Espacio Tiempo y Forma. Serie VII, Historia del Arte最新文献

{"title":"Nuevas visiones fotográficas de Lanzarote: una isla más allá del turismo = New Photographic Visions of Lanzarote: An Island beyond Tourism","authors":"Félix Delgado López, Carmelo Vega de la Rosa","doi":"10.5944/etfvii.8.2020.27801","DOIUrl":"https://doi.org/10.5944/etfvii.8.2020.27801","url":null,"abstract":"Desde la decada de los sesenta del siglo XX, Lanzarote se ha integrado de forma plena en el turismo internacional. Esto ha conllevado una profunda transformacion de su realidad territorial, demografica, economica, social, cultural y tambien una laboriosa construccion de su imagen. La fotografia ha contribuido a consolidar y difundir itinerarios, iconografias y modos de percibir propiamente turisticos. Al mismo tiempo se han extendido otras propuestas fotograficas que nos aproximan a nuevas posibilidades de dialogo con la isla. Estas han servido para dar importancia a otros temas y han indicado otras posibilidades de mirar. Sus planteamientos enriquecen porque aportan claves e interrogantes vitales y humanos, resaltan el interes natural y cultural de Lanzarote y nos invitan a reflexionar desde el conocimiento y el respeto. En este articulo se analizan y muestran las aportaciones de Carlos A. Schwartz y Hamish Fulton. Abstract Since the 60´s in the twentieth century, Lanzarote has been fully integrated into international tourism. This has entailed a profound transformation of its territorial, demographic, economic, social and cultural reality and also a laborious construction of its image. Photography has helped consolidate and disseminate tourist-oriented routes, iconographies and perceptions. At the same time, other photographic proposals have been extended that bring us closer to new possibilities for dialog with the island. They have served to give importance to other topics and have indicated other possibilities to look at. Their approaches are enriching because they bring essential and human leads and questions, highlight the natural and cultural interest of Lanzarote and invite us to reflect from knowledge and respect. This article analyzes and shows the contributions of Carlos A. Schwartz and Hamish Fulton.","PeriodicalId":11829,"journal":{"name":"Espacio Tiempo y Forma. Serie VII, Historia del Arte","volume":"1 1","pages":"533-556"},"PeriodicalIF":0.2,"publicationDate":"2020-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45815835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Alfons Roig y Manolo Millares en diálogo: los documentos del Archivo Alfons Roig (MUVIM, Valencia) = Dialogue between Alfons Roig and Manolo Millares: The Documents of the Alfons Roig Archive (Muvim, Valencia)","authors":"José Luis De la Nuez Santana","doi":"10.5944/etfvii.8.2020.27415","DOIUrl":"https://doi.org/10.5944/etfvii.8.2020.27415","url":null,"abstract":"En este artículo se realiza un análisis de la correspondencia mantenida entre el sacerdote y crítico valenciano Alfons Roig y el pintor Manolo Millares a lo largo del periodo 1956-1957. Los contenidos de esta correspondencia revelan aspectos de interés sobre la actividad artística del pintor canario y la labor realizada por Roig en la difusión del arte contemporáneo. En una segunda parte del artículo se estudian los contenidos de un texto elaborado por Millares sobre su obra que fue enviado a Roig y que hoy en día se conserva en la fundación que lleva su nombre en Valencia. El interés de este texto radica en que supone la primera reflexión de importancia de Millares sobre su obra en un momento clave de su vida artística, en clara evolución hacia el informalismo.AbstractThis article analyses the correspondence between the Valencian priest and art critic Alfons Roig and the painter Manolo Millares throughout the period 1956-1957. The contents of this correspondence reveal aspects of interest in the artistic activity of the Canarian painter and the work of Roig’s dissemination of contemporary art. A second part of the article examines the contents of a text prepared by Millares on his work sent to Roig and today preserved in the foundation that bears his name in Valencia. The interest of this text is that it represents Millares’ first important reflection on his work at a key moment in his artistic life, clearly evolving towards informalism.","PeriodicalId":11829,"journal":{"name":"Espacio Tiempo y Forma. Serie VII, Historia del Arte","volume":"2 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83813753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"«Un ángel más»: prensa, imágenes y prácticas emocionales y políticas por el malogrado príncipe de Asturias","authors":"Gemma Cobo Delgado","doi":"10.5944/ETFVII.2020.25394","DOIUrl":"https://doi.org/10.5944/ETFVII.2020.25394","url":null,"abstract":"espanolLa muerte del principe de Asturias, hijo de Isabel II, en 1850 sirvio como asunto de una amplia produccion visual, fue noticia durante mas de un mes, y causo la conmocion del pueblo. A traves de las imagenes y la prensa es posible recuperar los usos politicos que se hicieron de las emociones, asi como las practicas que se sucedieron con el propio cuerpo del nino. Tanto las funciones de las obras encargadas por el rey, Francisco de Asis, a Federico de Madrazo, Jose Piquer, Antonio Gomez Cros y Angel Maria Cortellini, como las excepcionales practicas que se llevaron a cabo durante el protocolo funerario no eran tanto reflejo de una nueva sensibilidad ante la muerte de los ninos como estrategias politicas basadas en los afectos, que pretendian ganar el favor de los subditos. EnglishAbstract The death of the Prince of Asturias, son of Isabel II, in 1850 was the subject of great artistic outpouring; it was news for more than a month, and it shocked people profoundly. Through the images created and the press, it is possible to observe the political uses that were made of the emotions, as well as the practices, related to the child’s body. Both the use made of the works commissioned by the king, Francisco de Asis, from Federico de Madrazo, Jose Piquer, Antonio Gomez Gros and Angel Maria Cortellini, as well as the exceptional practices carried out during the funeral rites were not so much a reflection of a new sensitivity regarding the death of children, but, rather, political strategies based on the affection generated by the death, which sought to win the favour of subjects.","PeriodicalId":11829,"journal":{"name":"Espacio Tiempo y Forma. Serie VII, Historia del Arte","volume":"1 1","pages":"441-464"},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71303839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"RESEÑA de: Sazatornil Ruiz, Luis & Madrid Álvarez, Vidal de la (coords.), \"Imago Urbis. Las ciudades españolas vistas por los viajeros (siglos XVI-XIX)\". Gijón, Ediciones Trea, 2019. ISBN: 978-84-17987-45-9, 696 pp","authors":"Álvaro Molina Martín","doi":"10.5944/ETFVII.2020.28546","DOIUrl":"https://doi.org/10.5944/ETFVII.2020.28546","url":null,"abstract":"","PeriodicalId":11829,"journal":{"name":"Espacio Tiempo y Forma. Serie VII, Historia del Arte","volume":"1 1","pages":"589-592"},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71303857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Los salones de humoristas durante la posguerra española (1940-1953) y el médico y caricaturista José Delgado Úbeda «Zas» = The Humoristic Halls´ during the Spanish Postwar Period (1940-1953) and the Doctor and Caricaturist José Delgado Úbeda «Zas»","authors":"José Carlos Villadóniga Gómez","doi":"10.5944/etfvii.7.2019.22657","DOIUrl":"https://doi.org/10.5944/etfvii.7.2019.22657","url":null,"abstract":"Los Salones de Humoristas iniciados en Espana en 1914 y promovidos por Jose Frances, acogieron a las firmas mas significativas de las distintas facetas del arte, no solo del humor y la caricatura. El presente articulo tiene como objetivos: poner en valor a las y los artistas que participaron en dichos Salones en la posguerra espanola desde 1940 a 1953 y la importancia que en ellos tuvo el polifacetico y «creador de la caricatura moderna espanola», segun palabras de Luis Lasa, el medico, caricaturista y experto en papiroflexia Jose Delgado Ubeda, de seudonimo artistico ZAS. Metodologicamente se han estudiado los catalogos y documentacion inedita propiedad de los descendientes de ZAS asi como los archivos de distintas instituciones. El resultado del trabajo ha puesto de manifiesto la influencia del contexto politico-social y economico en dichos Salones. Pudiendo concluir en la importancia que estos tuvieron para la actividad artistica espanola e internacional de la epoca. Abstract The Humorists Halls´ started in Spain in 1914 and promoted by Jose Frances, received the signatures most significant of the different artistic facets not only of humor and of caricature. The present article has as objectives: to value the artists who participated in said Halls in the Spanish postwar period from 1940 to 1953 and the importance that the multifaceted one had in them «the creator of the modern Spanish caricature», in the words of Luis Lasa, the doctor, caricaturist and origami expert Jose Delgado Ubeda, of artistic pseudonym «ZAS». Methodologically the catalogs and unpublished documents owned by the descendants of «ZAS» have been studied as well as the files of different institutions. The result of the work has revealed the influence of the political - social and economic context of the above mentioned halls and international of the period. Palabras clave: Salones de Humoristas; caricatura; posguerra espanola; catalogos; Jose Frances; ZAS","PeriodicalId":11829,"journal":{"name":"Espacio Tiempo y Forma. Serie VII, Historia del Arte","volume":"1 1","pages":"361-378"},"PeriodicalIF":0.2,"publicationDate":"2019-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48084915","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La recuperación de dos repuestos de pólvora del siglo XVIII en Melilla: análisis y restauración = Recovery of two Spare Gunpowder Warehouses from the XVIIIth Century in Melilla: Analysis and Restoration","authors":"S. R. González, Antonio Bravo Nieto, Juan Antonio Alduncin Garrido","doi":"10.5944/etfvii.7.2019.22468","DOIUrl":"https://doi.org/10.5944/etfvii.7.2019.22468","url":null,"abstract":"Los repuestos de polvora construidos en las fortificaciones de la Edad Moderna pertenecen a una tipologia arquitectonica escasamente estudiada. Como derivacion de los polvorines en su reducida dimension, tales repuestos cumplian la funcion de almacenaje de municiones para una bateria o zona concreta del recinto, facilitando su rapido y comodo abastecimiento. A traves del presente trabajo abordaremos el analisis de varios de ellos como parte integrante de la estructura fortificada de Melilla, en el caso del almacen de Florentina y los repuestos de la Bateria Real y del fuerte de Victoria Grande, estos dos ultimos realizados por el ingeniero Juan Martin Zermeno en el primer tercio del siglo XVIII. Su restauracion, hace escasos anos, puso de manifiesto la necesidad del trabajo de historiadores y arqueologos para poder interpretarlos en sus distintas variables. Con ello, se consiguio una correcta recuperacion de los espacios al sacar a la luz sus principales elementos.       Abstract The spare gunpowder warehouses built in the fortresses of the Modern Age belong to an architectural layout scarcely studied. As for the reduced dimensions of the tinderboxes, such gunpowder warehouses fulfilled the function of ammunition depot for a battery, or specific area in the enclosure, thus facilitating its quick and convenient supply. Throughout the present work we will address the analysis of some of them as integral part of the fortified structure of Melilla, as is the case in Florentina‘s warehouse, and the spare gunpowder warehouse in the Royal Battery, as well as Victoria Grande‘s fortress, the last two work undertaken by the engineer Juan Martin Zermeno in the first third of the 18th century. Its recent restoration revealed the need for historians and archaeologists in order to interpret them in their various variables. By doing so, it was achieved the right spaces recovery shedding light on their main elements.","PeriodicalId":11829,"journal":{"name":"Espacio Tiempo y Forma. Serie VII, Historia del Arte","volume":"1 1","pages":"209-230"},"PeriodicalIF":0.2,"publicationDate":"2019-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44454538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Ad vitandam confusionem. Una aproximación analítica al tratado sobre perspectiva de Andrea Pozzo = Ad vitandam confusionem. An Analytical Approach to Andrea Pozzo’s Treatise on Perspective","authors":"S. F. Lázaro","doi":"10.5944/etfvii.7.2019.24219","DOIUrl":"https://doi.org/10.5944/etfvii.7.2019.24219","url":null,"abstract":"espanolEl tratado Perspectiva Pictorum Architectorum es uno de los principales meritos que han consagrado al hermano coadjutor Andrea Pozzo (1642-1709) como el mas renombrado artista de la Compania de Jesus. A pesar de haber servido a pintores, geometras y arquitectos del ultimo Barroco en cuatro continentes como fuente de formacion y repertorio visual, sigue siendo un texto citado mayormente de modo superficial. El presente examen de sus contenidos pretende analizar su organizacion y los diferentes propositos que fundamentaron la obra, esto es: ponderar la arquitectura de la Orden y del propio Pozzo; servir de eficaz manual de taller; y, entonces como hoy en dia, interesar como objeto de bibliofilia. EnglishAbstractThe treatise Perspective Pictorum Architectorum is one of the main reasons that have consecrated brother coadjutor Andrea Pozzo (1642-1709) as the most renowned artist of the Society of Jesus. Despite having served painters, geometricians and architects of four continents as a source of instruction and visual repertoire during the Late Baroque, it still remains –save honorable exceptions– as a superficially read text. Our examination of its contents analyzes how the plates were grouped to fulfill the different functions which the treatise was meant to accomplish, i.e.: praising Jesuit architecture and the one designed by Pozzo himself; being effective as a workshop manual; and, then as now, drawing attention to its character as an object of bibliophilia.","PeriodicalId":11829,"journal":{"name":"Espacio Tiempo y Forma. Serie VII, Historia del Arte","volume":"1 1","pages":"103-130"},"PeriodicalIF":0.2,"publicationDate":"2019-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43641307","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Reseña de: Barreiro López, Paula (ed.): Atlántico Frío. Historias transnacionales del arte y la política en los tiempos del telón de acero","authors":"Julia Fernández Toledano","doi":"10.5944/etfvii.7.2019.24200","DOIUrl":"https://doi.org/10.5944/etfvii.7.2019.24200","url":null,"abstract":"Resenade: Barreiro Lopez, Paula (ed.): Atlantico Frio. Historias transnacionales del arte y la politica en los tiempos del telon de acero. Madrid, Brumaria, 2019. ISBN: 978-84-949247-9-8. Autoras y autores: Juan Albarran Diego, Lorena Amoros Blasco, Maria Ayllon Barasoain, Paula Barreiro Lopez, Miriam Basilio, Juliane Debeusscher, Julian Diaz Sanchez, Olga Fernandez Lopez, Jonathan Harris, Maria Inigo Clavo, Fabiola Martinez Rodriguez, Ines Plasencia Camps, Maria Ruido, Fabiana Serviddio y Jaime Vindel. Se enmarca en el proyecto de investigacion MoDe(s): Modernidad(es) Descentralizada(s): Arte, politica y contracultura en el eje transatlantico durante la Guerra Fria y se presenta como resultado de los debates que se desarrollaron en el contexto del mismo, planteando un marco teorico que se sigue ampliando actualmente con el proyecto MoDe(s)21. Asi, a partir de una perspectiva transversal y transnacional, sus autores y autoras abordan practicas artisticas y culturales, disidencias y resistencias  a la ruptura estetica e ideologica de la Guerra Fria, prestando atencion a los procesos de intercambio a traves del Atlantico y su relacion con las dinamicas sociales y politicas.","PeriodicalId":11829,"journal":{"name":"Espacio Tiempo y Forma. Serie VII, Historia del Arte","volume":"1 1","pages":"407-408"},"PeriodicalIF":0.2,"publicationDate":"2019-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48256520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Introduzione. La prospettiva come tema vitruviano = Introduction. Perspective as a Vitruvian Theme","authors":"F. Camerota","doi":"10.5944/etfvii.7.2019.26188","DOIUrl":"https://doi.org/10.5944/etfvii.7.2019.26188","url":null,"abstract":"Con la diffusione della prospettiva lineare, l’architettura divenne uno dei principali temi di studio degli artisti rinascimentali. La necessita di rappresentare architetture credibili impose ai pittori di imparare a disegnare come gli architetti, combinando piante e alzati e applicando le regole proporzionali e morfologiche tramandate da Vitruvio. I trattati di prospettiva accolsero sistematicamente mirate istruzioni sul disegno degli edifici, cosi come i trattati di architettura dedicarono spazio alla rappresentazione prospettica, considerandola come una disciplina corrispondente a cio che Vitruvio chiamava «scaenographia». A sancire lo stretto legame tra la prospettiva dei pittori e la scenografia vitruviana fu principalmente Daniele Barbaro che compose il suo celebre trattato di prospettiva come approfondimento del tema che tanto lo aveva impegnato nel suo altrettanto celebre commento a Vitruvio. Abstract With the spread of linear perspective, architecture became one of the main disciplines studied by Renaissance artists. The need to represent credible architecture forced painters to learn how to draw like architects, combining plans and elevations and applying the proportional and morphological rules handed down by Vitruvius. The treatises of perspective systematically welcomed instructions on the design of buildings, just as the architectural treatises dedicated space to perspective representation, considering it as a discipline corresponding to what Vitruvius called «scaenographia». To establish the close link between the perspective of painters and the Vitruvian scenography was mainly Daniele Barbaro who composed his famous treatise on perspective as a deepening of the theme that had so busy him in his equally famous commentary on Vitruvius.","PeriodicalId":11829,"journal":{"name":"Espacio Tiempo y Forma. Serie VII, Historia del Arte","volume":"1 1","pages":"17-40"},"PeriodicalIF":0.2,"publicationDate":"2019-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44902864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Los trabajos de iluminación en el Libro de los Juramentos del Ayuntamiento de Toledo = The Work of Miniatures for the Book of Vows of the City Hall of Toledo","authors":"Jaime Moraleda Moraleda","doi":"10.5944/etfvii.7.2019.24028","DOIUrl":"https://doi.org/10.5944/etfvii.7.2019.24028","url":null,"abstract":"El Libro de los Juramentos del Ayuntamiento de Toledo es considerado uno de los codices mas importantes custodiados en el Archivo Municipal de la ciudad, si bien, aunque los estudios referentes a su contenido se han tenido en cuenta desde hace decadas, no ha sido el caso en lo referente a su aportacion artistica. Los folios iluminados y enmarcados con bellas orlas han fascinado a todos los que, por alguna razon, se acercaron al manuscrito toledano, por lo que nuestro principal objetivo ha sido analizar desde el punto de vista estetico, estilistico e iconografico el conjunto de repertorios iluminados. En el proceso de estudio ha sido fundamental el analisis comparativo con otros codices que hemos considerado contemporaneos, pues en base a la fecha de renovacion del volumen manuscrito, la diligencia del ultimo folio apunta al ano de 1594. De igual manera hemos podido concluir una importante conexion estilistica y tecnica con las nuevas formulas de iluminacion, iniciadas en el scriptorium del monasterio de El Escorial desde el ultimo cuarto del quinientos. Abstract The Book of Vows of the City Hall of Toledo is considered one of the most important codex kept in the Archive of the city. The studies regarding its content have been already analyzed for decades, but its artistic contribution has been neglected. The illuminated pages, beautifully framed, have fascinated all those who have approached the Toledo manuscript. Our main objective has been to analyze from the aesthetic, stylistic and iconographic point of view the set of illuminated repertoires. This article will stablish new relations with other codices that we have considered contemporary, according to the date of renewal of the book: the year 1594. We have been able to link this work stylistically and technically with the new formulas of illumination, started at the scriptorium of the monastery of El Escorial during the last quarter of the five hundred.","PeriodicalId":11829,"journal":{"name":"Espacio Tiempo y Forma. Serie VII, Historia del Arte","volume":"1 1","pages":"191-208"},"PeriodicalIF":0.2,"publicationDate":"2019-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5944/etfvii.7.2019.24028","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46325499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}