{"title":"‘Life Without Humankind’ – queer death/life, plastic pollution, and extinction in An Ecosystem of Excess","authors":"Vanbasten De Araújo","doi":"10.7146/kkf.v28i2-3.116308","DOIUrl":"https://doi.org/10.7146/kkf.v28i2-3.116308","url":null,"abstract":"This article explores Pinar Yoldas’ An Ecosystem of Excess (EOE) (2014) as an example of the potential of eco-art projects to queer normative readings of death and life. Making use of feminist posthumanities and new materialism, the article addresses the artist’s affirmative way of tackling issue of plastic pollution, which is inspired by new scientific discoveries of life forms that can feed on plastics. Departing from my reading of the art project as depicting a future without humankind, I argue that the artwork presents what I refer to as ‘queer death/life’, given that it unsettles normative readings of death by embracing the deadly aspects of plastic pollution as generative of new modes of life. Moreover, I will offer a close analysis of the artwork by engaging with queer readings of plastics as ‘living dead’ matter that is indebted to the compressed bodies of dead ancient nonhuman beings – the petroleum. Finally, in the last section, I will discuss how the artwork space, which is reminiscent of a natural history museum, engages affirmatively with the future, enabling interesting connections between evolution, extinction, and the museum space, considering it as an institution dedicated to immortalising history.","PeriodicalId":111191,"journal":{"name":"Kvinder, Køn & Forskning","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127524348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dying with ‘Infinity Mushrooms’ – Mortuary Rituals, Mycoremediation and Multispecies Legacies","authors":"Salome Rodeck","doi":"10.7146/kkf.v28i2-3.116309","DOIUrl":"https://doi.org/10.7146/kkf.v28i2-3.116309","url":null,"abstract":"In a world conceptualised as Anthropocene, in which human activities are transforming every part of the biosphere, funerals have become political and ethical activities in new and unforeseen ways. The use of formaldehyde in embalming practices and the release of air pollutants during cremation are only two of many points of criticism which have led to the rise of alternative ‘greener’ burial methods. The ‘infinity burial project’ is one such alternative, but it exceeds discourses on sustainable funerals by highlighting the toxicity of human bodies and challenging cultural taboos surrounding corporeal decomposition. Infinity burial employs ‘mycoremediation’, the usage of fungi for decomposing and cleaning up contaminated bodies and landscapes. Departing from Donna Haraway’s call for embracing situated technical projects in order to make ‘oddkin’, this article explores how the infinity burial project engenders queer communities which dismiss taxonomical lines between species as well as ontological claims about life and death. Drawing on new materialisms’ work on the radical openness of bodies, I explore how the infinity burial project sheds light on the material reality of decaying and the implications of dying in a polluted world.","PeriodicalId":111191,"journal":{"name":"Kvinder, Køn & Forskning","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127948427","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Posthuman Ecologies of the Corpse","authors":"M. Radomska","doi":"10.7146/kkf.v28i2-3.116315","DOIUrl":"https://doi.org/10.7146/kkf.v28i2-3.116315","url":null,"abstract":"Book review of Erin E. Edwards: The Modernist Corpse: Posthumanism and the Posthumous. University of Minnesota Press, Minneapolis, 2018, 240 pages.","PeriodicalId":111191,"journal":{"name":"Kvinder, Køn & Forskning","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124100253","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"While the dead labour for the living","authors":"Ida Hillerup Hansen","doi":"10.7146/kkf.v28i2-3.116314","DOIUrl":"https://doi.org/10.7146/kkf.v28i2-3.116314","url":null,"abstract":"Book review of Laqueur, Thomas W.: The Work of the Dead: a Cultural History of Mortal Remains. Princeton University Press, 2015, 711 pp.","PeriodicalId":111191,"journal":{"name":"Kvinder, Køn & Forskning","volume":"6 4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123688520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Constructing Injustice Symbols in Contemporary Trans Rights Activisms","authors":"D. Myles, Kelly Lewis","doi":"10.7146/kkf.v28i2-3.116306","DOIUrl":"https://doi.org/10.7146/kkf.v28i2-3.116306","url":null,"abstract":"In this paper, we investigate the role that mourning and commemoration practices play in contemporary trans rights activism. Drawing from visual politics, digital activist culture, as well as media and communication, we analyse how trans rights movements construct injustice symbols that are used for sociopolitical mobilisation and expression. We contend that these symbols are constructed through shared communicative practices, which produce and circulate visuals that possess important memetic qualities (pictures, slogans, hashtags, graffiti, posters, etc.). To do so, we analyse three case studies where the unjust death of a trans person was collectively mobilised for political purposes: Jennifer Laude (Philippines, 1988-2014), Hande Kader (Turkey, 1993-2016), and Marsha P. Johnson (United States of America, 1945-1992). While each case study points to local or national specificities, our comparative analysis also underlines transnational trends in the production of posthumous visuals within contemporary trans rights activism. We conclude by addressing the contentions over the construction of trans symbols who inherently possess intersectional identities.","PeriodicalId":111191,"journal":{"name":"Kvinder, Køn & Forskning","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114298671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"From Becoming-Woman to Becoming-Imperceptible: Self-Styled Death and Virtual Female Corpse in Digital Portraits of Cancer","authors":"Katja Herges","doi":"10.7146/kkf.v28i2-3.116311","DOIUrl":"https://doi.org/10.7146/kkf.v28i2-3.116311","url":null,"abstract":"Contemporary textual and visual representations of cancer engage self-reflectively with death and dying, yet they often rely on normative notion of death as the end of an individual life. This article focuses on stylised cancer portraits of the young German Nana Stäcker which she took in collaboration with her mother and professional photographers during her chemotherapy and until her death. Intervening in the field of Queer Death Studies this article explores if and how these images allow us to rethink normative Western notions of death. Drawing on Rosi Braidotti’s posthuman theory of death and of female subjectivity, I argue that the photo shoots recast Nana’s illness and dying as a gendered and creative process of subject formation beyond individual death. Through creating aestheticised and eroticised camp images, Nana playfully performs und subverts a range of iconic Western femininities and styles both life and death as a constant becoming. Portraits of Nana as virtual female corpse further highlight this continuity of life and death by reinserting death into life. While these images resist a necropolitical engagement with cancer and dying, they suggest an impersonal and affirmative understanding of death that opens up bioethical questions about contemporary cultures of longevity and health. ","PeriodicalId":111191,"journal":{"name":"Kvinder, Køn & Forskning","volume":"78 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133164800","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Elefanten i (bede)rummet. Raciale forsvindingsnumre, stemningspolitik og idiomatisk diffraktion","authors":"Kirsten Hvenegård-Lassen, Dorthe Staunæs","doi":"10.7146/kkf.v28i1-2.116116","DOIUrl":"https://doi.org/10.7146/kkf.v28i1-2.116116","url":null,"abstract":"The elephant in the room. Racial disappearance acts, mood politics and idiomatic diffraction summarizes a particular way of handling social and cultural problems. It is about social taboosthat are affectively charged: even if everybody knows the elephant is there, they ignore it. In this article, we are grappling with disappearance acts related to race and racialization at a white-dominated Danish university. Race is simultaneously there and not there in organizational policies and practices preoccupied with governing diversity. Using a recent debate over ‘prayer rooms’ in educational institutions, we develop a methodology (‘idiomatic diffraction’) sensitive towards race and racialization in contexts dominated by whiteness. Leaning on Karen Barad, we argue that diffraction may open up a space from where light can be explored in the shadows of what Sylvia Wynter names ‘Man’s Project’.","PeriodicalId":111191,"journal":{"name":"Kvinder, Køn & Forskning","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126699145","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sebastian Mohr, Ning de Coninck-Smith, Julia Suárez Krabbe
{"title":"Køn og akademia","authors":"Sebastian Mohr, Ning de Coninck-Smith, Julia Suárez Krabbe","doi":"10.7146/kkf.v28i1-2.116113","DOIUrl":"https://doi.org/10.7146/kkf.v28i1-2.116113","url":null,"abstract":"Temaredaktionens indledning til 'Køn & Akademia'-temanummeret.","PeriodicalId":111191,"journal":{"name":"Kvinder, Køn & Forskning","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121298472","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Jin Hui Li, Louise Yung Nielsen, Marlene Spanger, Lene Myong
{"title":"De andre tegn på kroppen","authors":"Jin Hui Li, Louise Yung Nielsen, Marlene Spanger, Lene Myong","doi":"10.7146/KKF.V28I1-2.116120","DOIUrl":"https://doi.org/10.7146/KKF.V28I1-2.116120","url":null,"abstract":"Dette essay udspringer af vores erfaringer med at blive forvekslet med hinanden i konteksten af dansk akademia. At blive forvekslet er selvfølgelig ikke en erfaring, der er forbeholdtøstasiatiske kroppe som vores. Vores afsæt er den racialiserende forveksling, som produceres gennem et hvidt akademisk blik, der både udvisker forskellighed og bestemmer hvilke former for forskellighed, der skal tillægges vægt og betydning. Vi anvender dermed forvekslingerne som en indgang til at reflektere over, hvordan race og hvidhed fungerer som organiserende principper i akademia, og på hvilke måder forskellige former for racialiseringsprocesser gør sig gældende i vores arbejdsliv.","PeriodicalId":111191,"journal":{"name":"Kvinder, Køn & Forskning","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124558928","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}