Eighteenth Century Music最新文献

筛选
英文 中文
ECM volume 21 issue 1 Cover and Back matter 欧洲货币》第 21 卷第 1 期封面和封底
IF 0.1 2区 艺术学
Eighteenth Century Music Pub Date : 2024-02-06 DOI: 10.1017/s1478570623000428
{"title":"ECM volume 21 issue 1 Cover and Back matter","authors":"","doi":"10.1017/s1478570623000428","DOIUrl":"https://doi.org/10.1017/s1478570623000428","url":null,"abstract":"","PeriodicalId":11521,"journal":{"name":"Eighteenth Century Music","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139862141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Database of Harpsichord and Clavichord Makers Goes Online 大键琴和小键琴制造商数据库上线
IF 0.1 2区 艺术学
Eighteenth Century Music Pub Date : 2024-02-06 DOI: 10.1017/s1478570623000313
Jenny Nex
{"title":"Database of Harpsichord and Clavichord Makers Goes Online","authors":"Jenny Nex","doi":"10.1017/s1478570623000313","DOIUrl":"https://doi.org/10.1017/s1478570623000313","url":null,"abstract":"","PeriodicalId":11521,"journal":{"name":"Eighteenth Century Music","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139862162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Philon und Theone Georg Anton Benda (1722–1795), ed. Austin Glatthorn Middleton, WI: A-R Editions, 2020 pp. xxiv + 166, ISBN 978 1 9872 0456 8 Philon und Theone Georg Anton Benda (1722-1795), ed., Middleton, WI: A-R Editions, 2020 pp.Austin Glatthorn Middleton, WI: A-R Editions, 2020 pp.
IF 0.1 2区 艺术学
Eighteenth Century Music Pub Date : 2024-02-06 DOI: 10.1017/s1478570623000416
Jacqueline Waeber
{"title":"Philon und Theone Georg Anton Benda (1722–1795), ed. Austin Glatthorn Middleton, WI: A-R Editions, 2020 pp. xxiv + 166, ISBN 978 1 9872 0456 8","authors":"Jacqueline Waeber","doi":"10.1017/s1478570623000416","DOIUrl":"https://doi.org/10.1017/s1478570623000416","url":null,"abstract":"","PeriodicalId":11521,"journal":{"name":"Eighteenth Century Music","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139861208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music Theatre and the Holy Roman Empire: The German Musical Stage at the Turn of the Nineteenth Century Austin Glatthorn Cambridge: Cambridge University Press, 2022 pp. xix + 369, ISBN 978 1 316 51249 4 音乐剧院与神圣罗马帝国:十九世纪之交的德国音乐舞台 Austin Glatthorn 剑桥:剑桥大学出版社,2022 页。xix + 369, ISBN 978 1 316 51249 4
IF 0.1 2区 艺术学
Eighteenth Century Music Pub Date : 2024-02-06 DOI: 10.1017/s1478570623000362
Axel Körner
{"title":"Music Theatre and the Holy Roman Empire: The German Musical Stage at the Turn of the Nineteenth Century Austin Glatthorn Cambridge: Cambridge University Press, 2022 pp. xix + 369, ISBN 978 1 316 51249 4","authors":"Axel Körner","doi":"10.1017/s1478570623000362","DOIUrl":"https://doi.org/10.1017/s1478570623000362","url":null,"abstract":"","PeriodicalId":11521,"journal":{"name":"Eighteenth Century Music","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139861408","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
C. P. E. Bach, Haydn and the Evolving Keyboard Idioms of the Later Eighteenth Century C.巴赫、海顿与十八世纪后期键盘乐器成语的演变
IF 0.1 2区 艺术学
Eighteenth Century Music Pub Date : 2024-02-06 DOI: 10.1017/s1478570623000349
David Schulenberg
{"title":"C. P. E. Bach, Haydn and the Evolving Keyboard Idioms of the Later Eighteenth Century","authors":"David Schulenberg","doi":"10.1017/s1478570623000349","DOIUrl":"https://doi.org/10.1017/s1478570623000349","url":null,"abstract":"The long careers of Carl Philipp Emanuel Bach and Joseph Haydn coincided with fundamental transformations in how keyboard instruments were built and played and how composers wrote for them. Haydn's keyboard music probably saw the more profound changes in compositional style, yet C. P. E. Bach and others preceded him in discovering ways to incorporate new keyboard idioms into pieces written for new types of instruments. Bach gradually shifted from writing generic keyboard music to composing in idioms most appropriate to two-manual harpsichords, unfretted clavichords or fortepianos. Haydn likewise began writing in a generic idiom; many works that have been posited as having been meant for the clavichord cannot in fact be assigned clearly to that or any other specific instrument. Although Haydn did eventually turn to writing specifically for the fortepiano, he too made a gradual, and relatively late, transition from a generic approach to one that centred on the grand fortepianos of the late eighteenth century. Bach's influence on Haydn is inseparable from the matter of the keyboard instruments. Although the precise nature and extent of Bach's influence cannot be determined, compositional elements derived by Haydn from Bach's music range from superficial thematic and notational parallelisms to fundamental conceptions of what keyboard music could be or could express.","PeriodicalId":11521,"journal":{"name":"Eighteenth Century Music","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139799421","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Spanish Roots: Music in Iberia and Latin America 西班牙之根伊比利亚和拉丁美洲的音乐
IF 0.1 2区 艺术学
Eighteenth Century Music Pub Date : 2024-02-06 DOI: 10.1017/s1478570623000325
Marcos Krieger
{"title":"Spanish Roots: Music in Iberia and Latin America","authors":"Marcos Krieger","doi":"10.1017/s1478570623000325","DOIUrl":"https://doi.org/10.1017/s1478570623000325","url":null,"abstract":"","PeriodicalId":11521,"journal":{"name":"Eighteenth Century Music","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139798733","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Foretaste of Heaven: Musical Teleology in Mozart's Ave verum corpus, k618 天堂的预感:莫扎特《万福全书》K618 中的音乐目的论
IF 0.1 2区 艺术学
Eighteenth Century Music Pub Date : 2024-02-06 DOI: 10.1017/s1478570623000258
Lauri Suurpää
{"title":"A Foretaste of Heaven: Musical Teleology in Mozart's Ave verum corpus, k618","authors":"Lauri Suurpää","doi":"10.1017/s1478570623000258","DOIUrl":"https://doi.org/10.1017/s1478570623000258","url":null,"abstract":"In June 1791, having composed almost no church music for ten years, Mozart wrote the short motet Ave verum corpus, k618, a setting of the Latin medieval eucharist hymn. The theological teleology in the text introduces a process-like aiming at a goal that cannot, however, be reached. This study is about how teleology operates in the motet – the ways in which the text's ultimately unfulfilled goal-directed processes operate in Mozart's music. The music is approached from a variety of analytical perspectives that reflect different aspects of this theme: the new Formenlehre and phrase structure, topic theory, and the analysis of voice-leading structure, register and hypermetre. Together, these approaches elucidate the multiplicity of musical processes that, as in the motet's text, announce a goal but fail to reach it.","PeriodicalId":11521,"journal":{"name":"Eighteenth Century Music","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139799106","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reassessing Haydn's Sacred Music 重新评估海顿的圣乐
IF 0.1 2区 艺术学
Eighteenth Century Music Pub Date : 2024-02-06 DOI: 10.1017/s1478570623000337
Janet K. Page
{"title":"Reassessing Haydn's Sacred Music","authors":"Janet K. Page","doi":"10.1017/s1478570623000337","DOIUrl":"https://doi.org/10.1017/s1478570623000337","url":null,"abstract":"","PeriodicalId":11521,"journal":{"name":"Eighteenth Century Music","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139799472","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Trois Quatuors Op. 42 Adalbert Gyrowetz (1763–1850) Quartetto Oceano OMF Records KDC-2093G, 2021; one disc, 64 minutes Trois Quatuors Op. 42 Adalbert Gyrowetz (1763-1850) Quartetto Oceano OMF Records KDC-2093G, 2021; 一盘,64 分钟
IF 0.1 2区 艺术学
Eighteenth Century Music Pub Date : 2024-02-06 DOI: 10.1017/s1478570623000295
Shanti Nachtergaele
{"title":"Trois Quatuors Op. 42 Adalbert Gyrowetz (1763–1850) Quartetto Oceano OMF Records KDC-2093G, 2021; one disc, 64 minutes","authors":"Shanti Nachtergaele","doi":"10.1017/s1478570623000295","DOIUrl":"https://doi.org/10.1017/s1478570623000295","url":null,"abstract":"","PeriodicalId":11521,"journal":{"name":"Eighteenth Century Music","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139802301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Power of Pastiche: Musical Miscellany and Cultural Identity in Early Eighteenth-Century England Alison C. DeSimone Clemson: Clemson University Press, 2021 pp. xiii + 315, ISBN 978 1 942 95477 4 戏剧的力量:Alison C. DeSimone Clemson:克莱姆森大学出版社,2021 年,第 xiii + 315 页,ISBN 978 1 942 95477 4
IF 0.1 2区 艺术学
Eighteenth Century Music Pub Date : 2024-02-06 DOI: 10.1017/s147857062300026x
Stephanie Carter
{"title":"The Power of Pastiche: Musical Miscellany and Cultural Identity in Early Eighteenth-Century England Alison C. DeSimone Clemson: Clemson University Press, 2021 pp. xiii + 315, ISBN 978 1 942 95477 4","authors":"Stephanie Carter","doi":"10.1017/s147857062300026x","DOIUrl":"https://doi.org/10.1017/s147857062300026x","url":null,"abstract":"","PeriodicalId":11521,"journal":{"name":"Eighteenth Century Music","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139860371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信