Roman Ingarden and Our Times: Recent Trends in Phenomenology and Contemporary Philosophy最新文献

The Concept of Stratification of the Work of Art in the Aesthetic Thought of Roman Ingarden and Władysław Stróżewski in Relation to Contemporary Art On the Example of an Analysis and Interpretation of an Installation by Arthur Jafa 罗曼·因加登美学思想中艺术作品的分层概念与Władysław Stróżewski与当代艺术的关系——以亚瑟·贾法装置作品分析与解读为例

Roman Ingarden and Our Times: Recent Trends in Phenomenology and Contemporary Philosophy Pub Date : 1900-01-01 DOI: 10.12797/9788381383936.05

R. Solewski

{"title":"The Concept of Stratification of the Work of Art in the Aesthetic Thought of Roman Ingarden and Władysław Stróżewski in Relation to Contemporary Art On the Example of an Analysis and Interpretation of an Installation by Arthur Jafa","authors":"R. Solewski","doi":"10.12797/9788381383936.05","DOIUrl":"https://doi.org/10.12797/9788381383936.05","url":null,"abstract":"The text begins with an indication of the influence Roman Ingarden’s philosophy exerted on Władysław Stróżewski’s aesthetic thought. A particular emphasis is applied to the belief in the intentional nature of the work of art, as well as its multi-- layered structure and the location of the ‘aesthetically valuable qualities’ and ‘qualities of aesthetic values’ within such a structure. Next, selected topics discussed by Stróżewski in Dialectics of Creativity are presented. Finally, considerations regarding the relationship ‘was–is,’ ‘beginning–end,’ ‘top (content, idea)–bottom (material, technique)’, necessity and freedom, as well as necessity and possibility are applied to the contemporary ‘installation art.’ Arthur Jafa’s work The White Album (awarded the main trophy at the 2019 Biennial in Venice) is analyzed. Although the installation is constructed with the use of various media and materials, it has been shown that the reception of the whole gives it the character of an intentional work. The analysis also demonstrates a presence of a multi-layered structure and dialectical juxtapositions mentioned above. For installations using various materials and media, the multiplication of strata and the surprising transformation (through a unique ‘installation’) of the material-meaning-sense relationship is especially characteristic. The multiplication of strata and the transformation of material-meaning-sense relationship also highlight the issues raised in Dialectics of Creativity, yet they do so in an artistic way. The specific ‘aesthetically valuable’ qualities such as immersiveness, intensity, and poeticality are eventually described as revealing the values of beauty and truth.","PeriodicalId":105988,"journal":{"name":"Roman Ingarden and Our Times: Recent Trends in Phenomenology and Contemporary Philosophy","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132898644","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Enduring Importance of Roman Ingarden for Reception Theory 罗马·因加登对接受理论的持久重要性

Roman Ingarden and Our Times: Recent Trends in Phenomenology and Contemporary Philosophy Pub Date : 1900-01-01 DOI: 10.12797/9788381383936.04

Michael Raubach

引用次数: 0

Externalist and Internalist Interpretations of Aristotle’s De Anima 3.5. The Psychology of Alexander of Aphrodisias As a Possible Remedy to the Thomistic Monopoly. Introductory Considerations 亚里士多德《论阿凡达》3.5章的外在主义与内在主义解读。阿佛洛狄西亚的亚历山大的心理是对托马斯主义垄断的一种可能补救。介绍注意事项

Roman Ingarden and Our Times: Recent Trends in Phenomenology and Contemporary Philosophy Pub Date : 1900-01-01 DOI: 10.12797/9788381383936.08

Sonia Kamińska

{"title":"Externalist and Internalist Interpretations of Aristotle’s De Anima 3.5. The Psychology of Alexander of Aphrodisias As a Possible Remedy to the Thomistic Monopoly. Introductory Considerations","authors":"Sonia Kamińska","doi":"10.12797/9788381383936.08","DOIUrl":"https://doi.org/10.12797/9788381383936.08","url":null,"abstract":"This paper is devoted to Alexander of Aphrodisias, the Exegete, whose theory is gaining popularity among Aristotelian scholars as a possible solution to manifold interpretation problems created by Aristotle’s De Anima 3.5 due to its brevity and obscurity. I recommend Alexander’s solution as a remedy for two main predicaments concerning the notorious second intellect called enigmatically nous poietikos: the mysterious (if any) function of active intellect, and Thomistic monopoly in the field of Aristotle’s psychology (and theology). In other words, I believe that the externalist interpretations which identify nous poietikos with the Deity or a noetic sphere are more appropriate than the internalist ones that include the productive mind in our mental apparatus (Aquinas being the most famous partisan of this view). This is why I believe Alexander (an externalist), who remains rather unknown to scholars focused outside ancient philosophy, should be introduced to the broader public, especially because he inspired the Arabic philosophy, which is also an alternative to internalism (often overlapping with theistic readings). This introduction, alongside shedding light on some psychological issues, is the main aim of my paper.","PeriodicalId":105988,"journal":{"name":"Roman Ingarden and Our Times: Recent Trends in Phenomenology and Contemporary Philosophy","volume":"213 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132999223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Beyond the Nature/Culture Division. Building Complementary Knowledge on Disease 超越自然/文化部门。建立疾病补充知识

Roman Ingarden and Our Times: Recent Trends in Phenomenology and Contemporary Philosophy Pub Date : 1900-01-01 DOI: 10.12797/9788381383936.06

A. Derra

引用次数: 0

On Good and Bad Reasons for Endorsing Mereological Hylemorphism 赞同单形态同源论的好与坏理由

Roman Ingarden and Our Times: Recent Trends in Phenomenology and Contemporary Philosophy Pub Date : 1900-01-01 DOI: 10.12797/9788381383936.07

D. Franken

引用次数: 1

The Fragmentary Condition of Aesthetics at the Turn of 21st Century 21世纪之交美学的碎片化状态

Roman Ingarden and Our Times: Recent Trends in Phenomenology and Contemporary Philosophy Pub Date : 1900-01-01 DOI: 10.12797/9788381383936.09

Kamil Lipiński

{"title":"The Fragmentary Condition of Aesthetics at the Turn of 21st Century","authors":"Kamil Lipiński","doi":"10.12797/9788381383936.09","DOIUrl":"https://doi.org/10.12797/9788381383936.09","url":null,"abstract":"The ‘fragmentary condition’ relates to Jena Romanticism as the point of departure to discuss how the idea of the fragment moves from classical, literary studies to contemporary art and becomes part of a broader interpretation of the 20th century fin de siècle aesthetics. The article builds on Jean-Luc Nancy’s and Philippe Lacoue-Labarthe’s theoretical insights into Jena Romanticism in order to examine the unification of all genres separated from poetry to touch poetry, philosophy, rhetoric through the anecdotal and witty articulation, as well as ars combinatoria. For Romantics, the basic imperative was to educate, form their existence, that is, Bildung, in Hegelian terms, cultural education, formation, development. This literary foundation is defined by Jean-Luc Nancy as a fragmentary existence which he identifies with the fraction, fractal essence, inherent separation, disengaging. Nancy was intent on examining the emergence of various contemporary works expressing their essence in terms of breaks, incompleteness, and an autonomous role of the fragment. This classical conceptual foundation provides these key conceptual and methodological perspectives and allows for discussing the implications of the critical aesthetics of the fin de siècle for the practices of fraction, ex-peau-sition, spacing, and division in the contemporary research in art.","PeriodicalId":105988,"journal":{"name":"Roman Ingarden and Our Times: Recent Trends in Phenomenology and Contemporary Philosophy","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122366465","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Izydora Dąmbska’s Study on Ingarden’s and Frege’s Philosophy of Language in View of the Contemporary Discussion about the Relationship between Phenomenology and Analytic Philosophy 依兹多拉Dąmbska从现象学与分析哲学关系的当代讨论看因加登和弗雷格的语言哲学

Roman Ingarden and Our Times: Recent Trends in Phenomenology and Contemporary Philosophy Pub Date : 1900-01-01 DOI: 10.12797/9788381383936.01

Aleksandra Gomułczak

引用次数: 0

Formalism and Phenomenology in Vasily Sesemann’s Aesthetics 赛赛曼美学中的形式主义与现象学

Roman Ingarden and Our Times: Recent Trends in Phenomenology and Contemporary Philosophy Pub Date : 1900-01-01 DOI: 10.12797/9788381383936.03

Dalius Jonkus

{"title":"Formalism and Phenomenology in Vasily Sesemann’s Aesthetics","authors":"Dalius Jonkus","doi":"10.12797/9788381383936.03","DOIUrl":"https://doi.org/10.12797/9788381383936.03","url":null,"abstract":"The purpose of this article is to analyze the connection between formalism and phenomenology in Vasily Sesemann’s aesthetics. In the articles “Aesthetic valuation in the history of art” (1922), “The nature of poetic image” (1925), “Art and culture” (1927), Seseman discusses the formalist concept of art. However, the most complete critique of the formalist idea of art is revealed in his Aesthetics (1970). In this book, he presented the most comprehensive conception of aesthetic structure. In this paper, I set out first to analyze the most important features of the formalist history of art, and then to explore how Sesemann transforms the concept of artistic form into a conception of aesthetic structure. I argue that formalistic analysis of art transforms the concept of artistic form into a style. This style is nothing less than the experience of being in the world. Sesemann abandons the dualistic separation of sensory material and intelligible form, and instead offers the concept of aesthetic structure. He reveals the relationship between the sensory structure of an aesthetic object and the perceiving subject. Aesthetic value can be revealed as meaningful only with the participation of a subject and with the necessary contemplative attitude. Analysis of art must cover not only individual structures of the object, but also a phenomenological analysis of perception. The combination of formalism and phenomenology is a peculiar characteristic of Sesemann’s aesthetics. The structural analysis reveals a systematic coherence among the artistic creator, work of art, and its perceiver.","PeriodicalId":105988,"journal":{"name":"Roman Ingarden and Our Times: Recent Trends in Phenomenology and Contemporary Philosophy","volume":"94 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116661941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Ingarden’s Legacy: Responsibility as Legal and Beyond 英加登的遗产:法律责任及超越责任

Roman Ingarden and Our Times: Recent Trends in Phenomenology and Contemporary Philosophy Pub Date : 1900-01-01 DOI: 10.12797/9788381383936.02

P. Janik

引用次数: 0