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Theorie aus der Ferne 理论远观
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.134
Hubertus Dreyer
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引用次数: 0
The Bruckner Challenge. In- and Outward Dialogues in The Third Symphony’s Slow Movements 布鲁克纳挑战。第三交响曲慢乐章中的内向与外向对话
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.178
Gabriela Venegas
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引用次数: 0
Wider die »Tyrannei des Taktes« – Gedanken zur Metrik in Robert Schumanns »Träumerei« op. 15 Nr. 7 违反»的Taktes«——思想为Metrik罗伯特Schumanns»狂欢«手术室15号. 7
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.117
Kilian Sprau
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引用次数: 0
Musiktheorie oder Identitätsbildung?. Per Nørgård und seine Phänomenologische Musiktheorie 音乐理论还是身份认知通过Nørgård和他的Phänomenologische Musiktheorie
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.133
Atalay Baysal
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引用次数: 0
Zur Bedeutung von enharmonischer Äquivalenz 这是等同的意思
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.162
Dres Schiltknecht
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引用次数: 0
›Alla napolitana‹ oder Abschiedsgestus. Ein ›Satzmodell‹ bei Stravinskj? ›阿拉napolitana‹或Abschiedsgestus .一个›Satzmodell‹Stravinskj ?
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.180
Hans Peter Reutter
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引用次数: 0
Das Rezitativ als Stilübung im Tonsatzunterricht 下列八个字准备来一段
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.141
Nora Brandenburg
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引用次数: 0
On Two Computational Models of the Pitch-Rhythm Correspondence. A Focus on Milton Babbit’s and Iannis Xenakis’s Theoretical Constructions 论音高-节奏对应的两种计算模型。论米尔顿·巴比特和伊安尼斯·谢纳基斯的理论建构
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.188
M. Andreatta
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引用次数: 1
Hässliche Musik. Parodie, Deformation, Entstellung und Negativ-Schönes in Richard Wagners Ring des Nibelungen 丑陋的音乐.帕鲁迪，变型，普错体形和底色理查德·魏纳的戒指
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.73
Ariane Jeßulat
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引用次数: 0
»Historische Satzlehre« – ein Zeitalter wird besichtigt »历史Satzlehre«——一个时代将参观
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.138
Felix Diergarten
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引用次数: 0
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