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Der Modernismus in den Schriften Pierre Boulez', 1948–1952
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.192
Manuel Farolfi
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引用次数: 0
Zur Zitattechnik in Helmut Lachenmanns Tanzsuite mit Deutschlandlied 赫尔穆特·拉克曼舞蹈套房录德国歌曲
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.88
Jörn Arnecke
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引用次数: 0
Das methodisch-didaktische Konzept des argentinischen Lehrbuchs »Análisis Auditivo de la Música« im Vergleich zu europäischen Höranalyse-Werken 阿根廷的methodisch-didaktische概念”的“»在álisis Auditivo de la Música«相比欧洲Höranalyse-Werken
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.119
Lutz Felbick
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引用次数: 0
On Two Computational Models of the Pitch-Rhythm Correspondence. A Focus on Milton Babbit’s and Iannis Xenakis’s Theoretical Constructions 论音高-节奏对应的两种计算模型。论米尔顿·巴比特和伊安尼斯·谢纳基斯的理论建构
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.188
M. Andreatta
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引用次数: 1
Hässliche Musik. Parodie, Deformation, Entstellung und Negativ-Schönes in Richard Wagners Ring des Nibelungen 丑陋的音乐.帕鲁迪，变型，普错体形和底色理查德·魏纳的戒指
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.73
Ariane Jeßulat
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引用次数: 0
»Historische Satzlehre« – ein Zeitalter wird besichtigt »历史Satzlehre«——一个时代将参观
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.138
Felix Diergarten
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引用次数: 0
Über Instrumentation in der Musik von Iron Maiden 铁五月的音乐中工具性的东西
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.155
Charris Efthimiou
{"title":"Über Instrumentation in der Musik von Iron Maiden","authors":"Charris Efthimiou","doi":"10.31751/p.155","DOIUrl":"https://doi.org/10.31751/p.155","url":null,"abstract":"","PeriodicalId":106201,"journal":{"name":"GMTH Proceedings","volume":"62 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126308394","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Henry Purcells »full anthems« – obsolete Gattung oder Vollendung der Vokalpolyphonie? 亨利Purcells»赏anthems«obsolete同种或完成Vokalpolyphonie吗?
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.158
Katja Steinhäuser
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引用次数: 0
Interdisciplinarity and Metaphors. Historical Reflections on Music Theory and the Psychology of Music 跨学科和隐喻。音乐理论与音乐心理学的历史反思
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.97
Youn Kim
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引用次数: 0
Temporal dimensions and expressive processes in Pierrot lunaire of Arnold Schoenberg 时间维度与勋伯格的《月亮皮埃罗》的表达过程
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.183
J. Olive
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引用次数: 0
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