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Georg Friedrich Händels Generalbass-Übungen als praktische Kompositionslehre 德国著名的大提琴练习
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.116
Oliver Korte
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引用次数: 0
(Musik-)Vermittlung
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.112
Hans-Ulrich Schäfer-Lembeck
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引用次数: 0
Bearbeitung als Schule interpretatorischer Gestaltungsmöglichkeiten 多大的应用模块
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.153
J. Hamer
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引用次数: 0
The Harmonic Analysis of Max Reger’s “Four Tone Poems after Arnold Böcklin”, Op. 128 马克斯·雷格《阿诺德之后的四音诗Böcklin》的和声分析，作品128
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.160
M. Dimitrijevic
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引用次数: 0
Timing of Unequal Beats in Bulgarian Drumming 保加利亚鼓乐中不均匀节拍的计时
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.198
Daniel Goldberg
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引用次数: 0
Gegenwärtige kompositorische Praxis und auf sie bezogene Theorie 现代综合实践和对它们的理论
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.131
N. Fröhlich
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引用次数: 0
Fächerübergreifende Zusammenarbeit Musiktheorie und instrumentales Hauptfach am Beispiel des Kombifaches »Bläserkadenzen« Fächerübergreifende Musiktheorie instrumentales专业的合作的例子正好Kombifaches»Bläserkadenzen«
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.167
William Forman, R. Rabenalt
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引用次数: 0
Of Genre, System and Process. Music Theory in a “Global Sonorous Space” 类型，系统和过程。“全球铿锵空间”中的乐理
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.93
Brian Hulse
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引用次数: 0
Zwischen Frau Musica und Modallehre. Geschlechtsspezifisches in der Musiktheorie des Mittelalters 和莫泽尔中世纪音乐理论的受害者
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.222
Achim Diehr
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引用次数: 0
Komposition und Musiktheorie: Konvergenzen und Divergenzen zweier verwandter (?) Fächer 曲谱和音乐一是兄弟会和一对扇子
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.137
Emmanouil Vlitakis
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引用次数: 0
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