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The Oxford Handbook of Sound and Imagination, Volume 1最新文献

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What You Hear Is Where You Are 你所听到的就是你所在的地方
The Oxford Handbook of Sound and Imagination, Volume 1 Pub Date : 2019-09-26 DOI: 10.1093/oxfordhb/9780190460167.013.38
L. Salter
{"title":"What You Hear Is Where You Are","authors":"L. Salter","doi":"10.1093/oxfordhb/9780190460167.013.38","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460167.013.38","url":null,"abstract":"Linda-Ruth Salter deals with the ways in which hearing contributes to the realities we create and within which we live. Discussing different cognitive theories and findings from neuroscience, she details how sensory data—specifically auditory stimuli—are processed, and how this processing activates imagination in determining who we are, how we are, and where we are. Reality, Salter argues, is a cognitive construct. Hearing plays a significant part in forming that reality—for example, by guiding our attention to certain stimuli rather than others—and it further helps us to successfully inhabit our constructed reality.","PeriodicalId":104858,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 1","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129264934","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fantasy Control 幻想控制
The Oxford Handbook of Sound and Imagination, Volume 1 Pub Date : 2019-08-12 DOI: 10.1093/oxfordhb/9780190460167.013.11
Ulrik Volgsten
{"title":"Fantasy Control","authors":"Ulrik Volgsten","doi":"10.1093/oxfordhb/9780190460167.013.11","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460167.013.11","url":null,"abstract":"Ulrik Volgsten focuses on the control of sonic imagination in general and takes as his point of departure a discussion on how imagination is reflected in a number of theoretical perspectives. The author proceeds to supplement these perspectives with the dimension of social interaction and its role in paving the way for “an emerging sense of music” uncovering two different modes of connection: metaphorical projection and affect attunement. Additionally, Volgsten discusses how the three thematically distinct aspects of imagination (musical archives, places and contexts, and identifications) are distributed and concludes with a brief case study on a Kurdish cultural association, exemplifying different ways in which imagination can be controlled, for better or for worse.","PeriodicalId":104858,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 1","volume":"120 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133860813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Building Worlds Together with Sound and Music 用声音和音乐一起构建世界
The Oxford Handbook of Sound and Imagination, Volume 1 Pub Date : 2019-08-12 DOI: 10.1093/oxfordhb/9780190460167.013.17
Kai Tuuri, Henna-Riikka Peltola
{"title":"Building Worlds Together with Sound and Music","authors":"Kai Tuuri, Henna-Riikka Peltola","doi":"10.1093/oxfordhb/9780190460167.013.17","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460167.013.17","url":null,"abstract":"By conforming to the enactive approach to human cognition, and by adopting the Tia DeNora’s concept of human–music interaction as an “in-action” perspective, Kai Tuuri and Henna-Riikka Peltola explore socially extended imagining with sounds and music. This is done through a question of how “shared places” of imagining with sound are established and maintained. Defining the activity of imagining as an essentially dynamic and generative process that takes place in a social reality, the authors propose that the processes of imagining are not only individual but also become exhibited and jointly engaged in social dialogues as well. By first discussing the theoretical foundations of this shared imagining with sound, then by examining two case examples, the authors focus on the ways that imagination—as a joint active engagement—becomes shared in an interaction between individuals.","PeriodicalId":104858,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 1","volume":"13 40","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132748390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Embodied Listening 体现了听
The Oxford Handbook of Sound and Imagination, Volume 1 Pub Date : 2019-08-12 DOI: 10.1093/oxfordhb/9780190460167.013.30
Martine Huvenne
{"title":"Embodied Listening","authors":"Martine Huvenne","doi":"10.1093/oxfordhb/9780190460167.013.30","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460167.013.30","url":null,"abstract":"Martine Huvenne discusses how imagined worlds in film originate in human bodily resonance in correspondence with movements in the sounds themselves and not solely in the interaction between the audio and the visual. In addition to her own research, Huvenne bases her chapter on a case study of the work and practice of the sound designer Nicolas Becker, in this way using informed knowledge and insight from the producer’s perspective. She argues that sounds can reveal invisible aspects of characters, relationships, and inner worlds, allowing an audience to experience a lived world, thereby providing perceptual elements that enables it to create an imagined world.","PeriodicalId":104858,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 1","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132398919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Auditory Mirrors 听觉的镜子
The Oxford Handbook of Sound and Imagination, Volume 1 Pub Date : 2019-08-12 DOI: 10.1093/oxfordhb/9780190460167.013.37
Sabine Sanio
{"title":"Auditory Mirrors","authors":"Sabine Sanio","doi":"10.1093/oxfordhb/9780190460167.013.37","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460167.013.37","url":null,"abstract":"With the general goal of describing “how music understands itself socially and politically,” Sabine Sanio starts out by focusing on the musical neo-avant-garde, and especially on John Cage, and continues by discussing aspects of the musical idea of space. Although her chapter draws on several threads reaching back to the beginning of the twentieth century, the central topics of the chapter are current issues dealing with musical explorations of the sound itself, modern data technologies, and public spaces. Using a number of examples, Sanio discusses how the relationship between composers and audiences is both socially and aesthetically challenged by redefinitions of the concept of space and character of the musical live event—or live-like event.","PeriodicalId":104858,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 1","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129134250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music Places 音乐的地方
The Oxford Handbook of Sound and Imagination, Volume 1 Pub Date : 2019-08-12 DOI: 10.1093/oxfordhb/9780190460167.013.34
Judy Lochhead
{"title":"Music Places","authors":"Judy Lochhead","doi":"10.1093/oxfordhb/9780190460167.013.34","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460167.013.34","url":null,"abstract":"Judy Lochhead initially considers the ambiguity of the concept “music places” as either physical spaces in which music occurs—the living room, the concert hall, or locations and types of music that characterize their physical or social characteristics—in order to introduce another sense of the term—and the focus of the chapter—namely that music actively places (i.e., transports) listeners to imaginatively enacted virtual places of musical sounding. The latter perspective is thoroughly discussed and leads to the notion that music transports its listener to an imaginative sonic place that is characterized by feelings, emotions, and expectations; an understanding that is substantiated and concluded by two personal listenings of relatively new works of music.","PeriodicalId":104858,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 1","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114398230","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Auditory Imagination 听觉想象
The Oxford Handbook of Sound and Imagination, Volume 1 Pub Date : 2019-08-12 DOI: 10.1093/oxfordhb/9780190460167.013.4
Daniel A. Schmicking
{"title":"Auditory Imagination","authors":"Daniel A. Schmicking","doi":"10.1093/oxfordhb/9780190460167.013.4","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460167.013.4","url":null,"abstract":"Daniel Schmicking explores auditory imagination from a phenomenological perspective. He starts with an outline of phenomenological tools building mainly on Husserl’s thinking, and then sets out to analyze the structure of auditory imagination and its function in collaborative music-making. In his account of the workings of auditory imagination, Schmicking challenges the traditional Western notion of imagination as something private. A central part of Schmicking’s account of auditory imagination comprises a distinction between pure and weak forms of imagination, and this distinction is further used to explore how imagination contributes to other intentional forms, such as perception and memory.","PeriodicalId":104858,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 1","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123914907","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Radio Imaginaries 无线电虚
The Oxford Handbook of Sound and Imagination, Volume 1 Pub Date : 2019-08-12 DOI: 10.1093/oxfordhb/9780190460167.013.19
Morten Michelsen
{"title":"Radio Imaginaries","authors":"Morten Michelsen","doi":"10.1093/oxfordhb/9780190460167.013.19","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460167.013.19","url":null,"abstract":"Morten Michelsen deals with a number of dualities—intimate/social, private/public, and introvert/extrovert—that are evident in the imaginative production and, especially, consumption of radio broadcasts. Michelsen explores the fields of the microsocial and the macrosocial in the context of radio, how radio broadcasts are used to negotiate social structures in spaces such as the home, and how they are used to form imagined communities between groups of people separated by geography (those communities formed primarily across space). To illustrate these two structures, and to exemplify the imaginaries of radio, Michelsen first explores 1950s Europe, as radio practice becomes engendered through advertising and new broadcast and reception technology, before analyzing two Danish radio broadcasts of the same era, one dealing with the decolonization of Africa and the other being a typical, light variety broadcast.","PeriodicalId":104858,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 1","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125432417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sonic Branding 声波品牌
The Oxford Handbook of Sound and Imagination, Volume 1 Pub Date : 2019-08-12 DOI: 10.1093/oxfordhb/9780190460167.013.18
Clara Gustafsson
{"title":"Sonic Branding","authors":"Clara Gustafsson","doi":"10.1093/oxfordhb/9780190460167.013.18","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460167.013.18","url":null,"abstract":"Clara Gustafsson takes issue with the belief, prevalent among brand managers and brand researchers alike, that sonic branding is first and foremost about the music. Instead, Gustafsson suggests that sonic branding should prioritize cocreation with the consumer. The consumer thus becomes a valued cocreator of meaning and brand identity, the consumer’s imagination playing a role in developing a meaningful platform for the brand. Gustafsson explores this viewpoint by arguing for the use of immersive research methods, cultural branding, and ethnographic techniques in shifting the focus away from the music and onto the consumer in order to develop a new approach to sonic branding research.","PeriodicalId":104858,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 1","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125225722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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