{"title":"“The best men can be”","authors":"Michael Nebeling Petersen, Karen Hvidtfeldt","doi":"10.7146/kkf.v29i1.123445","DOIUrl":"https://doi.org/10.7146/kkf.v29i1.123445","url":null,"abstract":"In January 2019, the company Gillette released a short movie “We believe” as advertisement for the brand. In the ad, Gillette reframes their slogan from “the best a man can get” to “the best a man can be.” Connecting the video to the #MeToo movement and critiquing ‘toxic masculinity’, Gillette portrays a new, more responsible, gentle, empathetic masculinity for “the men of tomorrow.” In this article, we present and discuss theories and strands of masculinity studies, and we analyze how the short movie portrays contemporary masculinity vis-à-vis these theories. Our argument is that while Gillette’s short movie and similar branding movies appeal to social responsibility and might open for new and more inclusive masculinities, it does, however, at the same time reproduce the patriarchal organization of masculinity in which power and privilege run from man to man and leave women and children as objects. Furthermore, the recoding of masculinity from toxicity to empathy is framed as an individual choice within neoliberal logics.","PeriodicalId":111191,"journal":{"name":"Kvinder, Køn & Forskning","volume":"84 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122110366","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"performative effects of diagnosis","authors":"Sebastian Mohr","doi":"10.7146/kkf.v29i1.123447","DOIUrl":"https://doi.org/10.7146/kkf.v29i1.123447","url":null,"abstract":"In this article, I suggest the performative effects of diagnosis as an analytical tool to explore the transformations in people’s intimate lives that being diagnosed brings with it. As an analytical term, I understand the performative effects of diagnosis to describe trajectories in people’s intimate lives that emerge in the interplay between a person’s intimate sense of self, that is, their gendered and sexualed self-perceptions, and the logics and norms contained in medical diagnoses. I develop this term in the context of ethnographic research on Danish war veterans’ understandings of and experiences with intimacy and extrapolate it conceptually in this article through scholarship in feminist theory, trans studies, STS, and medical anthropology and sociology. The argument that I make throughout is that the performative effects of diagnosis allows scholars to explore transformations in people’s intimate lives without a foreclosure about the normative dimensions of these transformations. In that sense, rather than only asking how biopolitical and cis- and heteronormative normalcy constitutes itself, the performative effects of diagnosis provide the opportunity to explore how these dimensions are (re)configured and (un)done in and through medicalized intimacies.","PeriodicalId":111191,"journal":{"name":"Kvinder, Køn & Forskning","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114343771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Karen Hvidtfeldt, Camilla Bruun Eriksen, Michael Nebeling Petersen, Kristian Møller, Sebastian Mohr, A. Bach, Sheila L. Cavanagh, Eli Smeplass, Bente Olsen, Camilla Tved
{"title":"Medicalization and Masculinities","authors":"Karen Hvidtfeldt, Camilla Bruun Eriksen, Michael Nebeling Petersen, Kristian Møller, Sebastian Mohr, A. Bach, Sheila L. Cavanagh, Eli Smeplass, Bente Olsen, Camilla Tved","doi":"10.7146/kkf.v29i1.123455","DOIUrl":"https://doi.org/10.7146/kkf.v29i1.123455","url":null,"abstract":"","PeriodicalId":111191,"journal":{"name":"Kvinder, Køn & Forskning","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123955182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Artist introduction: Death by any other genre would probably not smell as sweet","authors":"M. H. Bülow","doi":"10.7146/kkf.v28i2-3.116307","DOIUrl":"https://doi.org/10.7146/kkf.v28i2-3.116307","url":null,"abstract":"On the next pages you will find three song lyrics which we see as aesthetic contributions to the ethico-political conversations of this issue. We recommend that you read the lyrics first, form your own impression, and then come back to this introduction afterwards to deconstruct them a bit with us.","PeriodicalId":111191,"journal":{"name":"Kvinder, Køn & Forskning","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116698599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Queer Death Studies: Coming to Terms with Death, Dying and Mourning Differently. An Introduction","authors":"M. Radomska, Tara Mehrabi, N. Lykke","doi":"10.7146/kkf.v28i2-3.116304","DOIUrl":"https://doi.org/10.7146/kkf.v28i2-3.116304","url":null,"abstract":"This special issue aims to rethink death, dying and mourning through theoretical and methodological modes of queering. These modes are mobilised under three overarching themes: (1) queer (necro)politics, which focuses not only on regimes and technologies that subjugate “life to the power of death” (Mbembe 2003, 39), while rendering some lives more grievable than others, but also, on queer modes of resistance; (2) posthuman ethico-politics of death, which seeks to problematise and undermine human exceptionalism, while exploring human/nonhuman relationalities in the context of death and dying; and (3) queering death and mourning, which concentrates on nonnormative practices of remembering and mourning the dead.","PeriodicalId":111191,"journal":{"name":"Kvinder, Køn & Forskning","volume":"79 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123989425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mourning My Mother: An Exploration of the Complex Emotions Elicited by the Terminal Illness of an Estranged Parent","authors":"A. Pedersen","doi":"10.7146/kkf.v28i2-3.116312","DOIUrl":"https://doi.org/10.7146/kkf.v28i2-3.116312","url":null,"abstract":"In 2017, I learned that my estranged mother had been diagnosed with terminal cancer. This article explores the conflicting emotional responses I have had following the decision not to reconnect with my mother, not to provide care for her during her illness, and not to attend her funeral (when the time comes). This study combines my own creative explorations of child neglect, through autophenomenography, with examinations of autobiographical accounts of mother-daughter relationships and literature on family estrangement and the loss of a parent. I suggest that I already ‘read’ myself as a motherless daughter, and that caring, (re)mourning, and (re)grieving for my mother would entail reentering a dysfunctional dyad and opening up past wounds. There appear to be few resources to draw on regarding how to navigate this particular emotional terrain. This article does not intend to provide a prescriptive model for this type of loss, but rather aims at opening up for queer modes of grieving and mourning and suggests that, in some cases, the denial of care for an estranged parent translates into self-care and self-preservation.","PeriodicalId":111191,"journal":{"name":"Kvinder, Køn & Forskning","volume":"196 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115652118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Beyond Death and Mourning in A Dark Song and We Are Still Here","authors":"A. Kotwasińska","doi":"10.7146/kkf.v28i2-3.116310","DOIUrl":"https://doi.org/10.7146/kkf.v28i2-3.116310","url":null,"abstract":"Drawing on Ewa Domańska’s theory of necrovitalism (2017), Rosi Braidotti’s works that engage with life/death ‘dichotomy’ (2006; 2008; 2013), and affect theories, I hope to show how normative understanding of death and mourning, typical for horror cinema as such, are questioned and transformed through an affective engagement with spectral soundscapes in two recent horror films – A Dark Song (2016) and We Are Still Here (2015). To a large extent, both films replicate normative understanding of what constitutes a reasonable occasion for grieving: the sudden and seemingly unjust death of a child. A child’s lost life, often seen as the pinnacle of felt grief, is then mourned passionately by the mother (rather than the father), whose determination and intuition guide her over the life-death threshold in order to reunite with her dead child or find some kind of closure. And yet rather than stopping at representing bereavement as a finite process, these films incorporate mourning into their cinematic language and use it to comment on the limits of Western definitions of death and life after death. In both films, encounters with otherworldly necropersons (to borrow Ewa Domańska’s term) disturb the zoe/bios distinction that organises Western mourning practices. More importantly, since these encounters rely on sound rather than vision, the protagonists (and the viewers) can no longer depend onscopic regimes of knowledge and are encouraged to think/feel about death differently. ","PeriodicalId":111191,"journal":{"name":"Kvinder, Køn & Forskning","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133299623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The trouble with ‘truth’. On the politics of life and death in the assessment of queer asylum seekers","authors":"Marie Lunau","doi":"10.7146/kkf.v28i2-3.116305","DOIUrl":"https://doi.org/10.7146/kkf.v28i2-3.116305","url":null,"abstract":"This article explores death and dying in the context of queer migration by reflecting on the ways in which queer asylum seekers are exposed to various forms and manifestations of death through the process of seeking asylum. The article is based on qualitative interviews with queer asylum seekers in Denmark. Drawing on the concept of necropolitics, the article considers how the politics of truth within the asylum system manage life and death not only by the rejection and deportation of applicants, but also by exposing applicants to a slow death in the temporalities of a prolonged process of seeking asylum. The politics of truth within the asylum system appear to be predicated on ideals of normalised national white queerness and homonormativity that come to determine queer asylum seekers’ legitimacy and access to inclusion. Queer migrants’ paths to protection play out in a geopolitical context where the hope of life, asylum and citizenship are infused with deathly practices and normative imaginaries of truthful queerness. ","PeriodicalId":111191,"journal":{"name":"Kvinder, Køn & Forskning","volume":"163 7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127522580","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}