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Zeitschrift für Kunstgeschichte最新文献

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Raum und Rhythmus: Radio-Design im Diskurs der Zeitschrift Innendekoration in den 1920er und 1930er Jahren 空间与节奏：20 世纪二三十年代《Innendekoration》杂志论述中的无线电设计
Zeitschrift für Kunstgeschichte Pub Date : 2024-06-01 DOI: 10.1515/zkg-2024-2006
A. Zeising
{"title":"Raum und Rhythmus: Radio-Design im Diskurs der Zeitschrift Innendekoration in den 1920er und 1930er Jahren","authors":"A. Zeising","doi":"10.1515/zkg-2024-2006","DOIUrl":"https://doi.org/10.1515/zkg-2024-2006","url":null,"abstract":"Abstract From the mid-1920s onward, radio, which in its early days had still been experimental in many respects, became a companion of everyday life. The professionalization of program content was accompanied by a change in the appearance of the radio itself: simple receivers with headphones were replaced by elegant radio furniture with a modernist touch meant to blend in with contemporary home design. The interior magazine Innendekoration, published by Alexander Koch in Darmstadt, commented on the integration of the Zeitgeist medium radio into the private interior in a number of essays that present radio as a technological interface between the private and the public sphere, individuation and the masses, location and the dissolution of boundaries.","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"12 1","pages":"262 - 278"},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141397103","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Inklusion und Diversität in der Klosterforschung 寺院研究的包容性和多样性
Zeitschrift für Kunstgeschichte Pub Date : 2024-06-01 DOI: 10.1515/zkg-2024-2007
C. Jäggi
{"title":"Inklusion und Diversität in der Klosterforschung","authors":"C. Jäggi","doi":"10.1515/zkg-2024-2007","DOIUrl":"https://doi.org/10.1515/zkg-2024-2007","url":null,"abstract":"","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"22 3","pages":"279 - 283"},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141396162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Par-delà règles et licences : les ajustements perspectifs dans la controverse Bassi-Tibaldi (1569–1572) 超越规则和许可：巴西蒂巴尔迪之争（1569-1572 年）中的视角调整
Zeitschrift für Kunstgeschichte Pub Date : 2024-06-01 DOI: 10.1515/zkg-2024-2004
Georges Farhat
{"title":"Par-delà règles et licences : les ajustements perspectifs dans la controverse Bassi-Tibaldi (1569–1572)","authors":"Georges Farhat","doi":"10.1515/zkg-2024-2004","DOIUrl":"https://doi.org/10.1515/zkg-2024-2004","url":null,"abstract":"Abstract This article revisits the controversy reported on in Martino Bassi’s 1572 Dispareri, a pamphlet denouncing Pellegrino Tibaldi’s noncompliance with rules of perspective and architecture in adapting Milan Duomo to the requirements of Tridentine Reform. The inquiry involves a social, material, and technical approach to both the pamphlet and the Annunciation relief that lies at the heart of the controversy. Along with showing inconsistencies and deceit in Bassi’s account, this study explores the widespread, yet unconceptualized practice of perspectival adjustments that mediates conflicts between optics and geometry in image making. Findings suggest new ways to revise traditional understandings of naturalism in art history all while contributing to the historiography of perspective.","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"49 5","pages":"198 - 233"},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141406618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Trinitarian Theology, Neapolitan Painting: Paolo De Matteis and Francesco Solimena 三位一体神学，那不勒斯绘画：保罗-德-马蒂斯和弗朗切斯科-索里梅纳
Zeitschrift für Kunstgeschichte Pub Date : 2024-06-01 DOI: 10.1515/zkg-2024-2005
Morten Steen Hansen
{"title":"Trinitarian Theology, Neapolitan Painting: Paolo De Matteis and Francesco Solimena","authors":"Morten Steen Hansen","doi":"10.1515/zkg-2024-2005","DOIUrl":"https://doi.org/10.1515/zkg-2024-2005","url":null,"abstract":"Abstract In early eighteenth-century Naples, Paolo De Matteis created a series of frescoes featuring the Trinity in imitation of a mural at the Escorial by his former teacher, Luca Giordano. By showing the Trinity with its patrilinear procession from the Father to the Son, the younger artist could claim an artistic lineage in competition with Francesco Solimena. De Matteis’s and Solimena’s Trinitarian murals reveal theological disagreements between religious orders in Naples. An unknown drawing in the Seattle Art Museum can be associated with De Matteis’s group of works.","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"6 19","pages":"234 - 261"},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141392453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Story of the Wunderkind: An Erlangen Drawing from the Circle of Albrecht Altdorfer 天才的故事阿尔布雷希特-阿尔特多尔费绘画圈的埃尔兰根绘画作品
Zeitschrift für Kunstgeschichte Pub Date : 2024-06-01 DOI: 10.1515/zkg-2024-2003
Luming Guan
{"title":"Story of the Wunderkind: An Erlangen Drawing from the Circle of Albrecht Altdorfer","authors":"Luming Guan","doi":"10.1515/zkg-2024-2003","DOIUrl":"https://doi.org/10.1515/zkg-2024-2003","url":null,"abstract":"Abstract The depiction of the apocryphal infancy stories of Christ is an important subject in the history of western art, and yet it is rarely investigated. This paper reveals the unidentified subject of an early sixteenth-century drawing at Erlangen by an artist from Albrecht Altdorfer’s circle. It represents the apocryphal stories of Christ gathering pools, animating clay birds, and reviving a fallen child named Zeno. In this paper, the context of this drawing is discussed, along with the history of depicted apocryphal infancy stories in German art and the reception of the Apocrypha in early sixteenth-century Germany around Altdorfer’s circle.","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"67 6","pages":"166 - 197"},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141390025","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ökologien frühneuzeitlicher Kunst: Neue Perspektiven und alte Fragen 早期现代艺术的生态：新视角与老问题
Zeitschrift für Kunstgeschichte Pub Date : 2024-06-01 DOI: 10.1515/zkg-2024-2002
M. Saß, Hui Luan Tran, G. Wedekind
{"title":"Ökologien frühneuzeitlicher Kunst: Neue Perspektiven und alte Fragen","authors":"M. Saß, Hui Luan Tran, G. Wedekind","doi":"10.1515/zkg-2024-2002","DOIUrl":"https://doi.org/10.1515/zkg-2024-2002","url":null,"abstract":"","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"91 8","pages":"153 - 165"},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141405766","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Über die Emergenz künstlerischer Historiografie 关于艺术史学的出现
Zeitschrift für Kunstgeschichte Pub Date : 2024-06-01 DOI: 10.1515/zkg-2024-2009
Paul Mellenthin
{"title":"Über die Emergenz künstlerischer Historiografie","authors":"Paul Mellenthin","doi":"10.1515/zkg-2024-2009","DOIUrl":"https://doi.org/10.1515/zkg-2024-2009","url":null,"abstract":"","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"8 32","pages":"290 - 296"},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141389751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nie mehr allein? 从此不再孤单？
Zeitschrift für Kunstgeschichte Pub Date : 2024-06-01 DOI: 10.1515/zkg-2024-2008
Hans-Georg von Arburg
{"title":"Nie mehr allein?","authors":"Hans-Georg von Arburg","doi":"10.1515/zkg-2024-2008","DOIUrl":"https://doi.org/10.1515/zkg-2024-2008","url":null,"abstract":"","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"1981 11","pages":"284 - 289"},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141400946","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Grundmuster: Ausdrucksfunktionen des monochromen Hintergrundes im Renaissanceporträt 基本图案：文艺复兴时期肖像画中单色背景的表现功能
Zeitschrift für Kunstgeschichte Pub Date : 2024-03-01 DOI: 10.1515/zkg-2024-1007
M. Rath
{"title":"Grundmuster: Ausdrucksfunktionen des monochromen Hintergrundes im Renaissanceporträt","authors":"M. Rath","doi":"10.1515/zkg-2024-1007","DOIUrl":"https://doi.org/10.1515/zkg-2024-1007","url":null,"abstract":"\u0000 Monochrome backgrounds represent a consistent “pattern” in Renaissance painting. Until now, these backgrounds have mostly been understood as neutral, secondary, or arbitrary. This paper proposes different classification approaches to capture the diverse pictorial potentials and artistic expressive functions. The two-dimensional background forms a visual counterpart to the portrayed person by shaping the immediate surrounding space. It offers a field of appearance in which and with which the individual simultaneously figures and interferes. As a media-reflexive iconic pictorial device, the shapeless ground is based on multi-layered pictorial traditions, conventions, and connotations.","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"111 28","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140090761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sakrale Emblematik im Ostseeraum 波罗的海地区的神圣象征物
Zeitschrift für Kunstgeschichte Pub Date : 2024-03-01 DOI: 10.1515/zkg-2024-1009
Ingrid Höpel
{"title":"Sakrale Emblematik im Ostseeraum","authors":"Ingrid Höpel","doi":"10.1515/zkg-2024-1009","DOIUrl":"https://doi.org/10.1515/zkg-2024-1009","url":null,"abstract":"","PeriodicalId":108246,"journal":{"name":"Zeitschrift für Kunstgeschichte","volume":"119 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140279781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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