Languages and Folklore of Indigenous Peoples of Siberia最新文献_第10页

"How I carried the mail during the war..." (Are space and time in a fairy tale always unreal?) “我是如何在战争期间送信的……”(童话中的空间和时间总是不真实的吗?)

Languages and Folklore of Indigenous Peoples of Siberia Pub Date : 1900-01-01 DOI: 10.25205/2312-6337-2021-2-75-82

N. K. Kozlova

{"title":"\"How I carried the mail during the war...\" (Are space and time in a fairy tale always unreal?)","authors":"N. K. Kozlova","doi":"10.25205/2312-6337-2021-2-75-82","DOIUrl":"https://doi.org/10.25205/2312-6337-2021-2-75-82","url":null,"abstract":"Folklore studies generally consider time and space in everyday tales, unlike fairy tales, as non-fantastic but close to reality. At the same time, they are unreal, just as the main character. A comparative analysis of two texts was undertaken: handwritten notes of Stepan Nikiforovich Zhirnovsky (1951) and a tape recording of Pavel Platonovich Plotnikov (2000), both having plots of the same type and registered in the Irtysh region. The story of 1951 is of a stand- ard type, with a typical everyday tale main character: an agile person, a rogue, taking advantage of any situation. His action takes place in a unreal time and space, despite the narrative being in the first person as a “true story.” When telling the story of 2000, the storyteller calls it a “tale”, but the listener is immersed in real space and time (real Sibe- rian villages during the Great Patriotic War). The credibility is confirmed by introducing the names of the people who lived at that time. The hero of the first-person narrative is not a pattern but a real man involved in complicated, absurd, and cruel life situations (although these are typical tale plot episodes). The listener realizes the hero’s terrible deeds as committed not out of malice but by accident, feels sympathy, and believes in his experiences as if it was a story of a real person from the not-so-distant wartime years. All the credit goes to the narrator, who masterfully adapts the traditional tale story to real-life circumstances.","PeriodicalId":112261,"journal":{"name":"Languages and Folklore of Indigenous Peoples of Siberia","volume":"102 6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134257600","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Deciphering etymologically unknown names of musical instruments of Siberia and Russian Far East 破译西伯利亚和俄罗斯远东地区语源不明的乐器名称

Languages and Folklore of Indigenous Peoples of Siberia Pub Date : 1900-01-01 DOI: 10.25205/2312-6337-2021-1-47-58

Isao Shimomura

{"title":"Deciphering etymologically unknown names of musical instruments of Siberia and Russian Far East","authors":"Isao Shimomura","doi":"10.25205/2312-6337-2021-1-47-58","DOIUrl":"https://doi.org/10.25205/2312-6337-2021-1-47-58","url":null,"abstract":"This study presents etymological deciphering using ancient Japanese ways of reading ancient Chinese scripts of the names for the five types of stringed instruments, known as komuz, tatonpa, sugut, tambur, and tonkori. Based on the phonetic variants of the term komuz written in Roman and Russian alphabets and Chinese scripts, two hypothetical forms *qonbulrsukie and *qonbulrsir were reconstructed: qon ‘sheep’, bulr ‘tendon’, sukie ‘string’, sir ‘string’. As to the form tatonpa, the ancient form *siudonbule {siu ‘boar’ + don ‘gut’ + bule ‘tendon-fiber’} was revealed. The hypothetical form *siugudi {siu ‘boar’ + gudi ‘gut’} was reconstructed from the phonetic variants of the name sugut, written in Chinese scripts. The hypothetical form *donbule {don ‘gut’ + bule ‘tendon-fiber’} was reconstructed from the phonetic variants of the name tambur written in Chinese scripts. An Ainu word tonkori consists of Altaic root-forms don ‘gut’ and kur ‘string-instrument’, followed by an Ainu suffix {i} ‘that’. We have proved that, except for the Ainu suffix {i}, all the root forms linguistically belong to Altaic lan- guages. Not a few ethnographers dealt with the etymological analysis of instrument names encountered in Siberia and the Russian Far East, mainly taking into account the context of shamanism. It is known that shamans used the instruments as tools in healing rituals. However, contrary to our expectations, the reconstructed root forms of the names revealed practical aspects of daily life.","PeriodicalId":112261,"journal":{"name":"Languages and Folklore of Indigenous Peoples of Siberia","volume":"287 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133498227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Khakass folklore in the recordings of V. V. Radlov and N. F. Katanov V. V.拉德洛夫和N. F.卡塔诺夫录音中的哈卡斯民间传说

Languages and Folklore of Indigenous Peoples of Siberia Pub Date : 1900-01-01 DOI: 10.25205/2312-6337-2022-2-53-62

E. S. Torokova

{"title":"Khakass folklore in the recordings of V. V. Radlov and N. F. Katanov","authors":"E. S. Torokova","doi":"10.25205/2312-6337-2022-2-53-62","DOIUrl":"https://doi.org/10.25205/2312-6337-2022-2-53-62","url":null,"abstract":"The paper addresses the 2nd and the 9th volumes of the series “Samples of Folk Literature of Turkic Tribes,” which include the records of V. V. Radlov and N. F. Katanov on Khakass folklore. The 2nd volume of “Samples” comprises 19 heroic tales, two historical legends, and 39 songs recorded by V. V. Radlov from the indigenous population of the Minusinsk and Achinsk districts of the Yenisei province during his scientific expedition in 1863. Khakass texts were published in Sagai, Koibal, Kachin, and Kyzyl dialects. In this study, heroic legends were divided into groups based on plot and theme. The most popular theme is the struggle of the hero against the raids of representatives of the lower world, the khans-conquerors. The second most frequent theme is family and kinship relations (betrayal of the hero’s sister or wife). The legend “Sunu Māttyr” recorded by V. V. Radlov is dedicated to the events of the 18th century. The 9th volume of “Samples” includes Abakan texts collected by N. F. Katanov, with the first section covering his gymnasium works of 1878–1884, the second presenting the expedition materials of 1889–1890, and the third dealing with the works of 1892. The recordings include works of all folklore genres. He was the first to record shamanic folklore of the Khakass. In the same territory where V. V. Radlov had been before, N. F. Katanov recorded texts in Sagai, Beltir, and Kachin dialects. His materials can be the basis for areal studies in the folklore of the Khakass people.","PeriodicalId":112261,"journal":{"name":"Languages and Folklore of Indigenous Peoples of Siberia","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123652831","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Grammaticalized sensory evidence as typological peculiarity of the North Asian languages 语法化的感官证据作为北亚语言的类型学特征

Languages and Folklore of Indigenous Peoples of Siberia Pub Date : 1900-01-01 DOI: 10.25205/2312-6337-2020-2-78-88

L. A. Ilyina

{"title":"Grammaticalized sensory evidence as typological peculiarity of the North Asian languages","authors":"L. A. Ilyina","doi":"10.25205/2312-6337-2020-2-78-88","DOIUrl":"https://doi.org/10.25205/2312-6337-2020-2-78-88","url":null,"abstract":"The paper defines a semantic zone of non-visual sensory evidence, grammaticalized in the verbal system, as “sensory evidence.” Sensory evidence grammaticalized in the verbal system is rare in contemporary languages. It is likely to be found in languages that are or were used in the recent past traditional cultures of ancient origin. Many Eurasian languages have evidential grammatical verbal forms, with most not having sensory evidential forms. Such verbal forms were known as auditive in Eurasia only in four Samoyedic languages: Nenets, Enets, Nganasan, and Selkup. Recently, the traditional Yukaghir folklore archaic texts collected by V. I. Jochelson in the late 19th – early 20th centuries revealed similar grammatical and semantic analog of Samoyedic auditive, suggesting sensory evidential verbal grammemes to be more widespread in the past in the languages of aboriginal Northern Asia peoples, in diachronic retrospective. Our main goal was to identify the inter-disciplinary evidence of diachronically earlier communicative functions and meanings of Northern Asian sensory evidential verbal forms. These functions and meanings are most informatively presented in the archaic texts of Nenets traditional folklore, especially shaman songs and heroic epos. The paper proves basic semantics of the Northern Samoyedic sensory evidential grammemes to refer to the auditive perception of non-visible situations (events). Thus, non-visible events were opposed grammatically to visual situations by verbal forms concerned. Considering historical ethnology data in an interdisciplinary way, the author explains the fact above as a grammaticalized language replica of fundamental mental opposition of ancient mythological thinking – the opposition of visible and non-visible situations.","PeriodicalId":112261,"journal":{"name":"Languages and Folklore of Indigenous Peoples of Siberia","volume":"101 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116156221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Musical comparative studies of the folklore traditions of Volga region peoples. Book review: Kondratiev M. G. Chuvash music in the mirror of parallels: on the problem of Volga-Urals musical civilization. 伏尔加河地区民族民俗传统的音乐比较研究。书评:康德拉季耶夫·m·g·楚瓦什的平行镜像中的音乐:伏尔加-乌拉尔音乐文明问题。

Languages and Folklore of Indigenous Peoples of Siberia Pub Date : 1900-01-01 DOI: 10.25205/2312-6337-2020-2-118-127

E. I. Ismagilova

{"title":"Musical comparative studies of the folklore traditions of Volga region peoples. Book review: Kondratiev M. G. Chuvash music in the mirror of parallels: on the problem of Volga-Urals musical civilization.","authors":"E. I. Ismagilova","doi":"10.25205/2312-6337-2020-2-118-127","DOIUrl":"https://doi.org/10.25205/2312-6337-2020-2-118-127","url":null,"abstract":"The book by the Chuvash musicologist M. G. Kondratiev is one of the generalizing works in ethnomusicological comparative studies of the Volga region peoples’ folklore traditions. The author of the monograph focuses on re- vealing the common phenomena at different levels of organization of folklore works in the traditional cultures of Chuvash, Tatars, Mari, and Udmurts. Musical traditions of the ethnic groups concerned are considered in comparison with the Chuvash folklore by using the specified parameter analysis. The three chapters of the first part consider the peculiarities of the Volga region historic-ethnographical location formation and analyze the musical and aesthetic conceptions of the tradition bearers in specified ethnic groups. The second part, composed of four chapters, is dedicated to analyzing the morphology and text structures of song lines of different lengths. The third part deals with contextual and structural regularities of short plot samples of Chuvash folk poetry shavra youra compared with similar monostrophic forms of Tatar, Mari, and Udmurt folk lyrics. The fourth part thoroughly examines the relations of Chuvash and individual local groups of other Volga ethnic groups at the level of genre correspondences and intonation pattern. In the summary, the author argues for his concept of the Volga-Urals civilization, determining the place of Chuvash culture within this concept as fundamentally important. The methodology approbated in M. G. Kondratiev’s book is expected to be actual for studying the problems of interaction of music-folklore traditions of Siberian peoples.","PeriodicalId":112261,"journal":{"name":"Languages and Folklore of Indigenous Peoples of Siberia","volume":"33 6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116616585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Tuvan song rhythm in terms of of general theoretical categories 图瓦歌曲节奏方面的一般理论范畴

Languages and Folklore of Indigenous Peoples of Siberia Pub Date : 1900-01-01 DOI: 10.25205/2312-6337-2022-1-9-21

M. G. Kondratyev

{"title":"Tuvan song rhythm in terms of of general theoretical categories","authors":"M. G. Kondratyev","doi":"10.25205/2312-6337-2022-1-9-21","DOIUrl":"https://doi.org/10.25205/2312-6337-2022-1-9-21","url":null,"abstract":"The current stage of knowledge on Tuvan folk music allows outlining the transition from the descriptiveness to using the modern music theory categories. This paper proposes an approach to the analysis of musical and poetic rhythm tested on the material of folk songs of the peoples of the Volga region. The sound-time process in the intonation of songs by Tuvan performers consists of equal periods of time, referred to in classical theory as “mora”. This unit serves as the basis for all other forms of organization of the musical rhythm of a Tuvan song. Thus, the hierarchical scale of musical rhythm is built by summation, i.e., it is opposite to the verse scale formed by division. This means that the Tuvan song rhythm is organized according to the time-measuring principle and represents a kind of quantitative system. Rhythmic cells are combined into melodic and poetic lines, into poetic quantitative systems called meters. In Tuvan songs, lines of four cells prevail, corresponding to an eight-syllable verse. The correlation of the musical process with the syllabic structure of the verse in the musical and poetic process of Tuvan songs is found at the level of the primary grouping of a uniform pulse. A syllable can be sung both for each “step” of the pulse, and stretched or sung for two, three, four (etc.) moras. A complete catalogue (index) of both fixed and theoretically possible rhythms is built from the rhythmic schemes of the lines.","PeriodicalId":112261,"journal":{"name":"Languages and Folklore of Indigenous Peoples of Siberia","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121763230","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Structural classification of analytical connectors of a complex sentence in the Khanty language 汉特语复句分析连接词的结构分类

Languages and Folklore of Indigenous Peoples of Siberia Pub Date : 1900-01-01 DOI: 10.25205/2312-6337-2021-2-53-65

N. B. Koshkareva

{"title":"Structural classification of analytical connectors of a complex sentence in the Khanty language","authors":"N. B. Koshkareva","doi":"10.25205/2312-6337-2021-2-53-65","DOIUrl":"https://doi.org/10.25205/2312-6337-2021-2-53-65","url":null,"abstract":"The structural classification of analytic connectors of a complex sentence of the Khanty language follows the principles developed by M. I. Cheremisina and T. A. Kolosova in the monograph “Essays on the theory of complex sentences” (1987). Single and non-single connectors can be distinguished depending on whether the complex sentence connector belongs to one predicative unit or to both ones, with single connectors belonging entirely to one of the predicative units and non-single ones consisting of two or more parts placed in different predicative units. Also, the classification takes into account the morphological nature: in the Khanty language, the analytical connectors of a complex sentence are formed based on particles or pronouns. Further, consideration is given to the number of components in the composition of a particular connector, with single-component and multicomponent (usually two-component) connectors being identified. The specificity of the Khanty language is that there are no conjunctions since synthetic and analytical-synthetic polypredicative constructions prevail. Particles and pronouns are used to connect the parts of a polypredicative construction. However, in the language of newspapers, the fund of analyt-ical connectors is actively replenished.","PeriodicalId":112261,"journal":{"name":"Languages and Folklore of Indigenous Peoples of Siberia","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130510305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The structure of simple action sentences in the Koryak language and the ways of their metaphorization 高丽语简单动作句的结构及其隐喻方式

Languages and Folklore of Indigenous Peoples of Siberia Pub Date : 1900-01-01 DOI: 10.25205/2312-6337-2023-2-76-88

A. Cheprasova

{"title":"The structure of simple action sentences in the Koryak language and the ways of their metaphorization","authors":"A. Cheprasova","doi":"10.25205/2312-6337-2023-2-76-88","DOIUrl":"https://doi.org/10.25205/2312-6337-2023-2-76-88","url":null,"abstract":"The Koryak language features an isosemic way of expressing an action model in the form of an elementary simple sentence, including a subject in the form of the ergative or instrumental case, an object in the form of the absolutive, and an action predicate. The case used for marking the subject-agent depends on its belonging to a particular part of speech, with personal pronouns marked with the ergative case and nouns with the instrumental one. The way of expressing an object cannot be varied: it always takes the form of an absolute case. The position of an instrument is optional: it is implemented if a predicate or a linguistic situation requires it and is formed by the instrumental case. The instrument represents a dependent reduced action proposition: “who does what” and, at the same time, “who uses what” to implement the action expressed by the main proposition. It is possible for the action model to be metaphorically transferred from the physical sphere to the intellectual, mental, and social spheres. When transferred to the intellectual sphere, the action model indicates the transfer of an ideal object, that of information; when transferred to the mental sphere, it denotes auditory and visual perception; when transferred to the social sphere, it expresses the meaning of possession.","PeriodicalId":112261,"journal":{"name":"Languages and Folklore of Indigenous Peoples of Siberia","volume":"102 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133964201","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Зооморфный код в мифоритуальной традиции алтайцев 阿尔泰神话传统中的动物形态代码

Languages and Folklore of Indigenous Peoples of Siberia Pub Date : 1900-01-01 DOI: 10.25205/2312-6337-2022-2-33-42

N. R. Oynotkinova

{"title":"Зооморфный код в мифоритуальной традиции алтайцев","authors":"N. R. Oynotkinova","doi":"10.25205/2312-6337-2022-2-33-42","DOIUrl":"https://doi.org/10.25205/2312-6337-2022-2-33-42","url":null,"abstract":"The article reveals the peculiarities of the zoomorphic cultural code implementation in the mythology and rituals of the Altai people. Folklore texts of different genres: myths, legends, historical legends, tales, and ritual works of Altaians were studied using the descriptive method, the method of semantic reconstruction, and the method of motivational analysis used in ethnolinguistics. The concept of “double coding” serves as a methodological basis for studying the zoomorphic code in the mythological picture of the world of the Altaians. The culture code is understood as a way of expressing meaning when describing the material and spiritual world in the cultural space by native speakers, as well as a linguistic way of conceptualizing the surrounding world. Cultural codes in mythological texts are enclosed in lexical representatives-mythemes denoting various objects of the material and spiritual world and united by a theme. The author concludes that the zoomorphic code is one of the main ones involved in the coding of conceptual cultural meanings in the language picture of the world. The mythological interpretation of certain mythemes as zoomorphic entities in the mythological and ritual culture of Altaians provided one of the means of coding and reflecting the world picture. The zoomorphic code plays a role in the conceptualization and formation of various myths: theonyms, demonyms, names of cult objects, cosmonyms, and chrononyms. In addition, motivational models of mytheme formation are identified.","PeriodicalId":112261,"journal":{"name":"Languages and Folklore of Indigenous Peoples of Siberia","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131901452","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Notion of “Singing” as a Nucleus of the “Music” Field in Shor. Lexemes and their Contexts “歌唱”作为肖尔“音乐”领域核心的概念。词汇及其上下文

Languages and Folklore of Indigenous Peoples of Siberia Pub Date : 1900-01-01 DOI: 10.25205/2312-6337-2019-1-89-102

I. V. Shenstova

{"title":"The Notion of “Singing” as a Nucleus of the “Music” Field in Shor. Lexemes and their Contexts","authors":"I. V. Shenstova","doi":"10.25205/2312-6337-2019-1-89-102","DOIUrl":"https://doi.org/10.25205/2312-6337-2019-1-89-102","url":null,"abstract":"Shor texts are an essential resource of the preservation and further development of the language of Shor, one of the indigenous peoples of Southern Siberia. Nowadays, the Shor are developing their literature. Contemporary Shor authors are using their native language creating works in various genres. The examples of the Shor written language of a wide time frame have become accessible. In the process of revitalization of the Shor language the fixation of its vocabulary is of prior importance as vocabulary accumulates ethnic notional sphere in the lexical meaning of words. Shor lexemes can be singled out from Turkic- Russian dictionaries by V. I. Verbitsky (1884), W. Radlov (1893–1911). A dictionary for students of Shor is written by N. N. Kurpeshko-Tannagasheva and F. Y. Apon`kin (1993). Nevertheless, a significant amount of material from Shor texts has not yet been reflected in lexicographic studies. The “field” organization of the vocabulary and expanded presentation of the lexemes in their actual contexts meet the needs of practical usage of Shor – in its oral and written forms and as a material for further linguistic research. This article deals with the lexemes denoting “Singing”, the notion forming one of semantic centers in the field “Music”. The main aim of the article is to show the usage of the lexemes in various contexts. These contexts are taken from original Shor texts of different genres: folk and authors` texts ((lyrics and prose).","PeriodicalId":112261,"journal":{"name":"Languages and Folklore of Indigenous Peoples of Siberia","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130704725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0