de cas portant sur le destin inattendu du morceau « Soul Makossa » de Manu Dibango publié 1973. Il propose de décrire cette industrie comme un agencement marchand racialisé, et démontre comment l’exploitation ségréguée des disques de musiciens africains en France est tributaire d’un dispositif économique asymétrique hérité de l’époque coloniale, la « Zone franc », mais aussi d’une culture de production marquée par la blanchité et reléguant l’Afrique dans un angle-mort de l’infrastructure informationnelle du secteur.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"417 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2026-02-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147274309","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Incendiary women: Edith Thomas, the Second World War and writing women into history 煽动性的女人：伊迪丝·托马斯，第二次世界大战和把女人写进历史
IF 0.4 4区 社会学
French Cultural Studies Pub Date : 2026-02-16 DOI: 10.1177/09571558261421396
Claire Gorrara
{"title":"Incendiary women: Edith Thomas, the Second World War and writing women into history","authors":"Claire Gorrara","doi":"10.1177/09571558261421396","DOIUrl":"https://doi.org/10.1177/09571558261421396","url":null,"abstract":"This article examines the wartime writing of French resister and historian Edith Thomas. It argues that Thomas's collection of fictional clandestine short stories, <jats:italic toggle=\"yes\">Contes</jats:italic> d’Auxois (1943), provides an early social history of the French Resistance. It interprets such wartime writing as offering contemporary insights into women's contributions to the Resistance, key aspects of which would be taken up by later generations of historians. The article then examines how Thomas's personal experiences of the Resistance impacted her post-war work as a social and cultural historian. It reads her choice to write women back into history as one inflected by her resistance activism. The article ends by reading Thomas's <jats:italic toggle=\"yes\">Les Pétroleuses</jats:italic> (1963) as a collective feminist biography that creates transhistorical connections between the ‘incendiary women’ of the Paris Commune and women's wartime resistance. In so doing, Thomas coopts the maligned women communards of 1870 to a Republican tradition of popular revolt in an act of feminist recuperation and celebration across centuries.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"18 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2026-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146210028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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