Journal of visual political communication最新文献_第2页

Health campaigns in an infodemic 信息大流行时期的卫生运动

Journal of visual political communication Pub Date : 2021-06-01 DOI: 10.1386/jvpc_00014_2

Bengt Johansson

引用次数: 0

Feasibility of comics in health communication: Public responses to graphic medicine on Instagram during the COVID-19 pandemic 漫画在健康传播中的可行性:2019冠状病毒病大流行期间，公众对Instagram上图文医学的反应

Journal of visual political communication Pub Date : 2021-06-01 DOI: 10.1386/jvpc_00015_1

Xin Zhao, A. Feigenbaum, Shannon McDavitt

{"title":"Feasibility of comics in health communication: Public responses to graphic medicine on Instagram during the COVID-19 pandemic","authors":"Xin Zhao, A. Feigenbaum, Shannon McDavitt","doi":"10.1386/jvpc_00015_1","DOIUrl":"https://doi.org/10.1386/jvpc_00015_1","url":null,"abstract":"The COVID-19 pandemic has called for effective health communication strategies to better protect the public’s well-being, particularly over social media. Among various strategies, health-related comics, referred to as ‘graphic medicine’, were circulated on social media to communicate public health information and to share individuals’ struggles with mental health. Despite a growing body of research in the field of graphic medicine, studies on public responses to graphic medicine are rare, leaving a gap in understanding the feasibility of these comics for effective health communication over social media. To address this gap, this study focused on Instagram audience responses to graphic medicine posts related to the COVID-19 pandemic that were circulated on the platform. It used qualitative content analysis to study 334 comments on eleven comics related to mental health and 159 comments on ten comics related to vaccination. Findings evidence the feasibility of graphic medicine as a tool for health communication relating to showing empathy, contributing personal experiences and knowledge and understanding and elaborating on health-related knowledge, what we refer to as ‘health literacy’. Empirical implications of health communication through graphic medicine are discussed alongside the similarities and differences found in the comments relating to these two distinct COVID-19 issues.","PeriodicalId":93592,"journal":{"name":"Journal of visual political communication","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75122037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Revealing the invisible: The virus is looking at you 揭开隐形:病毒正在看着你

Journal of visual political communication Pub Date : 2021-06-01 DOI: 10.1386/jvpc_00009_1

Garry Barker

{"title":"Revealing the invisible: The virus is looking at you","authors":"Garry Barker","doi":"10.1386/jvpc_00009_1","DOIUrl":"https://doi.org/10.1386/jvpc_00009_1","url":null,"abstract":"At the core of the various messages that have been sent out about the Coronavirus is how to deal with an invisible threat. Revealing the invisible is however an ancient issue, one that goes back thousands of years and reoccurs throughout human history. This article is an exploration\u0000 of the complex interrelationship between several long-standing visual tropes that over historical time have emerged from various cultures in response to a need to communicate invisible forces. Beginning with reflections on the poster for the International Hygiene Exhibition of 1911\u0000 held in Dresden, linking in images of an Egyptian sun god, via extramission theory and thoughts about the first drawings done through a handheld, lens-focused microscope by Robert Hooke, a series of links and interconnections are made that explore how the invisible has been represented and\u0000 how the invisible virus can be read as a type of ‘dark star’ or anti-sun. Christian traditions of the use of unnatural colour to signify both invisible power and demonic possession and the way the Coronavirus has itself been depicted are compared to historical visual tropes such\u0000 as the aureola and the mandorla as used in the Greek Orthodox Church to depict sacred moments that transcend time and space. From Buddhist and Christian uses of halos via images of sea-mines, a complex series of interconnections are revealed that are now being tapped into by Government-sanctioned\u0000 information leaflets relating to the Coronavirus outbreak.","PeriodicalId":93592,"journal":{"name":"Journal of visual political communication","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75730504","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Paper. Pen. Pandemic: Viral Cartoons from around the Globe, Benevento Publishing (ed.) (2020)Metaphors of Coronavirus: Invisible Enemy or Zombie Apocalypse?, Jonathan Charteris-Black (2021) 纸。钢笔。大流行:来自全球各地的病毒漫画，贝内文托出版(编)(2020)冠状病毒的隐喻:看不见的敌人还是僵尸启示录?乔纳森·查特里斯-布莱克(2021)

Journal of visual political communication Pub Date : 2021-06-01 DOI: 10.1386/jvpc_00019_5

O. Vigsø

引用次数: 0

Through the Lens: The Pandemic and Black Lives Matter, Lauren Walsh (2022) 透过镜头:流行病和黑人的生命很重要，劳伦·沃尔什(2022)

Journal of visual political communication Pub Date : 2021-06-01 DOI: 10.1386/jvpc_00018_5

D. Lilleker

引用次数: 0

Typography and nationalism: The past and modernism under Nazi rule 印刷术与民族主义:纳粹统治下的过去与现代主义

Journal of visual political communication Pub Date : 2020-06-01 DOI: 10.1386/jvpc_00003_1

Mila Waldeck

{"title":"Typography and nationalism: The past and modernism under Nazi rule","authors":"Mila Waldeck","doi":"10.1386/jvpc_00003_1","DOIUrl":"https://doi.org/10.1386/jvpc_00003_1","url":null,"abstract":"In 1941, the Nazi regime revoked the long-established convention of typesetting German texts in Fraktur styles.1This study examines the significance of the messages conveyed by letterforms in Nazi propaganda and the extent to which the regime put into practice its professed typographic policies. Taking into account different audiences and channels, it focuses on books by theAhnenerbeinstitute controlled by Heinrich Himmler, the women’s magazineNS-Frauen-Warteand the newspaperVölkischer Beobachter.Fraktur styles seem to have functioned as the main letterforms of the blood and soil ideology, but another strand of Nazi typography departed from Fraktur and probably translated the importance of theOera Lindabook and theCodex Aesinasin the image of a supposedly ‘Aryan’ past. Meanwhile, the Nazi propaganda incorporated forms and norms that it appropriated from modernist typography, a topic implicitly raised in the dispute between Max Bill and Jan Tschichold in 1946. Typography functioned as an instrument for exclusion, racial discrimination and gender stereotyping and to mark the boundaries of the ‘Aryan’ community, challenging the notion of print-language as intrinsically inclusive expressed in Benedict Anderson’sImagined Communities.","PeriodicalId":93592,"journal":{"name":"Journal of visual political communication","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78214550","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Enraptured by nature’s fury in The Day After Tomorrow: Deleuze’s movement-image and the George W. Bush era of global warming denial 在《后天:德勒兹的运动形象和乔治·w·布什时代否认全球变暖》中被大自然的愤怒所陶醉

Journal of visual political communication Pub Date : 2020-05-01 DOI: 10.1386/jvpc_00012_1

Brent Yergensen

{"title":"Enraptured by nature’s fury in The Day After Tomorrow: Deleuze’s movement-image and the George W. Bush era of global warming denial","authors":"Brent Yergensen","doi":"10.1386/jvpc_00012_1","DOIUrl":"https://doi.org/10.1386/jvpc_00012_1","url":null,"abstract":"As global warming was questioned and de-prioritized during the George W. Bush presidency, the 2004 film The Day After Tomorrow functioned as a reactionary and visceral cinematic discourse, enlivening environmental efforts to address humanity’s influence on global warming.\u0000 Demonstrated through analysis using Gilles Deleuze’s three-part movement-images as an analytic approach, the film uses familiar settings such as Los Angeles and New York City as perception-images. The action-image demonstrations of nature’s wrath and violence in those settings\u0000 are accompanied with scientists being pardoned by nature and as they are able to walk unscathed into and through natural disasters. Finally, the affection-images display humanity’s terrifyingly enraptured facial expressions when confronting global warming-caused natural disasters. As\u0000 the film leaves a bleak outcome for humanity under the context of global warming denial, it simultaneously employs an ecotheological discourse in the early twenty-first century to empower global warming prediction, demonstrative of the growth of the theological shift in visual display of global\u0000 warming rhetoric.","PeriodicalId":93592,"journal":{"name":"Journal of visual political communication","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76925708","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Decolonial visual resistance as a public health strategy in post-María Puerto Rico. 在post-María波多黎各作为公共卫生战略的非殖民化视觉抵抗。

Journal of visual political communication Pub Date : 2020-05-01 DOI: 10.1386/jvpc_00011_1

N. Varas-Díaz, M. Padilla, Sheilla L. Rodríguez Madera, Kevin Grove, Violeta Contreras Ramírez, Sergio Rivera Rodríguez, Ricardo L Vargas-Molina, Melissa Marzán

引用次数: 3

The smiling politician: The visual rhetoric of party leaders on Swedish election posters 微笑的政治家:瑞典选举海报上政党领导人的视觉修辞

Journal of visual political communication Pub Date : 2020-05-01 DOI: 10.1386/jvpc_00013_1

Bengt Johansson, O. Vigsø

{"title":"The smiling politician: The visual rhetoric of party leaders on Swedish election posters","authors":"Bengt Johansson, O. Vigsø","doi":"10.1386/jvpc_00013_1","DOIUrl":"https://doi.org/10.1386/jvpc_00013_1","url":null,"abstract":"One of the most common ways politicians are portrayed in political advertising is with a friendly, smiling face to persuade the voters to cast their votes on him/her on Election Day. This archetypical image of politicians can be found around the globe even if research shows that smiling\u0000 faces of politicians to some extent are connected to national and party culture. This article takes the theoretical point of departure in rhetoric and seeks to analyse the use of smile as a way to build ethos in relation to the electorate. The analysis builds on a dataset that consists of\u0000 more than 3000 Swedish election posters from 1907 to 2019 and tracks the use of the smile as facial expression on posters to the late 1960s. Before that, politicians always put up a serious facial expression on posters. After the breakthrough, the smiling politician has become the dominant\u0000 portrayal of Swedish politicians on election posters in contemporary politics. The explanation of this development is related to the personalization and intimization of politics, which to a large extent was due to the advent of television. However, a general questioning of authorities and\u0000 a more equal society are probably also important drivers. There are signs of similar developments in other countries, but the authors call for more studies to validate the results.","PeriodicalId":93592,"journal":{"name":"Journal of visual political communication","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84577911","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

공영방송 TV수신료 연구에 대한 메타분석 对公营电视台收视费研究的元分析

Journal of visual political communication Pub Date : 2019-09-01 DOI: 10.35731/kpca.2019..54.003

신삼수, Misun Bong

引用次数: 0