{"title":"Contemporary Photography in France: Between Theory and Practice","authors":"Jan Baetens.","doi":"10.1162/leon_r_02420","DOIUrl":"https://doi.org/10.1162/leon_r_02420","url":null,"abstract":"What Tschudi certainly has done is use Piranesi as a foil to delineate a history of modernism, particularly architecture. As Tschudi clearly states, this book contains only a small and select presentation of Piranesi’s prolific output—mainly his etchings, his greatest legacy. “In short, rather than a study of a historical figure, this is a book about an ahistorical Piranesi—a character reinvented in the modern age to legitimize that age precisely as modern” (p. 18, my emphasis). That Tschudi is fully aware of the precariousness of his investigation into the enigmatic nature of Piranesi is evident from this passage: “This book admittedly offers an ambiguous conclusion to the story it tells. Still, in its ambiguity, I hope this monograph may be inscribed into an esteemed genealogy of Piranesi emulations, for nothing can be more noble in this tradition than the ambition to rein in the endless and contain the infinite, only to be deceived by the format” (p. 231). I believe this book is an important addition to the literature on modernism and, of course, a wonderful exposé of Piranesi and his work. Perhaps unintentionally the book is equally important as a case study in postmodern deconstruction, authorial intent, and how the fads and trends of different epochs change dramatically our appreciation and understanding of art. This book requires close reading, keeping the ambiguities and enigmatic nature of the whole enterprise in mind.","PeriodicalId":93330,"journal":{"name":"Leonardo (Oxford, England)","volume":"411 1","pages":"445-446"},"PeriodicalIF":0.0,"publicationDate":"2023-05-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79912948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Better Ape: The Evolution of the Moral Mind and How it Made us Human","authors":"Gregory F. Tague","doi":"10.1162/leon_r_02418","DOIUrl":"https://doi.org/10.1162/leon_r_02418","url":null,"abstract":": A Better Ape explores the evolution of the moral mind from our ancestors with chimpanzees, through the origins of our genus and our species, to the development of behaviorally modern humans who underwent revolutions in agriculture, urbanization, and industrial technology. The book begins, in Part I, by explaining the biological evolution of sympathy and loyalty in great apes and trust and respect in the earliest humans. These moral emotions are the first element of the moral mind. Part II explains the gene-culture co-evolution of norms, emotions, and reasoning in Homo sapiens. Moral norms of harm, kinship, reciprocity, autonomy, and fairness are the second element of the moral mind. A social capacity for interactive moral reasoning is the third element. Part III of the book explains the cultural co-evolution of social institutions and morality. Family, religious, military, political, and economic institutions expanded small bands into large tribes and created more intense social hierarchies through new moral norms of authority and purity. Finally, Part IV explains the rational and cultural evolution of moral progress and moral regress as human societies experienced gains and losses in inclusivity and equality. Moral progress against racism, homophobia, speciesism, sexism, classism, and global injustice depends on integration of privileged and oppressed people in physical space, social roles, and democratic decision making. The central idea in the book is that all these major evolutionary transitions, from ancestral apes to","PeriodicalId":93330,"journal":{"name":"Leonardo (Oxford, England)","volume":"10080 1","pages":"442-444"},"PeriodicalIF":0.0,"publicationDate":"2023-05-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73253759","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Collaborations in Art and Medicine: Institutional Critique, Patient Participation, and Emerging Entanglements","authors":"F. Johnstone","doi":"10.1162/leon_a_02409","DOIUrl":"https://doi.org/10.1162/leon_a_02409","url":null,"abstract":"Abstract In recent decades, collaborations between artists and clinicians or biomedical researchers have become increasingly common and now constitute a distinctive category of art-science collaboration. This article reflects on the intellectual and material conditions of such collaborations, exploring two genealogies for these practices—”sciart” and arts and health—with a focus on two key areas: (1) the need for stakeholders to recognize fine art practice as research and knowledge-production (rather than merely as illustrative, educational, or therapeutic); (2) the challenges and opportunities presented by patient-participant involvement. Finally, it explores critical medical humanities as an emergent framework currently shaping these kinds of collaborations.","PeriodicalId":93330,"journal":{"name":"Leonardo (Oxford, England)","volume":"8 1","pages":"424-429"},"PeriodicalIF":0.0,"publicationDate":"2023-05-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74501445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Metabolism and Art","authors":"H. Rogers, Adam Bencard","doi":"10.1162/leon_a_02408","DOIUrl":"https://doi.org/10.1162/leon_a_02408","url":null,"abstract":"Abstract Metabolism holds potential as both a crucial topic and an analytical tool for our current biopolitical moment, for understanding the agency and significance of material forces as they move into and through bodies. From this vantage point, this article suggests practicing a metabolic gaze by reading together metabolism and contemporary art. It discusses ways of defining metabolism that might be productive in helping to produce tools and touchstones for metabolic readings, before presenting examples of artworks that might be interestingly illuminated by light of this sign.","PeriodicalId":93330,"journal":{"name":"Leonardo (Oxford, England)","volume":"46 1","pages":"388-390"},"PeriodicalIF":0.0,"publicationDate":"2023-05-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74092099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"An Ecological Oracle","authors":"Raphael Arar","doi":"10.1162/leon_a_02397","DOIUrl":"https://doi.org/10.1162/leon_a_02397","url":null,"abstract":"Abstract An Ecological Oracle is an installation that creates a simulated environment to explore social dynamics surrounding a critical tipping point of climate change—the thawing of permafrost. The work engages participants through real-time data that exposes how inputs in and out of their control affect permafrost melt. The work seeks to expose underlying tensions between the individual and the collective, raising questions around how ideology may shape perception of this potential climate event.","PeriodicalId":93330,"journal":{"name":"Leonardo (Oxford, England)","volume":"75 1","pages":"485-487"},"PeriodicalIF":0.0,"publicationDate":"2023-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72936863","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Entangled Poetics: Two Bioartists in the Anthropocene","authors":"Anne M. Royston","doi":"10.1162/leon_a_02398","DOIUrl":"https://doi.org/10.1162/leon_a_02398","url":null,"abstract":"Abstract Poet-artists Christian Bök and Karin Bolender pose two interventions into bioart, with radically different conceptions of the nonhumans involved. In Böks Xenotext project (2002–present), a microbe becomes an archive and writing machine through DNA manipulation. Bolender’s The Unnaming of Aliass (2002–2020) documents her life with the ass Aliass and the unexpected results it yields. Both projects attempt to establish communication with nonhumans, but their approaches have drastically different consequences. Bök ultimately ends up reinscribing well-worn anthropocentric biases. In contrast, Bolender’s capacious version of animal husbandry moves away from machines and mastery over circumstances and animals, following a principle akin to Karen Barad’s “intra-action” to suggest a course correction for bioartists’ work with nonhumans.","PeriodicalId":93330,"journal":{"name":"Leonardo (Oxford, England)","volume":"18 1","pages":"379-382"},"PeriodicalIF":0.0,"publicationDate":"2023-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73219134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}