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GFRP: The GloFish® Freedom and Reconciliation Project GFRP: GloFish®自由与和解项目
TDR news Pub Date : 2010-11-17 DOI: 10.1162/DRAM_A_00020
Adam Zaretsky
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引用次数: 4
Response to the Review by Christine Matzke 对Christine Matzke评论的回应
TDR news Pub Date : 2009-11-03 DOI: 10.1162/DRAM.2009.53.4.14
Gĩchingiri Ndĩgĩrĩgĩ
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引用次数: 1
Theatricality . Edited by Tracy C. Davis and Thomas Postlewait . 戏剧风格。特蕾西·c·戴维斯和托马斯·波斯特韦特编辑。
TDR news Pub Date : 2006-06-02 DOI: 10.1162/DRAM.2006.50.2.165
Philip Auslander
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引用次数: 0
Professing Performance: Theatre in the Academy from Philology to Performativity . Shannon Jackson . 专业表演:学院戏剧从语言学到表演。香农·杰克逊。
TDR news Pub Date : 2006-03-01 DOI: 10.1162/DRAM.2006.50.1.178
David Savran
{"title":"Professing Performance: Theatre in the Academy from Philology to Performativity . Shannon Jackson .","authors":"David Savran","doi":"10.1162/DRAM.2006.50.1.178","DOIUrl":"https://doi.org/10.1162/DRAM.2006.50.1.178","url":null,"abstract":"In Professing Performance, Shannon Jackson provides a genealogy of performance as a disciplinary formation—beginning with George Pierce Baker’s introduction of drama and theatre studies at Harvard 100 years ago. Yet the narrative she weaves is by no means continuous or univocal. On the contrary, she carefully analyzes the many and contradictory epistemologies and institutions that have produced (and been produced by) the capacious field known as performance studies. For Jackson, crucially, performance and performance studies are not set in opposition to theatre, because she sees the latter as an instance of performance (comparable, for example, to the status of linguistics within the more comprehensive field of semiotics). In her view, performance studies and theatre must be understood within “a shared, if internally discontinuous, institutional history” (11). Although Jackson cites Foucault to theorize her genealogical approach, she is, to her credit, an unfaithful disciple. More willing than Foucault to recognize the deterministic force of institutions in the construction of epistemological formations, Jackson rigorously attends to and analyzes the material conditions that produce performance paradigms and practices.","PeriodicalId":85611,"journal":{"name":"TDR news","volume":"56 1","pages":"178-179"},"PeriodicalIF":0.0,"publicationDate":"2006-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85823318","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dancing Machines: Choreographies of the Age of Mechanical Reproduction (review) 舞蹈机器:机械复制时代的编舞(回顾)
TDR news Pub Date : 2005-03-01 DOI: 10.1162/DRAM.2005.49.1.165
M. Franco
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引用次数: 0
Susan Glaspell in Context: American Theater, Culture, and Politics 1915–48 . By J. Ellen Gainor 《苏珊·格拉斯佩尔的语境:1915 - 1948年的美国戏剧、文化和政治》作者:J. Ellen Gainor
TDR news Pub Date : 2004-06-01 DOI: 10.1162/dram.2004.48.2.174
S. Friedman
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引用次数: 2
The Politics of Cultural Practice: Thinking through Theatre in an Age of Globalization. By Rustom Bharucha 文化实践的政治:全球化时代的戏剧思考。作者:Rustom Bharucha
TDR news Pub Date : 2004-03-01 DOI: 10.1162/dram.2004.48.1.183
C. Wee
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引用次数: 0
Hrotsvit of Gandersheim : contexts, identities, affinities, and performances Hrotsvit of Gandersheim:语境、身份、亲和力和表演
TDR news Pub Date : 2004-01-31 DOI: 10.3138/9781442675902
Phyllis R. Brown, L. McMillin, K. Wilson
{"title":"Hrotsvit of Gandersheim : contexts, identities, affinities, and performances","authors":"Phyllis R. Brown, L. McMillin, K. Wilson","doi":"10.3138/9781442675902","DOIUrl":"https://doi.org/10.3138/9781442675902","url":null,"abstract":"Hrotsvit was the first dramatist of Christianity, the first female Saxon poet, the first Germanic author to employ the Faust theme, and one of the first Western writers to compose a Christian epic. The essays in Hrotsvit of Gandersheim examine the historical, cultural, legal, and political contexts of Hrotsvit's works, locating her opus within the tenth-century aristocratic and clerical intellectual milieu. This collection contextualizes Hrotsvit's works with respect to heroic, sexual, domestic, behavioural, linguistic, theological, and hierarchical aspects of early medieval and patristic literary traditions. It also explores other literary texts that inform Hrotsvit's works and discusses the performance history and theatricality of Hrotsvit's plays. Hrotsvit's keen awareness of contemporary issues and her determination, within the parameters of monastic-aristocratic ideological constraints, to provide her readers with a rich variety of exemplary female heroes and acts of personal courage, offer twenty-first-century readers a powerful model of responsibility and agency.","PeriodicalId":85611,"journal":{"name":"TDR news","volume":"42 1","pages":"193-194"},"PeriodicalIF":0.0,"publicationDate":"2004-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85203902","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 33
The Situationist City. By Simon Sadler. Cambridge, MA: MIT Press, 1999; 223 pp.; illustrations. $42.00 cloth, $19.95 paper. Guy Debord. By Anselm Jappe. Translated by Donald Nicholson-Smith. Berkeley: University of California Press, 1999; 188 pp. $45.00 cloth, $17.95 paper. 情境主义城市。西蒙·萨德勒著。剑桥,马萨诸塞州:麻省理工学院出版社,1999;223页;插图。布42.00美元,纸19.95美元。一说。作者:Anselm JappeDonald Nicholson-Smith翻译。伯克利:加州大学出版社,1999;188页,布$45.00,纸$17.95。
TDR news Pub Date : 2001-12-01 DOI: 10.1162/DRAM.2001.45.4.171
Jamie L. Penner
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引用次数: 3
Staging Strikes: Workers' Theatre and the American Labor Movement, and: Stepping Left: Dance and Politics in New York City, 1928-1942, and: Striking Performances: Performing Strikes (review) 《上演罢工:工人戏剧与美国劳工运动》、《向左走:1928-1942年纽约市的舞蹈与政治》、《罢工表演:上演罢工》(回顾)
TDR news Pub Date : 2000-11-01 DOI: 10.1162/DRAM.2000.44.4.182
Jan Cohen-Cruz
{"title":"Staging Strikes: Workers' Theatre and the American Labor Movement, and: Stepping Left: Dance and Politics in New York City, 1928-1942, and: Striking Performances: Performing Strikes (review)","authors":"Jan Cohen-Cruz","doi":"10.1162/DRAM.2000.44.4.182","DOIUrl":"https://doi.org/10.1162/DRAM.2000.44.4.182","url":null,"abstract":"","PeriodicalId":85611,"journal":{"name":"TDR news","volume":"112 1","pages":"182-187"},"PeriodicalIF":0.0,"publicationDate":"2000-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80672340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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