Comparative American Studies An International Journal最新文献

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‘“Shall we gather at the river?”: the folklore and trauma of Toni Morrison’s landscape in Sula’ “我们在河边集合好吗?”:托妮·莫里森《秀拉》中风景的民俗与创伤
Comparative American Studies An International Journal Pub Date : 2021-01-02 DOI: 10.1080/14775700.2021.1873023
C. Gooch
{"title":"‘“Shall we gather at the river?”: the folklore and trauma of Toni Morrison’s landscape in Sula’","authors":"C. Gooch","doi":"10.1080/14775700.2021.1873023","DOIUrl":"https://doi.org/10.1080/14775700.2021.1873023","url":null,"abstract":"ABSTRACT In ‘The Site of Memory,’ Toni Morrison suggests that ‘the act of imagination is bound up with memory’ (98). She goes on to compare the Mississippi River to writers, ‘remembering where we were, what valley we ran through, what the banks were like’ (99). As I demonstrate in this article, it would be a mistake to think of this comparison as a mere metaphor. In this essay, I examine how the characters in Sula rely on and struggle with their communal memories and trauma as they are tied to the river that runs through the Bottom. I argue that Morrison uses the river as a focal point to express the intersection of memory, history, and trauma, both for the individual characters in the book and the Black community at large. Furthermore, I argue that Morrison responds to this violent past by integrating popular folktales and signifying on them in order to help us, and the characters, understand the perils of both the social and natural landscape. Ultimately, I conclude that the presence of the rivers and popular folktales are sites of memory that invoke the histories of oppression that have shaped the lives of the characters in Sula.","PeriodicalId":114563,"journal":{"name":"Comparative American Studies An International Journal","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121909212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The transatlantic Thames: Anglo-American tensions on the Victorian ‘stream of pleasure’ 跨大西洋的泰晤士河:英美在维多利亚时代“享乐之流”上的紧张关系
Comparative American Studies An International Journal Pub Date : 2021-01-02 DOI: 10.1080/14775700.2021.1873024
T. R. Smith
{"title":"The transatlantic Thames: Anglo-American tensions on the Victorian ‘stream of pleasure’","authors":"T. R. Smith","doi":"10.1080/14775700.2021.1873024","DOIUrl":"https://doi.org/10.1080/14775700.2021.1873024","url":null,"abstract":"ABSTRACT While it is widely understood that rivers took on new symbolic power as avatars of nationalism in the late nineteenth century, less examined is their use as a space for Transatlantic cultural flow, and transnational commentary and critique. This article explores the ways in which a variety of Americans abroad in this period centred the Thames – newly charged with nationalist sentiment – in their accounts of Britain. In particular, it analyses Elizabeth Robins and Joseph Pennell’s travel narrative The Stream of Pleasure, first published as the lead article in the ‘Midsummer Holiday Issue’ of The Century Magazine in 1889, as an exemplary text in which both artist and writer play with the image of the river in ways that chime with much wider Transatlantic debates at this moment.","PeriodicalId":114563,"journal":{"name":"Comparative American Studies An International Journal","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129764289","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Waterproofing the State: Migration, River-Borders, and Ecologies of Control 国家的防水:移民、河流边界和控制生态
Comparative American Studies An International Journal Pub Date : 2021-01-02 DOI: 10.1080/14775700.2021.1872765
Jorge E. Cuéllar
{"title":"Waterproofing the State: Migration, River-Borders, and Ecologies of Control","authors":"Jorge E. Cuéllar","doi":"10.1080/14775700.2021.1872765","DOIUrl":"https://doi.org/10.1080/14775700.2021.1872765","url":null,"abstract":"ABSTRACT Transboundary waters serve critical bordering functions and are often obstacles for migrants transiting throughout the globe. This article focuses on migrant encounters with Mesoamerican river-borders, as highlighted in recent media images of river crossings – from individuals to migrant caravans – that show how people use waterbodies to evade state capture. Analysing widely circulated images of migrant death at the Rio Grande (US–Mexico) and the caravan spectacle at the Suchiate River (Mexico-Guatemala), I attend to contemporary migrations taking place at the intersection of securitisation, border-making, and ecology. Reflecting on historical events such as the Río Sumpul Massacre in El Salvador, recent Central American caravan migrations across Mexico-Guatemala, to the widely circulated river death of migrants Óscar and Valeria Martínez Ramírez in mid-2019, I consider the environmental relations, cultural practices, and social forms that emerge around river-borders. I highlight ongoing processes of terraforming that are shaping borderland biomes and that are subsequently disrupting boundary dynamics linked to popular mobility, informal economies, and ecosystem health. Juxtaposing migrant sociality at river-borders with contemporary border-formation, I show how migrant movement is discouraged and repelled in service of sealing borders through the making of ecologies of control.","PeriodicalId":114563,"journal":{"name":"Comparative American Studies An International Journal","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116862975","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rivers, Reflections, and Memories in Raymond Carver’s Where Water Comes Together with Other Water 雷蒙德·卡弗的《水与其他水在一起的地方》中的河流、倒影和记忆
Comparative American Studies An International Journal Pub Date : 2021-01-02 DOI: 10.1080/14775700.2021.1872764
Barbara Miceli
{"title":"Rivers, Reflections, and Memories in Raymond Carver’s Where Water Comes Together with Other Water","authors":"Barbara Miceli","doi":"10.1080/14775700.2021.1872764","DOIUrl":"https://doi.org/10.1080/14775700.2021.1872764","url":null,"abstract":"ABSTRACT Where Water Comes Together with Other Water is a collection of poems published by Raymond Carver in 1985. As the aquatic title suggests, many of these poems feature rivers and creeks. The aim of my contribution is to analyse the function of rivers in Carver’s poetry, pointing out how their presence is not only part of a confessional tendency. They are also part of an epiphanic kind of poetic that uses small incidents and natural elements as correlative objectives. That is what rivers are within this collection: correlative objectives of distant and buried memories, of fears, of love, of ageing, of a way of looking at the external world, to say it with Carver’s words, ‘in absolute and simple amazement’.","PeriodicalId":114563,"journal":{"name":"Comparative American Studies An International Journal","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126055191","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Flow, form, and feeling: reading Rebecca Solnit and Kathleen Dean Moore’s Riverine writing in an era of ecological crisis 流动、形式和感觉:在生态危机时代阅读丽贝卡·索尔尼特和凯瑟琳·迪恩·摩尔的河流写作
Comparative American Studies An International Journal Pub Date : 2021-01-02 DOI: 10.1080/14775700.2021.1875726
Daisy Henwood
{"title":"Flow, form, and feeling: reading Rebecca Solnit and Kathleen Dean Moore’s Riverine writing in an era of ecological crisis","authors":"Daisy Henwood","doi":"10.1080/14775700.2021.1875726","DOIUrl":"https://doi.org/10.1080/14775700.2021.1875726","url":null,"abstract":"ABSTRACT Rivers are a key site of human-nonhuman connection in the work of Kathleen Dean Moore and Rebecca Solnit. Reading this connection against the backdrop of the current climate crisis, this article considers how both writers offer ways of interacting with and thinking about changing landscapes that counter what Timothy Morton calls the ‘information dump’ of climate communication. I argue that by privileging conflicting emotions and uncertainty instead, Moore and Solnit use rivers and riverine forms to advocate for alternative, meaningful relationships to and understandings of shifting environments. With a dual focus on the physical and metaphorical resonances of rivers, this article unpacks the ways rivers might figure in our understanding of climate change, and what it might mean to read about rivers in this context. Ultimately, I suggest that Moore and Solnit’s works demonstrate encounters with joy and despair that not only characterise of twenty-first century relationships to the nonhuman, but are in fact vital to combatting ecological damage.","PeriodicalId":114563,"journal":{"name":"Comparative American Studies An International Journal","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115155281","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: Following the River 导读:沿河而行
Comparative American Studies An International Journal Pub Date : 2021-01-02 DOI: 10.1080/14775700.2021.1882130
T. R. Smith
{"title":"Introduction: Following the River","authors":"T. R. Smith","doi":"10.1080/14775700.2021.1882130","DOIUrl":"https://doi.org/10.1080/14775700.2021.1882130","url":null,"abstract":"Abstract An introduction to this special issue of Comparative American Studies dedicated to rivers in American culture.","PeriodicalId":114563,"journal":{"name":"Comparative American Studies An International Journal","volume":"15 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120904196","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Small-town Styx: Edgar Lee Masters, Rural Confinement and Pastoral Subversion 小镇冥河:埃德加·李·马斯特斯,乡村禁闭和田园颠覆
Comparative American Studies An International Journal Pub Date : 2021-01-02 DOI: 10.1080/14775700.2020.1849924
W. Carroll
{"title":"Small-town Styx: Edgar Lee Masters, Rural Confinement and Pastoral Subversion","authors":"W. Carroll","doi":"10.1080/14775700.2020.1849924","DOIUrl":"https://doi.org/10.1080/14775700.2020.1849924","url":null,"abstract":"ABSTRACT When Edgar Lee Masters wrote his obituary of small-town provincialism, Spoon River Anthology (1916), the literary movement known as the ‘revolt from the village’ was becoming increasingly defined. Writers like Mary Austin, Willa Cather and, later, Sherwood Anderson penned desolate portraits of rural America, disturbing the nineteenth century idyll of small-town America in favour of a community space ‘caught between industrial progress and gradual oblivion’ (Honaker Herron, 1971). This article explores rural confinement, spatial determinism, and psychological unfulfillment in Masters’ text, all of which are borne directly of Spoon River’s physical and metaphorical isolation. The spatial construction of Masters’ community will be scrutinised, tracing in its pastoral subversion and funereal conceit of the cemetery a melancholy commentary on small-town provincialism. Through consideration of the river as a physical and spiritual barrier, I will conclude that Masters’ text provides a rural portrait in which the small town is entirely beholden to this naturalistic symbol. By considering the various writers and ideologies that run concurrently with Masters, it will be contended that in this particular meeting of waters rural America becomes increasingly difficult to negotiate. Its inhabitants instead grow stagnant, the people embittered, and, in their narratives, a ‘buried life’ (Channell Hilfer, 1969) is dredged up from the silt.","PeriodicalId":114563,"journal":{"name":"Comparative American Studies An International Journal","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130148037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Where tide and river meet’: the estuarial imaginaries of Sarah Orne Jewett, H.D., and Louise Bogan “潮水与河流交汇之处”:莎拉·欧恩·朱伊特、h.d.和路易丝·博根对河口的想象
Comparative American Studies An International Journal Pub Date : 2020-12-30 DOI: 10.1080/14775700.2020.1868255
A. Maas
{"title":"‘Where tide and river meet’: the estuarial imaginaries of Sarah Orne Jewett, H.D., and Louise Bogan","authors":"A. Maas","doi":"10.1080/14775700.2020.1868255","DOIUrl":"https://doi.org/10.1080/14775700.2020.1868255","url":null,"abstract":"ABSTRACT This article is situated in the brackish intersections between river studies and oceanic studies. Comparing the works of Sarah Orne Jewett, H.D. (Hilda Doolittle), and Louise Bogan, I argue these three authors engage a ‘trialectic relationship’, to borrow Ling Zhang’s term, between river, sea, and nation. This mimics the form of an estuary, a layered site for negotiating nationhood, industrialisation, and placelessness, that, for these authors, flows from the local to the global, but always returns to estuarial flow. For Jewett, famous for her American literary regionalism, I look at the globally/nationally expansive imaginary of her short story, ‘River Driftwood’, with its local context of river/harbour and historical moment of shifting maritime industry alongside river technology. Next, the modernist poet H.D.’s ‘Leda’ – with its abstract layering of the same Maine harbours, the industrial Lehigh river, and a palimpsested mythological place – forms an estuary whose resistance of Zeus (the industrial) is rooted in its natural movements. Finally, working from theories of planetarity and hydrology, I suggest that Bogan in her poem ‘Night’, localises planetary systems within the immediate movement of tidal mixtures. Thus, these literary estuaries emerge as sites of layered movement, rather than singular points of connection or separation; they produce, like river and ocean flowing together, an estuarial imaginary.","PeriodicalId":114563,"journal":{"name":"Comparative American Studies An International Journal","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126149036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
William Faulkner and the faces of modernity 威廉·福克纳和现代性的面孔
Comparative American Studies An International Journal Pub Date : 2020-10-01 DOI: 10.1080/14775700.2020.1855862
Edward Clough
{"title":"William Faulkner and the faces of modernity","authors":"Edward Clough","doi":"10.1080/14775700.2020.1855862","DOIUrl":"https://doi.org/10.1080/14775700.2020.1855862","url":null,"abstract":"","PeriodicalId":114563,"journal":{"name":"Comparative American Studies An International Journal","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127184446","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
'Cops Are Cops': American Campus Police and the Global Carceral Apparatus 《警察就是警察》:美国校园警察和全球警察机构
Comparative American Studies An International Journal Pub Date : 2020-10-01 DOI: 10.1080/14775700.2021.1895039
Grace Watkins
{"title":"'Cops Are Cops': American Campus Police and the Global Carceral Apparatus","authors":"Grace Watkins","doi":"10.1080/14775700.2021.1895039","DOIUrl":"https://doi.org/10.1080/14775700.2021.1895039","url":null,"abstract":"ABSTRACT Campus police in the United States are often discussed in terms of their domestic impact on college grounds and the surrounding neighbourhoods, but they have a lesser-known global impact as well. This article reveals how campus forces have attempted to shed their reputation as 'rent-a-cops' by establishing themselves as the leading global experts on campus security and participating in a wide range of projects designed to protect state interests. In doing so, campus police have positioned themselves as their own specialised branch of policing (rather than as merely subsidiary to municipal policing) and contributed to the construction of a global carceral apparatus. Campus departments' quest for legitimacy has manifested in the exchange of policing tactics between city and campus forces around the world through training sessions, networking events, and other collaborative programmes. As historians continue to uncover the global effects of policing in the United States, it is important to include the contributions of often overlooked private and quasi-public campus police departments. This article argues that campus forces used their unique status to take part in police assistance efforts abroad while also reproducing them in their own profession to construct the global campus security network.","PeriodicalId":114563,"journal":{"name":"Comparative American Studies An International Journal","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134083615","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
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