Enacting Moving Images

Joerg Fingerhut, Katrin Heimann
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引用次数: 3

Abstract

This article highlights ways to relate psychology, neuroscience, and film theory that are underrepresented in the current debate and that could contribute to a new cognitive media theory. First, we outline how neuroscientific approaches to moving images could be embedded in the embodied, enactive cognition framework and recent predictive processing theories of the brain. Within this framework, we understand filmic engagement as a specific way of worldmaking, which is co-constituted by formal elements such as framing, camerawork, and editing. Second, we address experimental progress. Here we weigh the promises and perils of neuroscientific studies by discussing the motor neuron account to camera movements as an example. Based on the limitations we identify, we advocate for a multi-method study of film experience that brings cognitive science into dialogue with philosophical accounts and qualitative in-depth explorations of subjective experience.
制作动态图像
这篇文章强调了将心理学、神经科学和电影理论联系起来的方法,这些方法在当前的辩论中没有得到充分的代表,这可能有助于形成一种新的认知媒体理论。首先,我们概述了如何将运动图像的神经科学方法嵌入到具体的、行动的认知框架和最近的大脑预测处理理论中。在这个框架内,我们将电影参与理解为一种特定的世界制造方式,它由框架、摄影和编辑等形式元素共同构成。第二,我们讨论实验进展。在这里,我们通过讨论运动神经元对相机运动的解释来衡量神经科学研究的前景和风险。基于我们发现的局限性,我们提倡对电影体验进行多方法研究,将认知科学与哲学解释和主观体验的定性深入探索结合起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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