跨大西洋的泰晤士河:英美在维多利亚时代“享乐之流”上的紧张关系

T. R. Smith
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引用次数: 0

摘要

虽然人们普遍认为,河流在19世纪后期作为民族主义的化身具有了新的象征力量,但很少有人研究它们作为跨大西洋文化流动和跨国评论和批评的空间。这篇文章探讨了在这一时期,许多在海外的美国人在描述英国时,是如何以新近充满民族主义情绪的泰晤士河为中心的。特别地,它分析了伊丽莎白·罗宾斯和约瑟夫·彭奈尔的旅行叙事《快乐之流》,它首次作为1889年《世纪杂志》“仲夏假日期”的主要文章发表,作为一个典型的文本,艺术家和作家都以一种与当时更广泛的跨大西洋辩论相一致的方式发挥了河流的形象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The transatlantic Thames: Anglo-American tensions on the Victorian ‘stream of pleasure’
ABSTRACT While it is widely understood that rivers took on new symbolic power as avatars of nationalism in the late nineteenth century, less examined is their use as a space for Transatlantic cultural flow, and transnational commentary and critique. This article explores the ways in which a variety of Americans abroad in this period centred the Thames – newly charged with nationalist sentiment – in their accounts of Britain. In particular, it analyses Elizabeth Robins and Joseph Pennell’s travel narrative The Stream of Pleasure, first published as the lead article in the ‘Midsummer Holiday Issue’ of The Century Magazine in 1889, as an exemplary text in which both artist and writer play with the image of the river in ways that chime with much wider Transatlantic debates at this moment.
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