Flow, form, and feeling: reading Rebecca Solnit and Kathleen Dean Moore’s Riverine writing in an era of ecological crisis

Daisy Henwood
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Abstract

ABSTRACT Rivers are a key site of human-nonhuman connection in the work of Kathleen Dean Moore and Rebecca Solnit. Reading this connection against the backdrop of the current climate crisis, this article considers how both writers offer ways of interacting with and thinking about changing landscapes that counter what Timothy Morton calls the ‘information dump’ of climate communication. I argue that by privileging conflicting emotions and uncertainty instead, Moore and Solnit use rivers and riverine forms to advocate for alternative, meaningful relationships to and understandings of shifting environments. With a dual focus on the physical and metaphorical resonances of rivers, this article unpacks the ways rivers might figure in our understanding of climate change, and what it might mean to read about rivers in this context. Ultimately, I suggest that Moore and Solnit’s works demonstrate encounters with joy and despair that not only characterise of twenty-first century relationships to the nonhuman, but are in fact vital to combatting ecological damage.
流动、形式和感觉:在生态危机时代阅读丽贝卡·索尔尼特和凯瑟琳·迪恩·摩尔的河流写作
在凯瑟琳·迪恩·摩尔和丽贝卡·索尔尼的研究中,河流是人类与非人类联系的关键场所。在当前气候危机的背景下阅读这一联系,本文考虑了两位作者如何提供与变化的景观互动和思考的方式,以对抗蒂莫西·莫顿所说的气候传播的“信息转储”。我认为,相反,摩尔和索尔尼特通过赋予冲突情绪和不确定性特权,利用河流和河流形式来倡导对变化环境的替代、有意义的关系和理解。本文通过对河流的物理和隐喻共鸣的双重关注,揭示了河流在我们对气候变化的理解中的作用,以及在这种背景下阅读河流可能意味着什么。最后,我认为摩尔和索尔尼特的作品展示了喜悦和绝望的相遇,这不仅是21世纪与非人类关系的特征,而且实际上对对抗生态破坏至关重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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