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Journal of Historians of Netherlandish Art最新文献

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The Petrifying Gaze of Medusa: Ambivalence, Explexis, and the Sublime 美杜莎的石化凝视:矛盾，解释和崇高
Journal of Historians of Netherlandish Art Pub Date : 2016-07-01 DOI: 10.5092/JHNA.2016.8.2.3
C. V. Eck
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引用次数: 7
Sensible Natures: Allart Van Everdingen and the Tradition of Sublime Landscape in Seventeenth-Century Dutch Painting 感性的天性:阿拉特·凡·埃弗丁根与17世纪荷兰绘画中崇高的风景传统
Journal of Historians of Netherlandish Art Pub Date : 2016-07-01 DOI: 10.5092/JHNA.2016.8.2.4
J. Blanc
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引用次数: 1
A voice from the past: Pieter Saenredam's The old town hall of Amsterdam, historical continuity, and the moral sublime 来自过去的声音:Pieter Saenredam的《阿姆斯特丹的老市政厅，历史的延续，道德的崇高》
Journal of Historians of Netherlandish Art Pub Date : 2016-07-01 DOI: 10.5092/JHNA.2016.8.2.6
Lorne Darnell
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引用次数: 0
Sublime still life: On Adriaen Coorte, Elias van den Broeck, and the Je ne sais quoi of painting 《崇高的静物:关于Adriaen Coorte, Elias van den Broeck和我不知道什么绘画》
Journal of Historians of Netherlandish Art Pub Date : 2016-07-01 DOI: 10.5092/JHNA.2016.8.2.10
H. Grootenboer
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引用次数: 1
The Comedic Sublime: A Distinctly Dutch Baroque in the Work of Frans Hals 喜剧的崇高:弗朗斯·哈尔斯作品中独特的荷兰巴洛克风格
Journal of Historians of Netherlandish Art Pub Date : 2016-07-01 DOI: 10.5092/JHNA.2016.8.2.7
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引用次数: 1
Introduction: The Sublime and Seventeenth-Century Netherlandish Art 引言:崇高和17世纪荷兰艺术
Journal of Historians of Netherlandish Art Pub Date : 2016-07-01 DOI: 10.5092/JHNA.2016.8.2.1
B. V. Oostveldt, S. Bussels
{"title":"Introduction: The Sublime and Seventeenth-Century Netherlandish Art","authors":"B. V. Oostveldt, S. Bussels","doi":"10.5092/JHNA.2016.8.2.1","DOIUrl":"https://doi.org/10.5092/JHNA.2016.8.2.1","url":null,"abstract":"Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: http://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible.","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123754789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Grace, Genius, and the Longinian Sublime in Rembrandt’s Aristotle with a Bust of Homer 伦勃朗的《亚里士多德与荷马半身像》中的优雅、天才和隆吉尼崇高
Journal of Historians of Netherlandish Art Pub Date : 2016-07-01 DOI: 10.5092/JHNA.2016.8.2.5
Joanna Sheers Seidenstein
{"title":"Grace, Genius, and the Longinian Sublime in Rembrandt’s Aristotle with a Bust of Homer","authors":"Joanna Sheers Seidenstein","doi":"10.5092/JHNA.2016.8.2.5","DOIUrl":"https://doi.org/10.5092/JHNA.2016.8.2.5","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125761274","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Sublime and the 'Beholder’s Share': Junius, Rubens, Rembrandt 崇高和“旁观者的份额”:朱尼厄斯，鲁本斯，伦勃朗
Journal of Historians of Netherlandish Art Pub Date : 2016-07-01 DOI: 10.5092/JHNA.2016.8.2.2
M. A. Weststeijn
{"title":"The Sublime and the 'Beholder’s Share': Junius, Rubens, Rembrandt","authors":"M. A. Weststeijn","doi":"10.5092/JHNA.2016.8.2.2","DOIUrl":"https://doi.org/10.5092/JHNA.2016.8.2.2","url":null,"abstract":"One of the innovative elements in Franciscus Junius’s treatise The Painting of the Ancients (four editions, 1637–94) was the first discussion of Longinus’s concept of the sublime in the context of the figurative arts. Junius’s translation of his own treatise into English (1639) prepared the ground for the importance of the sublime in British aesthetics. Yet scrutiny of the underlying conceptions of The Painting of the Ancients reveals that his interpretation of this ancient concept was idiosyncratic. His interest in Longinus was not motivated by philosophy but rather by the painterly illusionism perfected in Netherlandish studios. This essay explores how Junius used the sublime to explain the “beholder’s share” in the artist’s evocation of a virtual reality. It points out the practical context in which his theory arose and how it relates to extant works, focusing on Rubens’s The Andrians and Rembrandt’s The Blinding of Samson.","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134524707","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Sewing the Body of Christ : Eucharist wafer souvenirs stitched into fifteenth-century manuscripts, primarily in the Netherlands 缝制基督的身体:缝在15世纪手稿中的圣餐纪念品，主要在荷兰
Journal of Historians of Netherlandish Art Pub Date : 2016-01-15 DOI: 10.5092/JHNA.2016.8.1.1
K. Rudy
{"title":"Sewing the Body of Christ : Eucharist wafer souvenirs stitched into fifteenth-century manuscripts, primarily in the Netherlands","authors":"K. Rudy","doi":"10.5092/JHNA.2016.8.1.1","DOIUrl":"https://doi.org/10.5092/JHNA.2016.8.1.1","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134282406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
The Amsterdam Civic Guard Pieces within and outside the New Rijksmuseum Part 5: Govert Flinck 新国立博物馆内外的阿姆斯特丹公民卫队作品第五部分:弗林克政府
Journal of Historians of Netherlandish Art Pub Date : 2015-07-01 DOI: 10.5092/jhna.2015.7.2.5
D. Meijer, T. V. D. Molen
{"title":"The Amsterdam Civic Guard Pieces within and outside the New Rijksmuseum Part 5: Govert Flinck","authors":"D. Meijer, T. V. D. Molen","doi":"10.5092/jhna.2015.7.2.5","DOIUrl":"https://doi.org/10.5092/jhna.2015.7.2.5","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128814590","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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