Projections (New York, N.Y.)最新文献_第2页

Sound Anchors 声音定位

Projections (New York, N.Y.) Pub Date : 2022-12-01 DOI: 10.3167/proj.2022.160303

Brad Jackson

引用次数: 0

Evolution of the Depiction of Telephone Calls in Popular Movies 流行电影中电话描写的演变

Projections (New York, N.Y.) Pub Date : 2022-06-01 DOI: 10.3167/proj.2022.160201

J. Cutting

{"title":"Evolution of the Depiction of Telephone Calls in Popular Movies","authors":"J. Cutting","doi":"10.3167/proj.2022.160201","DOIUrl":"https://doi.org/10.3167/proj.2022.160201","url":null,"abstract":"Since Aristotle, tradition has it that stories are defined as unified wholes, divisible into smaller inter-related parts. In many narrative forms these parts are called scenes. Scenes, too, are regarded as wholes, typically unified on three grounds: a constancy of characters and location within a continuous time frame. Generally, if a storyteller changes one or more of these, the story has moved on to the next scene. But this rule is not universal. The most obvious exception in movies is the telephone call, which can change locations to accommodate images of the two conversing characters. Here, I explore a century’s worth of popular, English-language movies to discern how two-sided telephone conversations (which violate spatial unity) are portrayed on the screen, and how they compare to face-to-face conversations (which do not violate spatial unity) in the same movies. The portrayal of both types of conversations has evolved, sometimes independently and sometimes in synchrony, and popular filmmaking has arrived circuitously at a system in which both are generally portrayed in the same way—two characters in alternating shots, slightly to opposite sides of the midline and turned towards one another. I discuss the social and psychological reasons why this might be the case.","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"8 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72467284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

Dr. Strangelove and the Psychology of Comic Distance 奇爱博士和喜剧距离心理学

Projections (New York, N.Y.) Pub Date : 2022-06-01 DOI: 10.3167/proj.2022.160203

M. Hye‐Knudsen

引用次数: 0

How Movie Events Engage Childrens’ Brains to Combine Visual Attention with Domain-Specific Processing Involving Number and Theory of Mind in a Cinematic Arena 电影事件如何使儿童大脑将视觉注意与涉及数字和心理理论的特定领域处理结合起来

Projections (New York, N.Y.) Pub Date : 2022-03-01 DOI: 10.3167/proj.2022.160105

D. Levin, Andrew Mattarella-Micke, Madison Lee, Lewis J. Baker, Matthew A. Bezdek, Bruce D. McCandliss

{"title":"How Movie Events Engage Childrens’ Brains to Combine Visual Attention with Domain-Specific Processing Involving Number and Theory of Mind in a Cinematic Arena","authors":"D. Levin, Andrew Mattarella-Micke, Madison Lee, Lewis J. Baker, Matthew A. Bezdek, Bruce D. McCandliss","doi":"10.3167/proj.2022.160105","DOIUrl":"https://doi.org/10.3167/proj.2022.160105","url":null,"abstract":"Using functional magnetic resonance imaging, we tested the hypothesis that cinematic structure shapes variation in social-cognitive brain activity. Using our film, we completed an exploratory analysis of how activations in the temporal-parietal junction (TPJ), and the intraparietal sulcus (IPS) are shaped by variations in insert shots (e.g., shots showing objects that a character has looked at), and by character entrances and exits. We found that IPS and TPJ consistently responded to insert shots, and the correlation between TPJ and IPS responses significantly predicted the prevalence of belief inferences during the sequence. In addition, TPJ responded significantly to entrances and exits of characters. We also completed a qualitative analysis of moments during a sequence that induced relative peaks in TPJ and IPS responding. These analyses not only demonstrate that consistent brain responses can distinguish among meaningful variations in cinematic events but also that these analyses confirm and refine our understanding of the apparent specializations for visual attention and domain-specific event processing in parietal attention networks.","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"26 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79707350","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

How to Be a Moderate Optimist about Neuroscience in Film Theory and Other Places 如何成为电影理论和其他领域神经科学的温和乐观主义者

Projections (New York, N.Y.) Pub Date : 2022-03-01 DOI: 10.3167/proj.2022.160108

W. Seeley

引用次数: 0

Enacting Moving Images 制作动态图像

Projections (New York, N.Y.) Pub Date : 2022-03-01 DOI: 10.3167/proj.2022.160107

Joerg Fingerhut, Katrin Heimann

引用次数: 3

Cranes, Drones and Eisenstein 起重机、无人机和爱森斯坦

Projections (New York, N.Y.) Pub Date : 2022-03-01 DOI: 10.3167/proj.2022.160103

A. Kolesnikov

引用次数: 0

Enactive Authorship 有制定权的作者

Projections (New York, N.Y.) Pub Date : 2022-03-01 DOI: 10.3167/proj.2022.160104

Pia Tikka

引用次数: 2

Triangulation Revisited 三角重新审视

Projections (New York, N.Y.) Pub Date : 2022-03-01 DOI: 10.3167/proj.2022.160102

Murray Smith

引用次数: 1

The Neuroscience of Film 电影的神经科学

Projections (New York, N.Y.) Pub Date : 2022-03-01 DOI: 10.3167/proj.2022.160101

V. Gallese, Michele Guerra

{"title":"The Neuroscience of Film","authors":"V. Gallese, Michele Guerra","doi":"10.3167/proj.2022.160101","DOIUrl":"https://doi.org/10.3167/proj.2022.160101","url":null,"abstract":"In the last decades, the contribution of cognitive neuroscience to film studies has been invested in at least three different lines of research. The first one has to do with film theory and history: the new attention, inspired by cognitive neuroscience, to the viewer’s brain-body, the sensorimotor basis of film cognition, and the forms of embodied simulation elicited by the cinematic experience has stimulated a profound rethinking of a relevant part of the theoretical discourse on cinema, from the very beginning of the twentieth century to the most recent reflections within cognitive film studies and the phenomenology of film. The second line has to do with the intersubjective relationship between the movie—its style, rhythm, characters, and narrative—and the viewer, and it is characterized by an empirical approach that yields very interesting results, useful for rethinking and problematizing our ideas about editing, camera movements, and film reception. The third line concerns a possible experimental approach to the new life of film, focusing on the digital image, the innovative forms of technological mediation, and the inscription of a new film spectatorship within a completely different medial frame. The goal of this special issue is to offer insights across these lines of research.","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"8 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80676122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 12