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On the Cultural Circulation of Contemporary European Crime Cinema最新文献

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The distribution and promotion of Dogman (2016) in the United States Dogman(2016)在美国的发行和推广
On the Cultural Circulation of Contemporary European Crime Cinema Pub Date : 2022-03-02 DOI: 10.33178/alpha.22.04
Damiano Garofalo
{"title":"The distribution and promotion of Dogman (2016) in the United States","authors":"Damiano Garofalo","doi":"10.33178/alpha.22.04","DOIUrl":"https://doi.org/10.33178/alpha.22.04","url":null,"abstract":"This article will analyse the distribution and promotion strategies of Matteo Garrone’s Dogman (2018) in the United States. It will reconstruct the singularity of this case study in a comparative perspective, considering both the international circulation trends of European national cinemas and the distribution of contemporary Italian films in the United States. An integrated methodology will be adopted, combining film and media industry studies, cultural studies, and the field of art and culture economics. After an analysis of the tendencies of the distribution of Italian contemporary arthouse cinema in the United States, the specific distribution strategies adopted for Dogman will be considered against the background of the financing system within which the production model of the film is embedded. Further, the role of Magnolia Pictures, the North American distributor of Garrone’s film, will be inspected through the discussion of some interviews with professionals directly involved in the promotion and distribution of the film.","PeriodicalId":113407,"journal":{"name":"On the Cultural Circulation of Contemporary European Crime Cinema","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127729536","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
On the cultural circulation of contemporary European crime cinema 论当代欧洲犯罪电影的文化流通
On the Cultural Circulation of Contemporary European Crime Cinema Pub Date : 2022-03-02 DOI: 10.33178/alpha.22.00
Stefano Baschiera
{"title":"On the cultural circulation of contemporary European crime cinema","authors":"Stefano Baschiera","doi":"10.33178/alpha.22.00","DOIUrl":"https://doi.org/10.33178/alpha.22.00","url":null,"abstract":"Considering the transnational prominence of European cinema, European crime films present an interesting case. As a genre, crime “is clearly the most popular genre across Europe for novels, television series and films”, and crime fiction productions are abundant on a national level in most European countries (Bondebjerg et al. 223). Crime fiction, therefore, appears as the genre most able to facilitate transborder cultural exchange and communicate “Europeanness” at local, national, regional, and transnational levels. This is surely the case of television productions where “crime drama seems to be a powerful, cross-cultural phenomenon with the noteworthy possibility of travelling internationally” (Hansen et al. 3). However, while crime novels and television series have been receiving much critical attention—especially within the context of Nordic Noir—crime films are absent from most of the scholarly discussions and struggle to gain cross-border popularity. It can be argued that crime drama on television has profited from a changed transnational production and distribution culture which has not benefited European crime films in the same way.","PeriodicalId":113407,"journal":{"name":"On the Cultural Circulation of Contemporary European Crime Cinema","volume":"25 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120894977","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Below the Stars: How the Labor of Working Actors and Extras Shapes Media Production, by Kate Fortmueller 《星空之下:演员和临时演员的劳动如何塑造媒体制作》，作者:凯特·福特穆勒
On the Cultural Circulation of Contemporary European Crime Cinema Pub Date : 2022-03-02 DOI: 10.33178/alpha.22.09
Yan Jin
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引用次数: 2
Lost in the Dark: A World History of Horror, by Brad Weismann 《迷失在黑暗中:世界恐怖史》，布拉德·魏斯曼著
On the Cultural Circulation of Contemporary European Crime Cinema Pub Date : 2022-03-02 DOI: 10.33178/alpha.22.12
Andrew Montiveo
{"title":"Lost in the Dark: A World History of Horror, by Brad Weismann","authors":"Andrew Montiveo","doi":"10.33178/alpha.22.12","DOIUrl":"https://doi.org/10.33178/alpha.22.12","url":null,"abstract":"","PeriodicalId":113407,"journal":{"name":"On the Cultural Circulation of Contemporary European Crime Cinema","volume":"90 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114635406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Twenty-First-Century Hollywood: Rebooting the System, by Neil Archer 《21世纪好莱坞:重启系统》，尼尔·阿彻著
On the Cultural Circulation of Contemporary European Crime Cinema Pub Date : 2022-03-02 DOI: 10.33178/alpha.22.08
Alexander Christensen
{"title":"Twenty-First-Century Hollywood: Rebooting the System, by Neil Archer","authors":"Alexander Christensen","doi":"10.33178/alpha.22.08","DOIUrl":"https://doi.org/10.33178/alpha.22.08","url":null,"abstract":"","PeriodicalId":113407,"journal":{"name":"On the Cultural Circulation of Contemporary European Crime Cinema","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121433674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cosmopolitan crimes 世界性的罪行
On the Cultural Circulation of Contemporary European Crime Cinema Pub Date : 2022-03-02 DOI: 10.33178/alpha.22.05
Markus Schleich
{"title":"Cosmopolitan crimes","authors":"Markus Schleich","doi":"10.33178/alpha.22.05","DOIUrl":"https://doi.org/10.33178/alpha.22.05","url":null,"abstract":"German crime films usually only find wide international circulation when they deal with either the two World Wars or the country’s unique position during the Cold War. Victoria (Sebastian Schipper, 2015) is an exception. The film, shot in one continuous take, tells the story of a young woman from Madrid who meets four local Berliners outside a nightclub in the middle of the night and ends up robbing a private bank with them. Without an established auteur or any sizeable star power attached to it, the film managed to travel widely within Europe, made possible by Creative Europe’s funding schemes for distribution. The first section of the article examines the struggles of German crime films to cross the borders, despite the abundant national production of crime films, television series, and literature. The second section focuses on the importance of the distribution scheme that helped Victoria travel and explores how the policies of the MEDIA programme have shaped the European cinema landscape. In the third section, the paper examines how Victoria evokes images and discourses of European society such as disenfranchisement, solidarity, and precarity set in a cosmopolitan Berlin. By analysing the promotional texts, this final section explores how Victoria’s ideal combination of genre, auteurial ambitions and “added European value” granted the film access to support mechanisms which are usually out of reach for a film.","PeriodicalId":113407,"journal":{"name":"On the Cultural Circulation of Contemporary European Crime Cinema","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130198948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
DETECting the “noirification” of European popular narratives across film, fiction and television 在电影、小说和电视中发现欧洲流行叙事的“噪音化”
On the Cultural Circulation of Contemporary European Crime Cinema Pub Date : 2022-03-02 DOI: 10.33178/alpha.22.01
F. Pagello
{"title":"DETECting the “noirification” of European popular narratives across film, fiction and television","authors":"F. Pagello","doi":"10.33178/alpha.22.01","DOIUrl":"https://doi.org/10.33178/alpha.22.01","url":null,"abstract":"The article explores the transcultural dimension of European crime narratives by looking at the specific role of cinema in this context. Building on the research conducted by DETECt scholars in different areas of contemporary popular culture—especially literature and television—it first discusses the link between the more and more widespread use of the “noir” label and the increasing cultural legitimation of the crime genre. The article then argues that this phenomenon echoes the emergence of a new “European quality crime film” in recent years. While stressing the potential contribution of the genre to the circulation of European cinema, the evident limits of its impact in this field are also examined. Finally, it looks more closely at the transnational circulation of contemporary Italian crime films to assess to what extent they have been able to find a transnational audience on a continental level. In this context, the importance to look beyond theatrical distribution and the centrality of intermedial exchanges are highlighted, indicating new directions for research.","PeriodicalId":113407,"journal":{"name":"On the Cultural Circulation of Contemporary European Crime Cinema","volume":"05 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127435717","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Spaces of Women’s Cinema: Space, Place and Genre in Contemporary Women’s Filmmaking, by Sue Thornham 《女性电影的空间:当代女性电影制作中的空间、地点和类型》，苏·索纳姆著
On the Cultural Circulation of Contemporary European Crime Cinema Pub Date : 2022-03-02 DOI: 10.33178/alpha.22.13
Donatella Valente
{"title":"Spaces of Women’s Cinema: Space, Place and Genre in Contemporary Women’s Filmmaking, by Sue Thornham","authors":"Donatella Valente","doi":"10.33178/alpha.22.13","DOIUrl":"https://doi.org/10.33178/alpha.22.13","url":null,"abstract":"","PeriodicalId":113407,"journal":{"name":"On the Cultural Circulation of Contemporary European Crime Cinema","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129424041","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Documentary Across Platforms: Reverse Engineering Media, Place, and Politics, by Patricia R. Zimmerman 纪录片跨平台:逆向工程媒体、地点和政治，作者:Patricia R. Zimmerman
On the Cultural Circulation of Contemporary European Crime Cinema Pub Date : 2022-03-02 DOI: 10.33178/alpha.22.06
Dara Waldron
{"title":"Documentary Across Platforms: Reverse Engineering Media, Place, and Politics, by Patricia R. Zimmerman","authors":"Dara Waldron","doi":"10.33178/alpha.22.06","DOIUrl":"https://doi.org/10.33178/alpha.22.06","url":null,"abstract":"© Dara Waldron This article is published as Open Access under the terms of the Creative Commons Attribution-NonCommercial Licence (creativecommons.org/licenses/by-nc/4.0) which permits non-commercial use, distribution and reproduction provided the original work is cited Documentary Across Platforms: Reverse Engineering Media, Place, and Politics, by Patricia R. Zimmerman. Indiana University Press, 2019, 288 pp.","PeriodicalId":113407,"journal":{"name":"On the Cultural Circulation of Contemporary European Crime Cinema","volume":"111 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122188385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The Troubles crime thriller and the future of films about Northern Ireland 《麻烦》犯罪惊悚片和北爱尔兰电影的未来
On the Cultural Circulation of Contemporary European Crime Cinema Pub Date : 2022-03-02 DOI: 10.33178/alpha.22.03
R. Gallagher
{"title":"The Troubles crime thriller and the future of films about Northern Ireland","authors":"R. Gallagher","doi":"10.33178/alpha.22.03","DOIUrl":"https://doi.org/10.33178/alpha.22.03","url":null,"abstract":"Troubles-based crime thrillers were once a staple of Hollywood cinema in the 1990s. However, these types of films have become something of a subgenre of European crime films in the last few decades given that films produced over the period have all been produced and financed by either the United Kingdom, Ireland, France or Germany. Owing to both the financial and critical success of these films, relative to other types of films about Northern Ireland, and the more market-driven approach adopted by policymakers, the crime thriller genre has also become the primary way that audiences engage with cinema about Northern Ireland. Although some encouraging developments have come with this transition away from, at times, exploitative Hollywood-produced films, continued reliance on genre in this new dispensation—specifically the crime thriller—is still a development that is not without problems. The type of films about the conflict produced today also contrasts significantly with those produced during the “first wave” of Irish cinema in the 1980s.","PeriodicalId":113407,"journal":{"name":"On the Cultural Circulation of Contemporary European Crime Cinema","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131238379","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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