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Im Gespräch mit Oskar Bätschmann 与奥斯卡-贝茨曼对话
Zeitschrift für Kunstgeschichte Pub Date : 2023-11-22 DOI: 10.1515/zkg-2023-4006
Roger Fayet, Julia Gelshorn, Sandra Gianfreda, H. Locher, Peter J. Schneemann, Tristan Weddigen, Oskar Bätschmann
{"title":"Im Gespräch mit Oskar Bätschmann","authors":"Roger Fayet, Julia Gelshorn, Sandra Gianfreda, H. Locher, Peter J. Schneemann, Tristan Weddigen, Oskar Bätschmann","doi":"10.1515/zkg-2023-4006","DOIUrl":"https://doi.org/10.1515/zkg-2023-4006","url":null,"abstract":"Abstract Oskar Bätschmann, bis 2009 Ordinarius an der Universität Bern und international bekannt durch seine Schriften zur Methodologie der Kunstwissenschaft, zu Phänomenen wie dem Ausstellungskünstler oder der Landschaftsmalerei sowie zu Künstlern und Theoretikern von Giovanni Bellini bis Heinrich Wölfflin, gibt anlässlich seines achtzigsten Geburtstags Einblicke in seine wissenschaftliche Laufbahn und Reflexionen über die Disziplin. Das Gespräch führten Kolleginnen und Kollegen, die an seinen Forschungsprojekten teilgehabt haben, namentlich Roger Fayet (Schweizerisches Institut für Kunstwissenschaft), Julia Gelshorn (Université de Fribourg), Sandra Gianfreda (Kunsthaus Zürich), Hubert Locher (Universität Marburg), Peter J. Schneemann (Universität Bern) und Tristan Weddigen (Bibliotheca Hertziana), im August 2023.","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"9 1","pages":"549 - 564"},"PeriodicalIF":0.0,"publicationDate":"2023-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139248350","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rereading Authorship at Saint-Urbain, Troyes 在特鲁瓦圣乌尔班重读作者身份
Zeitschrift für Kunstgeschichte Pub Date : 2023-11-22 DOI: 10.1515/zkg-2023-4002
Michalis Olympios
{"title":"Rereading Authorship at Saint-Urbain, Troyes","authors":"Michalis Olympios","doi":"10.1515/zkg-2023-4002","DOIUrl":"https://doi.org/10.1515/zkg-2023-4002","url":null,"abstract":"Abstract Since the 1950s, the papal collegiate church of Saint-Urbain at Troyes has been viewed as the product of two visually distinct building campaigns headed by different architects, the first exemplifying mid-thirteenth-century French Rayonnant architecture and the second embodying or presaging late medieval Flamboyant aesthetics. The present article challenges this narrative of linear progression by reexamining the architecture of the building’s little-studied west front and exploiting largely unpublished archival testimony. It attempts to demonstrate that matching specific sets of forms to (undocumented) individual architects is not as straightforward as hitherto thought, and that the choice of visual language was ultimately predicated as much on funding as on patronal intentions. In so doing, it updates the narrative of Saint-Urbain’s creation to comply with current scholarly conceptions about the material imprint of the artistic personalities of medieval architects.","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"89 ","pages":"433 - 476"},"PeriodicalIF":0.0,"publicationDate":"2023-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139246496","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Farbe als Farbe und Material 作为颜色和材料的色彩
Zeitschrift für Kunstgeschichte Pub Date : 2023-11-22 DOI: 10.1515/zkg-2023-4008
Joseph Imorde
{"title":"Farbe als Farbe und Material","authors":"Joseph Imorde","doi":"10.1515/zkg-2023-4008","DOIUrl":"https://doi.org/10.1515/zkg-2023-4008","url":null,"abstract":"","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"128 ","pages":"571 - 575"},"PeriodicalIF":0.0,"publicationDate":"2023-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139249030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Silver and Sanctified Bookkeeping: St. Eligius and the Smelting of Sin in the Wittenberg Heiligtum 银与神圣化的簿记:维滕贝格海利格图姆的圣利格斯和罪恶的熔炼
Zeitschrift für Kunstgeschichte Pub Date : 2017-09-01 DOI: 10.1515/ZKG-2017-0017
Stephanie Lebas Huber
{"title":"Silver and Sanctified Bookkeeping: St. Eligius and the Smelting of Sin in the Wittenberg Heiligtum","authors":"Stephanie Lebas Huber","doi":"10.1515/ZKG-2017-0017","DOIUrl":"https://doi.org/10.1515/ZKG-2017-0017","url":null,"abstract":"Abstract This article examines Lucas Cranach’s renderings of two non-extant silver gilt reliquaries made in the likeness of St. Eligius from the electoral Heiligtu. in Wittenberg. The significance of Eligius’s dual roles as both a metalworker for the Merovingian kings and as the bishop of Noyon bestowed the prince-electors in Wittenberg, most notably Frederick the Wise, with the ability to cleanse their treasury of all sin associated with indulgences. To explain the prominent place given to Eligius’s image in the collection, the article investigates his connection to French royalty, Holy Roman Emperor Charles IV’s valorization of his cult, the meaning attributed to his image in vernacular legends, and the evolving administrative role of bishops across the Middle Ages.","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"114 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133340662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Die Zukunft der Vergangenheit Richard Oelze (1900 – 1980) and Post-war Reflection 过去的未来理查德·奥兹(1900—1980年)和反思
Zeitschrift für Kunstgeschichte Pub Date : 2017-04-01 DOI: 10.1515/ZKG-2017-0005
E. Moseman
{"title":"Die Zukunft der Vergangenheit Richard Oelze (1900 – 1980) and Post-war Reflection","authors":"E. Moseman","doi":"10.1515/ZKG-2017-0005","DOIUrl":"https://doi.org/10.1515/ZKG-2017-0005","url":null,"abstract":"Abstract The Surrealist artist Richard Oelze’s postwar enterprise was one of inner reflection and personal questioning linked to the broader project of coming to terms with the past. The essay takes a critical view of his artworks and his automatist Wortskizzen to assess the manner and extent to which Oelze utilizes his artistic practice as a mode of working through his, and Germany’s, complicity with the Nazi regime. Analysis of the Wortskizzen exposes how verbal probing informs Oelze’s visual expression of inner turmoil, while implied gaps and voids in paintings and drawings puncture space as well as time, illuminating memory and blending the past with the present. Oelze’s serious play with word and image in turn invites his viewers to release repressed memories through reflective contemplation.","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"115 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134646538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Danish Fate of Two German Collections Pieces of the Baron von Häckel and C. L. von Hagedorn Collections Rediscovered 两件德国藏品的丹麦命运冯男爵Häckel和c·l·冯·哈格多恩藏品的重新发现
Zeitschrift für Kunstgeschichte Pub Date : 2016-09-01 DOI: 10.1515/ZKG-2016-0029
Jesper Svenningsen
{"title":"The Danish Fate of Two German Collections Pieces of the Baron von Häckel and C. L. von Hagedorn Collections Rediscovered","authors":"Jesper Svenningsen","doi":"10.1515/ZKG-2016-0029","DOIUrl":"https://doi.org/10.1515/ZKG-2016-0029","url":null,"abstract":"Abstract The article aims to cast new light on two important collections of paintings in eighteenth-century Germany and how they ended up (complete or in part) in Danish ownership. The fate of the Hagedorn collection is well studied, yet extremely few pieces of the collection have so far been identified in modern collections. Two such paintings – both of them among Hagedorn’s favorite pictures – are published here. The 1763 sale of the collection formed by Baron von Häckel is equally well known, though it has escaped everyone’s attention that a further 75 paintings were separated from the rest and presented to the Danish king. About half of these pictures can still be found in the Statens Museum for Kunst in Copenhagen.","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132520402","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Der sokratische Künstler: Studien zu Rembrandts Nachtwache 苏格拉底艺术家:对伦勃朗的守夜进行研究
Zeitschrift für Kunstgeschichte Pub Date : 2016-09-01 DOI: 10.1515/ZKG-2016-0030
Kimberlee A. Cloutier-Blazzard
{"title":"Der sokratische Künstler: Studien zu Rembrandts Nachtwache","authors":"Kimberlee A. Cloutier-Blazzard","doi":"10.1515/ZKG-2016-0030","DOIUrl":"https://doi.org/10.1515/ZKG-2016-0030","url":null,"abstract":"","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"157 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131817114","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Portraiture under Epoché: Matisse According to Husserl 时代时代下的肖像画:马蒂斯根据胡塞尔
Zeitschrift für Kunstgeschichte Pub Date : 2016-09-01 DOI: 10.1515/ZKG-2016-0027
Sebastian Zeidler
{"title":"Portraiture under Epoché: Matisse According to Husserl","authors":"Sebastian Zeidler","doi":"10.1515/ZKG-2016-0027","DOIUrl":"https://doi.org/10.1515/ZKG-2016-0027","url":null,"abstract":"Abstract The article considers a range of issues in Henri Matisse’s art from around 1906 through the lens of Edmund Husserl’s theory of the image: the treatment of light and color in Matisse’s Young Sailor II, his combination of image and sign in the portrait of his daughter Marguerite, and the interaction between marks and sheet in his drawings. In Matisse’s art and Husserl’s phenomenology, just what was a portrait; and what, more broadly, was the relation between a modern self and his world? The answers to these questions suggest why Husserl has become such a popular reference point for Bildwissenschaft. A century ago, Husserl and Matisse did what contemporary image culture is now doing as a matter of course. In putting their world under epoché, they experienced it by expelling themselves from it.","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"109 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124066134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
1733 – 1808: Un peintre visionnaire 1733 - 1808:有远见的画家
Zeitschrift für Kunstgeschichte Pub Date : 2016-09-01 DOI: 10.1515/zkg-2016-0031
Nina L. Dubin
{"title":"1733 – 1808: Un peintre visionnaire","authors":"Nina L. Dubin","doi":"10.1515/zkg-2016-0031","DOIUrl":"https://doi.org/10.1515/zkg-2016-0031","url":null,"abstract":"","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126839726","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Neue Identitäten – neue Genealogien: Jacques-Louis Davids künstlerische Selbstdarstellung nach dem 9. Thermidor 1794 新身份，新宗谱学拼盘吗1794
Zeitschrift für Kunstgeschichte Pub Date : 2016-09-01 DOI: 10.1515/zkg-2016-0026
C. Tauber
{"title":"Neue Identitäten – neue Genealogien: Jacques-Louis Davids künstlerische Selbstdarstellung nach dem 9. Thermidor 1794","authors":"C. Tauber","doi":"10.1515/zkg-2016-0026","DOIUrl":"https://doi.org/10.1515/zkg-2016-0026","url":null,"abstract":"Abstract How and to what extent did the collapse of the Terreur affect the self-stylizations of Jacques-Louis David? Which strategies of artistic self-representation and self-legitimization did he use after 9 Thermidor 1794 and the preceding “patricide” of King Louis XVI, and did they undergo a similarly fundamental change as France’s political culture of the time? To discuss these questions, the article draws upon written “ego-documents” as well as paintings by David, including his famous self-portrait of 1794, which he painted while in prison. The article investigates David’s self-stylizations as autonomous, fatherless artist, and how he compensated for the loss of his father by constructing a new genealogy: claiming for himself the role of the père de l’école davidienne, with his disciples figuring as his “sons” in aestheticis – a model already underlying his Socrates of 1787. David’s aesthetic concept of the pre-Revolution period is outlined by referring to the Horatii (1784) and Brutus (1789). As can be shown, the Republican ideal manifest in both works will much later reoccur in the Léonidas (1799 – 1814), this time to show the failure of a moderate republicanism under the conditions of Napoleonic imperialism.","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127041063","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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