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Aesthetics and Cultural Politics in The Grand Budapest Hotel (2014): Reading through Eisenstein's Montage Theory 《布达佩斯大饭店》(2014)中的美学与文化政治——解读爱森斯坦的蒙太奇理论
4区 艺术学
Cineforum Pub Date : 2015-12-31 DOI: 10.19119/cf.2015.12.31.22.93
Kyoung-lae Kang, Seunghye Cho
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引用次数: 0
A Study on 3-Act Narration of Narrative film : Focusing on plot point, pinch and mid point 叙事电影的三幕叙事研究:以情节点、夹点、中点为中心
4区 艺术学
Cineforum Pub Date : 2015-12-31 DOI: 10.19119/CF.2015.12.31.22.191
Yoon Bo Hyeop
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引用次数: 0
VR and Cinema VR和电影
4区 艺术学
Cineforum Pub Date : 2015-12-31 DOI: 10.19119/CF.2015.12.31.22.351
W. Moon
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引用次数: 6
Re-interpretation of François Truffaut's La Politique des auteurs Discourse 重新诠释francois truffaut的《作者的政治话语》
4区 艺术学
Cineforum Pub Date : 2015-12-31 DOI: 10.19119/cf.2015.12.31.22.233
Roh Chul Hwan
{"title":"Re-interpretation of François Truffaut's La Politique des auteurs Discourse","authors":"Roh Chul Hwan","doi":"10.19119/cf.2015.12.31.22.233","DOIUrl":"https://doi.org/10.19119/cf.2015.12.31.22.233","url":null,"abstract":"","PeriodicalId":10322,"journal":{"name":"Cineforum","volume":"22 1","pages":"233-259"},"PeriodicalIF":0.0,"publicationDate":"2015-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67589016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Postcolonial Interpretation on Films Setting in the Japanese Colonial Period : Analyzing My Way and Assassination by Using Discourse of Frantz Fanon 日本殖民时期电影背景的后殖民解读:从法农的话语分析《我的路》与《暗杀》
4区 艺术学
Cineforum Pub Date : 2015-12-31 DOI: 10.19119/cf.2015.12.31.22.473
kang seungryul
{"title":"Postcolonial Interpretation on Films Setting in the Japanese Colonial Period : Analyzing My Way and Assassination by Using Discourse of Frantz Fanon","authors":"kang seungryul","doi":"10.19119/cf.2015.12.31.22.473","DOIUrl":"https://doi.org/10.19119/cf.2015.12.31.22.473","url":null,"abstract":"","PeriodicalId":10322,"journal":{"name":"Cineforum","volume":"22 1","pages":"473-500"},"PeriodicalIF":0.0,"publicationDate":"2015-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67588775","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
What Is Educational Film : The Concept of Educational Film And the Adaptation of Educational Film in History Education 什么是教育片:教育片的概念与历史教育中的教育片改编
4区 艺术学
Cineforum Pub Date : 2015-12-31 DOI: 10.19119/cf.2015.12.31.22.527
Aramchan Lee
{"title":"What Is Educational Film : The Concept of Educational Film And the Adaptation of Educational Film in History Education","authors":"Aramchan Lee","doi":"10.19119/cf.2015.12.31.22.527","DOIUrl":"https://doi.org/10.19119/cf.2015.12.31.22.527","url":null,"abstract":"","PeriodicalId":10322,"journal":{"name":"Cineforum","volume":"22 1","pages":"527-549"},"PeriodicalIF":0.0,"publicationDate":"2015-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67589226","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Study on André Bazin's Realism and Digital Aesthetics 巴赞的现实主义与数字美学研究
4区 艺术学
Cineforum Pub Date : 2015-12-31 DOI: 10.19119/CF.2015.12.22.291
Heon-yeol Jeong
{"title":"A Study on André Bazin's Realism and Digital Aesthetics","authors":"Heon-yeol Jeong","doi":"10.19119/CF.2015.12.22.291","DOIUrl":"https://doi.org/10.19119/CF.2015.12.22.291","url":null,"abstract":"본 논고는 앙드레 바쟁의 영화 존재론에 대해 재검토한다. 일반적으로 바쟁의 영화 미학은 ‘사진적 존재론’에 기초한 리얼리즘 이론으로 간주되어 왔다. 즉, 바쟁의 리얼리즘 이론은 주로 이미지의 현실모방성과 지표적 인과관계에 초점을 맞춘 채 논의되어 왔다. 하지만, 1990년대 중반 이래 디지털 시네마 시대의 본격화는 바쟁의 리얼리즘 미학을 새롭게 재해석할 필요성을 제기한다. 왜냐하면, 디지털 테크놀러지의 발전과 함께 영화 예술은 현실의 재현과 모방을 넘어 보다 자유로운 합성과 변형의 시대로 접어들기 때문이다. 영화 예술이 사진적 복제를 넘어 컴퓨터 시뮬레이션과 합성의 시대로 나아갈수록 리얼리즘 미학의 복합적 성격이 강화된다. 이런 맥락에서, 바쟁의 영화 리얼리즘을 이미지의 객관성과 공간적 모방의 견지에서 편협하게 이해하는 견해들은 적극적으로 수정될 필요가 있다. 비록 바쟁이 사진화학적 이미지의 ‘객관적 리얼리티’를 강조했다할지라도, 그는 영화 이미지의 물질적 모호성과 복잡성, 주체와 스타일, 예술적 표현의 중요성을 동시에 강조했다. 그러므로, 바쟁의 사진적 존재론은 지표성의 의미를 넘어 영화적 상상력의 확장이라는 면에서 보다 풍부하게 이해되어야 한다. 이 글은 리얼리즘에 대한 바쟁의 복합적 시각을 재검토함으로써 디지털 시대의 리얼리즘 미학에 대한 새로운 관점을 제시하고자 한다. 영화 리얼리즘은 현실에 대한 지표적 모방과 재현의 개념을 넘어선다. 디지털 리얼리즘은 물질과 이미지, 복제와 합성, 지표성과 환영성, 객체와 주체, 운동과 시간의 복합적 결합과 잡종성(hybridity)을 의미한다. 컴퓨터 합성 이미지에 기초한 새로운 리얼리즘 이론은 현실과 이미지의 이분법을 넘어, 실재성과 가상성이 뒤섞이는 새로운 디지털가상성의 영화 미학으로 나아간다.","PeriodicalId":10322,"journal":{"name":"Cineforum","volume":"22 1","pages":"291-324"},"PeriodicalIF":0.0,"publicationDate":"2015-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67588859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Audience's Subjectivity Types according to Film Classification : Focused on the Classification over 18 allowed 根据电影分级的观众主体性类型:重点关注18岁以上允许的分级
4区 艺术学
Cineforum Pub Date : 2015-12-31 DOI: 10.19119/CF.2015.12.31.22.413
S. Hyun
{"title":"Audience's Subjectivity Types according to Film Classification : Focused on the Classification over 18 allowed","authors":"S. Hyun","doi":"10.19119/CF.2015.12.31.22.413","DOIUrl":"https://doi.org/10.19119/CF.2015.12.31.22.413","url":null,"abstract":"","PeriodicalId":10322,"journal":{"name":"Cineforum","volume":"30 1","pages":"413-447"},"PeriodicalIF":0.0,"publicationDate":"2015-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67589214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Study on the Way of Sound Representation of Historical Fact : focusing on Ode to My Father and Northern Limit Line 史实的声音再现之道研究——以《父亲颂》与《北方界线》为例
4区 艺术学
Cineforum Pub Date : 2015-12-31 DOI: 10.19119/CF.2015.12.31.22.501
Hae-Jung Mok
{"title":"A Study on the Way of Sound Representation of Historical Fact : focusing on Ode to My Father and Northern Limit Line","authors":"Hae-Jung Mok","doi":"10.19119/CF.2015.12.31.22.501","DOIUrl":"https://doi.org/10.19119/CF.2015.12.31.22.501","url":null,"abstract":"","PeriodicalId":10322,"journal":{"name":"Cineforum","volume":"22 1","pages":"501-525"},"PeriodicalIF":0.0,"publicationDate":"2015-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67589484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Critical Study on Criticism of Auteurism in the Film 电影中对导演主义的批判研究
4区 艺术学
Cineforum Pub Date : 2015-12-31 DOI: 10.19119/CF.2015.12.31.22.261
Young Il Kim, Jeong Hwan Kim
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引用次数: 0
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