TDR news最新文献_第9页

The Open Door: Thoughts on Acting and Theater@@@Acting As Reading: The Place of Reading in the Actor's Process@@@Acting (Re)Considered: Theories and Practices 打开的门:对表演和戏剧的思考@@@表演即阅读:阅读在演员过程中的地位@@@表演(再思考):理论与实践

TDR news Pub Date : 1997-01-22 DOI: 10.2307/1146634

J. Peck, P. Brook, David Cole, P. Zarrilli

引用次数: 1

Pieter-Dirk Uys: Crossing Apartheid Lines. An Interview 彼得-德克·尤斯:跨越种族隔离界限。接受采访时

TDR news Pub Date : 1997-01-21 DOI: 10.2307/1146572

Daniel Lieberfeld, Pieter-Dirk Uys

引用次数: 6

The Return of Moctezuma: Oaxaca's "Danza de la Pluma" and New Mexico's "Danza de los Matachines"

TDR news Pub Date : 1997-01-21 DOI: 10.2307/1146575

M. Harris

{"title":"The Return of Moctezuma: Oaxaca's \"Danza de la Pluma\" and New Mexico's \"Danza de los Matachines\"","authors":"M. Harris","doi":"10.2307/1146575","DOIUrl":"https://doi.org/10.2307/1146575","url":null,"abstract":"Specifically, Wachtel has in mind the widespread folk dramatizations of the Spanish conquest of indigenous America. But the Spanish, too, brought with them to the Americas their own trauma of invasion and armed resistance. For nearly 750 years, Moors had occupied parts of Spain. The year 1492 was not only the time when Columbus landed in the Americas; it was also the year in which the Spanish forces conquered the last Moorish stronghold of Granada. The intermittent Spanish reconquista may have been the theme of festive drama since as early as ii5o (Alford 1937:22122), and both the small-scale danzas de moros y cristianos and the large-scale fiestas de moros y cristianos were brought to the Americas by the conquistadors (Warman Gryj 1972; Harris 1994). The American folk performances to which Wachtel refers are, at least in part, an adaptation of the Spanish tradition. While in many cases the two sides that engage in mock combat in Mesoamerica still represent Moors and Christians, in others they dress as Aztecs and Spaniards or, in a reference to the French invasion of Mexico in I862, as French and Mexican armies (Gilmoor 1943:25-28; Harris 1993:io8-19). But the theme of Moors and Christians cut two ways in the New World. For the Spanish colonists, it offered an opportunity to celebrate the victory of Christians over \"heathens\" and to draw parallels, favorable to Christianity, between the defeat of the Moors and the defeat of the Mexicans. For the indigenous Mexican performers, the fact that the Spaniards finally drove out the invading Moors suggested instead the dramatization of a future reconquest of","PeriodicalId":85611,"journal":{"name":"TDR news","volume":"25 1","pages":"106"},"PeriodicalIF":0.0,"publicationDate":"1997-01-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78728913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 9

"Febrile Fiber Phantoms": Ken Jacobs at the C. I. A. “发热纤维幽灵”:中央情报局的肯·雅各布斯。

TDR news Pub Date : 1997-01-21 DOI: 10.2307/1146573

Charles Bergengren

引用次数: 2

Origins in Absence: Performing Birth Stories 缺席的起源:表演出生故事

TDR news Pub Date : 1997-01-21 DOI: 10.2307/1146570

Della Pollock

{"title":"Origins in Absence: Performing Birth Stories","authors":"Della Pollock","doi":"10.2307/1146570","DOIUrl":"https://doi.org/10.2307/1146570","url":null,"abstract":"For the past five years, I have been more and less intentionally listening to birth stories. In line, in the hall, over coffee, at the park, and in informal interview settings, I have participated in the ritual process of recounting birth \"experiences\"-or, rather, of constituting those experiences out of the scraps of memory and bits of stories left after the ritual performance of birth itself.' I heard my first birth story near the end of my first pregnancy-when my round belly and hips betrayed the fact that I would soon be the subject of similar stories, that I was, for all intents and purposes, whether I liked it or not, already inside this particular narrative ring. Bound by a conspiracy of the body, contracted by maternity to hear, to tell, and to retell what others-insidiously, joyously, anxiously-told and retold me, I became both the \"subject\" of and \"subject\" to birth stories. Listening, I was the naive student, the initiate, the mother, the co-mother, the sister and friend; I was the bearer of stories; the professional (allied by doing research to institutions of medicine and science), the expert, the surveyor of \"good\" and \"bad\" births, the teacher, the outsider who should know or know better. Buffeted by conversation from one role to the next, I nonetheless seemed always to be the \"other\" with and against whose standards, norms, and practices the women and men with whom I spoke defined their own. The first story I heard left me devastated and hungry for more. I was living in a small, patrician town outside of Boston at the time (we'd arrived three months earlier and would leave again in two) and was fully nine months pregnant. I'd taken to wandering the streets in the late afternoon, enjoying the sudden, knowing smiles; the uncharacteristic deference of Boston drivers waiting patiently for me to cross the street; the general sense of surrounding pause. I was an intimate stranger to this town. My neighbors-the people I didn't know and would never know who nonetheless used the same dry cleaners and waited at the same stoplights-tended me with fascination. They traded benevolence for participation. As I later learned was so common, they felt the uncommon suspense of an imminent birth and wanted to be in on the drama, conventionally asking, \"When are you due?\" often reaching out to touch the belly that seemed to reach out to them. I always backed away from these gestures, resisting a collapse into mere public property. I wanted to re-","PeriodicalId":85611,"journal":{"name":"TDR news","volume":"1 1","pages":"11"},"PeriodicalIF":0.0,"publicationDate":"1997-01-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89797447","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 14

The Cruci-Fiction Project 十字架小说计划

TDR news Pub Date : 1997-01-21 DOI: 10.2307/1146577

G. Gómez-Peña

引用次数: 2

!Que linda es Cuba!: Issues of Gender, Color, and Nationalism in Cuba's Tropicana Nightclub Performance 亲爱的古巴!古巴Tropicana夜总会表演中的性别、肤色和民族主义问题

TDR news Pub Date : 1997-01-21 DOI: 10.2307/1146574

E. Ruf

引用次数: 4

Mexican Beasts and Living Santos 墨西哥野兽和活着的桑托斯

TDR news Pub Date : 1997-01-21 DOI: 10.2307/1146576

G. Gómez-Peña