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Der Modernismus in den Schriften Pierre Boulez', 1948–1952
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.192
Manuel Farolfi
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引用次数: 0
Zur Zitattechnik in Helmut Lachenmanns Tanzsuite mit Deutschlandlied 赫尔穆特·拉克曼舞蹈套房录德国歌曲
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.88
Jörn Arnecke
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引用次数: 0
Das methodisch-didaktische Konzept des argentinischen Lehrbuchs »Análisis Auditivo de la Música« im Vergleich zu europäischen Höranalyse-Werken 阿根廷的methodisch-didaktische概念”的“»在álisis Auditivo de la Música«相比欧洲Höranalyse-Werken
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.119
Lutz Felbick
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引用次数: 0
Vom musiktheoretisch Schönen, Wahren und Guten …真正的好音乐
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.69
Berthold Höckner
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引用次数: 0
Die fünfte Klaviersonate op. 53 (1907) – das letzte ›tonale‹ Werk Skrjabins?. Historische Ansätze der russischen Musikforschung zur Tonsprache Skrjabins 第五钢琴手53(1907)——最后›tonale‹作品Skrjabins . ?俄罗斯音乐研究对音人性的历史性观点
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.172
E. Chernova
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引用次数: 0
Eine »Musiktheorie der Gesellschaft«. Hat die Systemtheorie der Musiktheorie etwas zu sagen? 社会的一个»Musiktheorie«.音乐理论的系统理论有什么意义吗?
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.98
V. Weidner
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引用次数: 0
Venetian Clouds and Newtonian Optics. Modal Polarity in Early Eighteenth-Century Music 威尼斯云和牛顿光学。十八世纪早期音乐的调式极性
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.70
Bella Brover-Lubovsky
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引用次数: 0
Gregorianische Psalmodie im Spannungsfeld zwischen musiktheoretischer Grundlage und praktischer Ausführung 因为音乐基础和实践之间的互动
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.82
S. Engels
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引用次数: 0
»Composing with tones« und Reihentechnik. Die pitch-class set theory, angewendet auf Schönbergs Klavierstück op. 23.2 »Composing和tones«和Reihentechnik .主修道具用的是
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.127
S. Lewandowski
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引用次数: 0
Musiktheorie und die Theorie des Lehrens 音乐理论还有教书理论
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.110
Michael Polth
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引用次数: 0
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