从被迫休息到相互连接的床作为一个创造空间。当代艺术实践中的可能场景=从被迫休息到相互连接的床作为创作空间。当代艺术实践的可能实习

IF 0.2 0 ART
José Luis Panea
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引用次数: 0

摘要

疾病导致的休息以减轻疼痛——在文化和历史上——作为一个典型的场景,床,床。这种家具,作为身体的隐喻,经常见证诸如出生、疾病、性和色情或死亡等事件。在艺术中,它已经成为揭露这些问题的常用比喻,导致了对家庭空间的创造性再实验。我们将分析艺术家的谱系,他们为身体所经过的这个enser提供了另一种视角,由于疾病和创伤的经历,它重新定义了自己,导致作者重新种植自己的生活,甚至他的艺术实践。我们将从美学和艺术史出发,找到关于这个主题的主要展览,并将把把床作为这种疾病的仓库的艺术家联系起来。Abstract to The repose to which The疾病制订The pain,会见了—culturally床历来—as a paradigmatic scenario。This piece of negritude furniture, as a body,通常是witness of events如生育疾病,sexuality, eroticism or死刑。在艺术方面,床已经成为一个经常的主题,特别是在一个被迫休息的时刻,在那里可以重新体验家庭生活。我们提出了一个艺术家的谱系,他们带来了另一种观点,由于痛苦、创伤或疾病的经验,被重新定义,引导作者重新考虑他自己的栖息地。We will start from Aesthetics and History of Art to analyse the main关于exhibitions on the subject and We will put in the艺术家世界卫生组织已经对床作为repository said卵巢癌。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Del descanso forzado a la cama interconectada como espacio de creación. Escenarios posibles desde las prácticas artísticas contemporáneas = From Forced Rest to the Interconnected Bed as a Space for Creation. Possible Stages in Contemporary Art Practices
El reposo al que la enfermedad conduce para mitigar el dolor encuentra –cultural e historicamente– como escenario paradigmatico el lecho, la cama. Este mueble, en tanto metafora corporal, suele ser testigo de acontecimientos como el nacimiento, la enfermedad, la sexualidad y el erotismo o la muerte. En el arte, ha devenido tropo frecuente al exponer dichas cuestiones, conduciendo a una re-experimentacion creativa del espacio domestico. Analizaremos una genealogia de artistas que aportan otra mirada a este enser por el que el cuerpo pasa , y que, debido a la experiencia de la enfermedad y el trauma, se resignifica, llevando al autor a replantar su propio habitar e incluso su practica artistica. Partiremos de la Estetica y la Historia del Arte para localizar las principales exposiciones sobre el tema y pondremos en relacion a los artistas que han tratado la cama como repositorio de dicho padecer. Abstract The repose to which the disease leads to mitigate the pain, finds –culturally and historically– as a paradigmatic scenario the bed. This piece of furniture, as a body metaphor, is usually witness of events such as birth, disease, sexuality and eroticism or death. In art, the bed has become a frequent trope especially to expose the illness as a moment of forced rest in which it is possible to creatively re-experience the domestic. We propose a genealogy of artists who bring another look to this belonging that, due to the experience of pain, trauma or disease, is re-signified, leading the author to reconsider his own habitat. We will start from Aesthetics and History of Art to analyse the main exhibitions on the subject and we will put in relation the artists who have treated the bed as a repository of said suffering.
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来源期刊
CiteScore
0.20
自引率
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发文量
27
审稿时长
30 weeks
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