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How does a film produce ‘the Real’?: A focus on Declaration of Idiot (1983) 一部电影是如何产生“真实”的?聚焦于《白痴宣言》(1983)
4区 艺术学
Cineforum Pub Date : 2020-12-31 DOI: 10.19119/cf.2020.12.37.49
Tae Hwan Kim
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引用次数: 0
Memory and Oblivion: Bong Joon-ho"s Mother 记忆和遗忘:奉俊昊的母亲
4区 艺术学
Cineforum Pub Date : 2020-12-31 DOI: 10.19119/cf.2020.12.37.77
E. Sim
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引用次数: 0
A Filmic Narrative for Postwar Democracy: Shohei Imamura"s Jukigeki during the high-growth period 战后民主的电影叙事：高成长期的今村昭平的《菊木记》
4区 艺术学
Cineforum Pub Date : 2020-12-31 DOI: 10.19119/cf.2020.12.37.139
Ha Jung-hyun, Jung Soowan
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引用次数: 0
A Generic Study of Male Melodrama in the Post-IMF Korean Cinema 后国际货币基金组织时期韩国电影男旋律剧的一般研究
4区 艺术学
Cineforum Pub Date : 2020-12-31 DOI: 10.19119/cf.2020.12.37.9
Han-Ju Kwak
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引用次数: 0
A critical discourse analysis of Representation of women in film of Lee Changdong 李昌东电影中女性表现的批判性话语分析
4区 艺术学
Cineforum Pub Date : 2020-08-31 DOI: 10.19119/cf.2020.08.36.47
Woosung Park
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引用次数: 0
The Revision and Diversification of Westerns after the 1970s 20世纪70年代后西部片的修订与多样化
4区 艺术学
Cineforum Pub Date : 2020-04-30 DOI: 10.19119/cf.2020.04.35.167
Kwang-Seok Noh
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引用次数: 0
Co-production Films: ‘Korean’ Films Settled Institutionally 合拍电影：“韩国”电影在制度上定居
4区 艺术学
Cineforum Pub Date : 2020-04-30 DOI: 10.19119/cf.2020.04.35.9
Arum Song
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引用次数: 0
The Meaning of Representation As Self-expression in Youth-produced Films 青年电影中自我表达的再现意义
4区 艺术学
Cineforum Pub Date : 2020-04-30 DOI: 10.19119/cf.2020.04.35.85
Se-Sub Oh
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引用次数: 0
Study on Application of Temporal Characteristics of Scenes in FPS Games to Films FPS游戏场景时间特征在电影中的应用研究
4区 艺术学
Cineforum Pub Date : 2020-04-30 DOI: 10.19119/cf.2020.04.35.51
Seungeon Jung
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引用次数: 1
A character of Sinthome, The revelation of identity and It"s Narration Sinthome的性格、身份的揭示及其叙事
4区 艺术学
Cineforum Pub Date : 2020-04-30 DOI: 10.19119/cf.2020.04.35.125
BoHyeop Yoon
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引用次数: 0
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