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The Making of Assisi. The Pope, the Franciscans, and the Painting of the Basilica 阿西西的制作。教皇、方济各会修士和大教堂的绘画
Zeitschrift für Kunstgeschichte Pub Date : 2016-04-01 DOI: 10.1515/zkg-2016-0008
S. Romano
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引用次数: 2
Ein Relief mit der Geißelung Christi im Kulturhistorischen Museum Stralsund und einige Bemerkungen zu einer niederländischen Werkgruppe aus der ersten Hälfte des 15. Jahrhunderts 一幅讲述了斯特拉尔松文化历史博物馆中基督遭鞭刑的作品，并对15世纪上半叶荷兰劳动组发表了一些评论。世纪
Zeitschrift für Kunstgeschichte Pub Date : 2016-04-01 DOI: 10.1515/ZKG-2016-0007
Peter Knüvener
{"title":"Ein Relief mit der Geißelung Christi im Kulturhistorischen Museum Stralsund und einige Bemerkungen zu einer niederländischen Werkgruppe aus der ersten Hälfte des 15. Jahrhunderts","authors":"Peter Knüvener","doi":"10.1515/ZKG-2016-0007","DOIUrl":"https://doi.org/10.1515/ZKG-2016-0007","url":null,"abstract":"Abstract Ein Relief mit der Geißelung Christi im Kulturhistorischen Museum Stralsund und einige Bemerkungen zu einer niederländischen Werkgruppe aus der ersten Hälfte des 15. Jahrhunderts The collection of the Stralsund Kulturhistorisches Museum contains a hitherto almost undocumented carved relief of the Flagellation of Christ. Its style suggests that it belongs to a group of widely disseminated works of Flemish origin. For example, similar stylistic details can be observed in the retables of the Capela da Santo Antão da Faniqueira in Portugal, and the Aegidienkirche, now in the St. Annen-Museum, Lübeck. This article will argue that the carvings of the Heiligenthaler altarpiece in the church of St. Nikolai in Lüneburg, traditionally held to be locally produced work, should also be reattributed to this group of works. Consequently, the attribution of a further relief illustrating the Temptation of Christ in the collection of the Liebieghaus Museum (Frankfurt a. M.), also currently regarded as having originated in Lüneburg, should be reconsidered in light of this new classification.","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125851606","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Giulio Mancini e la nascita della connoisseurship 朱利奥·曼奇尼和鉴赏家的诞生
Zeitschrift für Kunstgeschichte Pub Date : 2016-04-01 DOI: 10.1515/zkg-2016-0004
S. Pierguidi
{"title":"Giulio Mancini e la nascita della connoisseurship","authors":"S. Pierguidi","doi":"10.1515/zkg-2016-0004","DOIUrl":"https://doi.org/10.1515/zkg-2016-0004","url":null,"abstract":"Abstract The role of Giulio Mancini as the father of connoisseurship has been recently questioned on the grounds that Mancini never aimed to discuss the attributions of contemporary works of art. Generally the birth of modern connoisseurship, with figures such as the Richardson brothers, has been linked to the growing art market of the 18th century, and the most important 17th-century forerunners, such as Marco Boschini, acted as dealers as well: all these connoisseurs dealt with the attributions of paintings of the previous centuries. This paper explores the roots of connoisseurship in the topography work of Mancini, author of the first modern artistic guide to Rome. Mancini, studying the early Renaissance frescoes in Rome (Jacopo Ripanda, Pastura, Pinturicchio, Baldassarre Peruzzi), discussed Vasari’s biographies and suggested new attributions with a modern approach that clearly anticipates the method of later connoisseurs.","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127743286","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Photographic Architecture in the Twentieth Century 20世纪的摄影建筑
Zeitschrift für Kunstgeschichte Pub Date : 2016-04-01 DOI: 10.1515/zkg-2016-0011
M. Hartung
{"title":"Photographic Architecture in the Twentieth Century","authors":"M. Hartung","doi":"10.1515/zkg-2016-0011","DOIUrl":"https://doi.org/10.1515/zkg-2016-0011","url":null,"abstract":"","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132959444","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Deutsch-deutsche Kunstgeschichte am Beispiel von Hanne Darboven und Werner Tübke
Zeitschrift für Kunstgeschichte Pub Date : 2016-04-01 DOI: 10.1515/ZKG-2016-0006
H. Dickel
{"title":"Deutsch-deutsche Kunstgeschichte am Beispiel von Hanne Darboven und Werner Tübke","authors":"H. Dickel","doi":"10.1515/ZKG-2016-0006","DOIUrl":"https://doi.org/10.1515/ZKG-2016-0006","url":null,"abstract":"Abstract Deutsch-deutsche Kunstgeschichte am Beispiel von Hanne Darboven und Werner Tübke The histories of art in former East and West Germany have been described as evolving synchronously. This article, arguing from another point of view, analyzes two works from the 1980s, both of them outstanding in purpose and size: Werner Tübke’s monumental painting Frühbürgerliche Revolution in Deutschland in the Museum Bad Frankenhausen (formerly GDR) and Hanne Darboven’s Bismarckzeit in the Kunstmuseum Bonn (FRG). The investigation into their subjects, forms, and contents within their historical contexts – the period of Erich Honecker’s claim for a socialist tradition and Helmut Schmidt’s Realpolitik, respectively – reveals a greater distinctness grounded on different concepts of art, i.e., anti-modern (Tübke) versus modernist (Darboven). Nevertheless, in their view of German history a common kind of scepticism about teleology may be discerned, which is based on the artists’ shared experiences of Germany’s disastrous contribution to the twentieth century.","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"86 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133385614","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Zur Lage der Kunstgeschichte Fortsetzung der Debatte aus Heft 3/4, 2015 关于艺术历史的探讨在2015年3/4号刊
Zeitschrift für Kunstgeschichte Pub Date : 2016-04-01 DOI: 10.1515/zkg-2016-0001
U. Pfisterer
{"title":"Zur Lage der Kunstgeschichte Fortsetzung der Debatte aus Heft 3/4, 2015","authors":"U. Pfisterer","doi":"10.1515/zkg-2016-0001","DOIUrl":"https://doi.org/10.1515/zkg-2016-0001","url":null,"abstract":"","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134172335","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Self-Portrait as Landscape Painter: Caspar David Friedrich and Phrenology 作为风景画家的自画像:卡斯帕·大卫·弗里德里希与颅相学
Zeitschrift für Kunstgeschichte Pub Date : 2016-04-01 DOI: 10.1515/ZKG-2016-0005
N. Amstutz
{"title":"A Self-Portrait as Landscape Painter: Caspar David Friedrich and Phrenology","authors":"N. Amstutz","doi":"10.1515/ZKG-2016-0005","DOIUrl":"https://doi.org/10.1515/ZKG-2016-0005","url":null,"abstract":"Abstract A Self-Portrait as Landscape Painter: Caspar David Friedrich and Phrenology The article explores a precocious moment of interest in how the brain mediates aesthetic perception. Around 1810, Caspar David Friedrich drew himself with several features that deviate from his earlier self-portraits, including two bumps between the brows at the root of the nose. These cranial protuberances were associated with a cognitive faculty that the phrenologist Franz Joseph Gall insisted is common among landscape painters: Ortssinn, characterized by a heightened ability to remember places and to measure distance and perspective. I argue that Friedrich’s drawing is a self-portrait as landscape painter, where the signifiers of identity are no longer conventional artistic or sartorial attributes but rather the contours of the cranium and, by implication, the fabric of the artist’s mind.","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127941834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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