{"title":"How does a film produce ‘the Real’?: A focus on Declaration of Idiot (1983)","authors":"Tae Hwan Kim","doi":"10.19119/cf.2020.12.37.49","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":10322,"journal":{"name":"Cineforum","volume":"1 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cineforum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.19119/cf.2020.12.37.49","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}