发布求助
文献互助 智能选刊 最新文献

The Oxford Handbook of Sound and Imagination, Volume 1最新文献

筛选
英文 中文
The Acoustic Imaginations of East Asia 东亚的声学想象
The Oxford Handbook of Sound and Imagination, Volume 1 Pub Date : 2019-09-26 DOI: 10.1093/oxfordhb/9780190460167.013.21
Kerim Yasar
{"title":"The Acoustic Imaginations of East Asia","authors":"Kerim Yasar","doi":"10.1093/oxfordhb/9780190460167.013.21","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460167.013.21","url":null,"abstract":"Kerim Yasar provides a consideration of the acoustic imagination in literary works from the Sinosphere (China, Japan, and Korea). Yasar explores the development and use of sound symbolism in these countries’ writing systems, arguing that, even with such sound symbol–rich systems to hand, the Sinosphere’s authors depended and still depend on the active imaginative participation of their readers in order to cocreate the acoustic depictions found in their work. Spreading his survey of the literary traditions of the Sinosphere across three-thousand-year-old Chinese literature to modern Japanese manga, Yasar further demonstrates that the conceptualization of sound within the Sinosphere cultures helps shape the imagination and representation of sound within that culture’s language and literature.","PeriodicalId":104858,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 1","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128005412","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Beacons of Sound 声音的灯塔
The Oxford Handbook of Sound and Imagination, Volume 1 Pub Date : 2019-09-26 DOI: 10.1093/OXFORDHB/9780190460167.013.35
Martin Knakkergaard
{"title":"Beacons of Sound","authors":"Martin Knakkergaard","doi":"10.1093/OXFORDHB/9780190460167.013.35","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780190460167.013.35","url":null,"abstract":"Martin Knakkergaard discusses expectations and imaginations vis-à-vis the concert hall of the twenty-first century. The chapter outlines some of the central historical implications of Western culture’s haven for sounding music and its impact on the understanding of the musical phenomenon as an element in societal and cultural processes. Based on his case study of the Icelandic concert house Harpa, Knakkergaard considers how these implications, together with the prime mover’s visions, have been transformed as private investors and politicians take over. Throughout, Knakkergaard investigates the objectives required of musical sound and the far-reaching demands of the acoustics that modern concert halls must necessarily meet.","PeriodicalId":104858,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 1","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128555515","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Concerning the Iconic Signification of Music in Cinema 论电影中音乐的象征意义
The Oxford Handbook of Sound and Imagination, Volume 1 Pub Date : 2019-09-26 DOI: 10.1093/oxfordhb/9780190460167.013.29
Michael Chanan
{"title":"Concerning the Iconic Signification of Music in Cinema","authors":"Michael Chanan","doi":"10.1093/oxfordhb/9780190460167.013.29","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460167.013.29","url":null,"abstract":"Michael Chanan investigates the complex implications of what is referred to as musical iconography, in which music works as a subtle and polysemic signifier of nonmusical associations and connotations, thereby functioning as a congealed but ambiguous cultural symbol. Through a brief historic sketch covering the period of the silent movie to the present, Chanan points out how music brings codes and connotations from outside and beyond the screen into film. He discusses how music augments narrative ambiguity but can also encompass different superimposed temporalities, comprising historical events, private biographies, and collective memory.","PeriodicalId":104858,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 1","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128380491","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Noise and Tranquility at Stonehenge 巨石阵的喧嚣与宁静
The Oxford Handbook of Sound and Imagination, Volume 1 Pub Date : 2019-09-26 DOI: 10.1093/oxfordhb/9780190460167.013.15
Odd Are Berkaak
{"title":"Noise and Tranquility at Stonehenge","authors":"Odd Are Berkaak","doi":"10.1093/oxfordhb/9780190460167.013.15","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460167.013.15","url":null,"abstract":"By tracing archaeological, poetic, artistic, literary, legal, and political factors, Odd Are Berkaak investigates and discusses a number of controversies surrounding the sound environment at the world-famous prehistoric monument Stonehenge. Berkaak pieces together an understanding of how imagination—as built on subjective impressions, on the one side, and on collectively constructed cognitive schema, on the other—links the sensory experience of tranquility and the cultural category of dignity. In his quest, Berkaak touches on a number of aspects ranging from the promotion of cultural heritage to painting and literature.","PeriodicalId":104858,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 1","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132603272","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Sensation of Sound and Imagination in a Historical Perspective 从历史的角度看声音的感觉和想象
The Oxford Handbook of Sound and Imagination, Volume 1 Pub Date : 2019-09-26 DOI: 10.1093/oxfordhb/9780190460167.013.2
S. Klempe
{"title":"The Sensation of Sound and Imagination in a Historical Perspective","authors":"S. Klempe","doi":"10.1093/oxfordhb/9780190460167.013.2","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460167.013.2","url":null,"abstract":"Sven Hroar Klempe traces the concept of imagination in the history of philosophy and psychology, focusing on the period starting from the German enlightenment, and his chapter deals extensively with the works of a number of prominent scholars from the past three centuries such as Christian Wolff, Alexander Baumgarten, Kant, and Carl Stumpf. Klempe discusses how the imagination of sound and music can be seen as a specific type of imagination, and he elucidates how sound and music provide an alternative understanding of imagination from that provided by language. This discussion focuses on the relationship between sensation and imagination and the complexity of sensory processes that music and sound can reflect in a way that language cannot.","PeriodicalId":104858,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 1","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124248121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Imagining Acoustic Spaces through Listening and Acoustic Ecology 通过聆听和声学生态想象声学空间
The Oxford Handbook of Sound and Imagination, Volume 1 Pub Date : 2019-09-26 DOI: 10.1093/oxfordhb/9780190460167.013.32
B. Truax
{"title":"Imagining Acoustic Spaces through Listening and Acoustic Ecology","authors":"B. Truax","doi":"10.1093/oxfordhb/9780190460167.013.32","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460167.013.32","url":null,"abstract":"Using the concept of acoustic ecology as his bulwark, Barry Truax theorizes listening as an embodied interface to our auditory environment. Acoustic spaces, Truax argues, should be understood as simultaneously real and imagined, and he discusses how such forms of dual perception exist in both everyday soundscapes and technologically mediated soundscapes. He contends that memory, imagining, and anticipation are closely connected to all stages of listening. These aspects of listening are further used to explore and define what Truax calls the “acoustic community”—that soundscape that emerges as a product of collective individual imagination.","PeriodicalId":104858,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 1","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131126089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cinema as Social Knowledge 作为社会知识的电影
The Oxford Handbook of Sound and Imagination, Volume 1 Pub Date : 2019-09-26 DOI: 10.1093/oxfordhb/9780190460167.013.28
François Ribac
{"title":"Cinema as Social Knowledge","authors":"François Ribac","doi":"10.1093/oxfordhb/9780190460167.013.28","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460167.013.28","url":null,"abstract":"François Ribac discusses how the Beatles—within the field of popular music—gave substance to a technical and social organization that the cinema made culturally possible. Cinema, being just as much a technique as a way of organizing and hearing the world, introduced the Beatles and their sound engineers simultaneously to a nonnaturalistic use of sound and to rock “n” roll which made it possible for them to invent “a cinema for the ears.” Ribac describes how the methods and the temporality of the cinema as well as its conventions, division of labor, and the concept of the studio inspired the envisioning of a musical form that was disconnected from traditional music-making of the time.","PeriodicalId":104858,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 1","volume":"9 30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132963540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Presence, Environment, and Sound and the Role of Imagination 在场，环境，声音和想象力的作用
The Oxford Handbook of Sound and Imagination, Volume 1 Pub Date : 2019-09-26 DOI: 10.1093/OXFORDHB/9780190460167.013.33
M. Grimshaw-Aagaard
{"title":"Presence, Environment, and Sound and the Role of Imagination","authors":"M. Grimshaw-Aagaard","doi":"10.1093/OXFORDHB/9780190460167.013.33","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780190460167.013.33","url":null,"abstract":"Mark Grimshaw-Aagaard addresses the role of sound in the creation of presence in virtual and actual worlds. He argues that imagination is a central part of the generation and selection of perceptual hypotheses—models of the world in which we can act—that emerge from what Grimshaw-Aagaard calls the “exo-environment” (the sensory input) and the “endo-environment” (the cognitive input). Grimshaw-Aagaard further divides the exo-environment into a primarily auditory and a primarily visual dimension and he deals with the actual world of his own apartment and the virtual world of first-person-shooter computer games in order to exemplify how we perceptually construct an environment that allows for the creation of presence.","PeriodicalId":104858,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 1","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133270628","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Audio Inside the Mind 心灵的声音
The Oxford Handbook of Sound and Imagination, Volume 1 Pub Date : 2019-09-26 DOI: 10.1093/oxfordhb/9780190460167.013.20
S. Street
{"title":"Audio Inside the Mind","authors":"S. Street","doi":"10.1093/oxfordhb/9780190460167.013.20","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460167.013.20","url":null,"abstract":"The sonic imagery of poetry and the poetry of radio are the subjects of Seán Street’s chapter. Street argues for a poetics of sound, whereby sound, like poetry, can stimulate images and feelings from the breadcrumbs contained within. Sound, especially that sound forming sonic art as found in many radio dramas and narratives, is essentially ambiguous, and it is this very ambiguity that sparks the imagination of the listener, plucking long-forgotten experiences from the deep recesses of our memory, experiences that, Street claims, are crucial factors in the preservation of our sense of self.","PeriodicalId":104858,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 1","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129990317","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Musical Preferences and the Imagined Self 音乐偏好和想象中的自我
The Oxford Handbook of Sound and Imagination, Volume 1 Pub Date : 2019-09-26 DOI: 10.1093/oxfordhb/9780190460167.013.12
A. Lamont
{"title":"Musical Preferences and the Imagined Self","authors":"A. Lamont","doi":"10.1093/oxfordhb/9780190460167.013.12","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460167.013.12","url":null,"abstract":"Alexandra Lamont discusses how musical preferences are a way to construct, reconstruct, and communicate a sense of identity, indicating aspects of personality, attitudes, and lifestyle. She reviews recent research demonstrating how musical preferences can provide information about age, gender, and personality. In addition to the social dimension, she also touches on aspects of personal musical identity that are developed through imagination. Lamont furthermore considers our imagined relationships with the music itself and the musicians responsible for creating and performing it, taking a lifespan perspective from childhood and adolescence through to old age.","PeriodicalId":104858,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 1","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128557521","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：604180095
Book学术官方微信
小红书