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The Partition at 75+ 75 岁以上的分治
South Asian review Pub Date : 2024-02-05 DOI: 10.1080/02759527.2024.2312313
N. Iyer, Debali Mookerjea-Leonard
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引用次数: 0
Abundance: Sexuality’s History Abundance: Sexuality’s History , by Anjali Arondekar, Durham: Duke University Press, 2023, 176 pp., $24.95 (paperback), ISBN: 978-1-4780-1990-9 丰富:丰饶:性的历史》:Anjali Arondekar 著,杜伦,杜克大学出版社,2023 年,176 页,24.95 美元(平装本),ISBN:978-1-4780-1990-9:杜克大学出版社,2023 年,176 页,24.95 美元(平装本),ISBN:978-1-4780-1990-9
South Asian review Pub Date : 2024-01-31 DOI: 10.1080/02759527.2024.2309801
Sean A. Weaver
{"title":"Abundance: Sexuality’s History\u0000 Abundance: Sexuality’s History\u0000 , by Anjali Arondekar, Durham: Duke University Press, 2023, 176 pp., $24.95 (paperback), ISBN: 978-1-4780-1990-9","authors":"Sean A. Weaver","doi":"10.1080/02759527.2024.2309801","DOIUrl":"https://doi.org/10.1080/02759527.2024.2309801","url":null,"abstract":"","PeriodicalId":85563,"journal":{"name":"South Asian review","volume":"248 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140473744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gendered Journeys: Hariprabha Takeda’s Travelogue A Bengali Woman’s Voyage to Japan (1915) and Other Writings 性别之旅:Hariprabha Takeda 的游记《孟加拉妇女的日本之旅》(1915 年)及其他著作
South Asian review Pub Date : 2024-01-31 DOI: 10.1080/02759527.2024.2307123
Debjani Sengupta
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引用次数: 0
Navigating Motherhood through Surrogacy: Biological Citizenship and Maternal Agency in Meera Syal’s The House of Hidden Mothers (2015) 代孕中的母性导航:米拉-西尔的《隐母之家》(2015)中的生物公民权与母性代理权
South Asian review Pub Date : 2024-01-27 DOI: 10.1080/02759527.2024.2308424
Eva Sharma, Isha Malhotra, Aditya Gandotra
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引用次数: 0
Mapping Violence against Women in Pakistan: A Galtungian Reading of Fatima Bhutto’s The Shadow of the Crescent Moon 绘制巴基斯坦针对妇女的暴力地图:法蒂玛-布托《新月的阴影》的加尔通式解读
South Asian review Pub Date : 2024-01-27 DOI: 10.1080/02759527.2024.2304994
Moussa Pourya Asl, Syaidatul Asyiqin binti Mohd Hanafiah
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引用次数: 0
City from the Margins: A Reading of Kari 来自边缘的城市阅读卡里
South Asian review Pub Date : 2024-01-24 DOI: 10.1080/02759527.2024.2306441
Sandra Mariam Xavier, Asha Thomas
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引用次数: 0
Of Dreams and Denials: The Imagined History in Mahasweta Devi’s Draupadi and Mother of 1084 梦想与否认:马哈斯维塔-德维《德拉帕迪和 1084 之母》中的想象历史
South Asian review Pub Date : 2024-01-16 DOI: 10.1080/02759527.2024.2301835
Pratyusha Pramanik
{"title":"Of Dreams and Denials: The Imagined History in Mahasweta Devi’s\u0000 Draupadi\u0000 and\u0000 Mother of 1084","authors":"Pratyusha Pramanik","doi":"10.1080/02759527.2024.2301835","DOIUrl":"https://doi.org/10.1080/02759527.2024.2301835","url":null,"abstract":"","PeriodicalId":85563,"journal":{"name":"South Asian review","volume":" 35","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139619547","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Toward a Post-Colonial Eco-Cosmopolitanism: Reviving the Sense of Place in Uzma Aslam Khan’s Thinner Than Skin 走向后殖民时代的生态世界主义:在乌兹玛·阿斯拉姆·汗的《比皮肤还薄》中恢复地方感
South Asian review Pub Date : 2023-11-09 DOI: 10.1080/02759527.2023.2281040
Nobonita Rakshit, Rashmi Gaur, Rahul K. Gairola
{"title":"Toward a Post-Colonial Eco-Cosmopolitanism: Reviving the Sense of Place in Uzma Aslam Khan’s <i>Thinner Than Skin</i>","authors":"Nobonita Rakshit, Rashmi Gaur, Rahul K. Gairola","doi":"10.1080/02759527.2023.2281040","DOIUrl":"https://doi.org/10.1080/02759527.2023.2281040","url":null,"abstract":"AbstractIn an era of unprecedented global connectivity and ecological crises, the concept of “place” has been profoundly transformed within post-colonised communities. This study examines how literature, specifically Uzma Aslam Khan’s Thinner Than Skin (2012), as a medium can revive the sense of place, particularly the place sense redefined by the experiences of post-colonial eco-social catastrophes, as a dialogical co-habitation of human-non-human environment in mainstream academia. This study, at first, moves beyond the Western perception of place as an isolated source of individual identity. It then engages with the recent scholarships on “eco-cosmopolitanism” and political ecology of the global South to show how the forces of (neo)colonial-capitalist modernity and consequent eco-social crises in Pakistan were registered both in Khan’s experimental narrative content and style. This study argues that Khan’s novel employs a “post-colonial eco-cosmopolitan” approach, focusing on the fluidity of place-based identities and the challenges of narrating a post-colonial sense of place in the zones of conflict, catastrophes, and crises. Finally, this study contends that when socio-ecological crises affect various aspects of life—body, home, society, and environment—local cultural practices like oral story-telling, folklore sharing, and traditional rituals serve as sources of collective memory, providing inner stability amid external turmoil.Keywords: Post-colonial socio-ecological catastrophessense of placepakistanpolitical ecology of global southpost-colonial eco-cosmopolitanism Disclosure StatementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsNobonita RakshitNobonita Rakshit is a Research Scholar in the Department of Humanities and Social Sciences at Indian Institute of Technology Roorkee, India. Her research interests include postcolonial studies, environmental humanities, disaster narratives, and South Asian literature.Rashmi GaurRashmi Gaur is a Professor of English in the Department of Humanities and Social Sciences at Indian Institute of Technology Roorkee, India. Her research interests include Professional Communication, Culture and Gender theories, Modern Fiction, and Indian Writing.Rahul K. GairolaRahul K. Gairola is The Krishna Somers Senior Lecturer in English and Postcolonial Literature and a Fellow of the Asia Research Center at Murdoch University, Western Australia. His research interests include postcolonial studies, Asian cultural studies, comparative literature, screen and digital media, digital humanities, South Asian Studies, North American literature, Hindi cinema/Bollywood films, literary theory, cinema studies, critical theory, feminist and queer theory, other literatures in English, Indian literature, popular and genre literature, history of empires, and imperialism and colonialism.","PeriodicalId":85563,"journal":{"name":"South Asian review","volume":" 11","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135285718","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Synchronizing the Dalan , Chandal Aesthetics and Namashudrayan in ManoranjanByapari’s Autobiography Interrogating My Chandal Life 在ManoranjanByapari的自传《询问我的钱达尔生活》中同步大兰、钱达尔美学和Namashudrayan
South Asian review Pub Date : 2023-11-07 DOI: 10.1080/02759527.2023.2277967
Praggnaparamita Biswas, Anup Shekhar Chakraborty
{"title":"Synchronizing the <i>Dalan</i> , Chandal Aesthetics and <i>Namashudrayan</i> in ManoranjanByapari’s Autobiography <i>Interrogating My Chandal Life</i>","authors":"Praggnaparamita Biswas, Anup Shekhar Chakraborty","doi":"10.1080/02759527.2023.2277967","DOIUrl":"https://doi.org/10.1080/02759527.2023.2277967","url":null,"abstract":"AbstractThe study looks into the vexed issues of caste and marginality in the context of the Partition experience in South Asia. The discussion takes clues from Manoranjan Byapari’s Interrogating My Chandal Life (English trans. Shipra Mukherjee, 2018). The paper situates itself between two significant strands - one the Partition and the second, the Dalit consciousness to critically examine the positionality of the Namashudra refugees during/post Partition resettlement in Bengal. The discussion treats Byapari’s text as an auto-ethnographic account that introduces “Chandal aesthetics,” Namashudrayan to foreground the contested issues of subalternity, religiosity, spatiality and socio-political identity in a post-partition South Asia. The Dalit voice, represented through the writings of Byapari, records the micro-narratives of the lower-caste/subalterns/marginalized people who have been denied spaces in nationalist/majoritarian histories and their archives. The paper attempts to locate the largely silent zones of Bengal’s partition histories and their intergenerational shared memories and re-representations that have occluded, evaded and circumvented the questions of caste and, specifically, the Dalit experience.Keywords: Partition Dalit narratives Namashudra Disclosure StatementNo potential conflict of interest was reported by the author(s).Notes1 The term “two Bengals” alludes to the historical geographical expanse known as Bengal, which underwent a partition in South Asia, resulting in the formation of East Bengal (now recognized as Bangladesh) and West Bengal (a constituent of India). The partition of British India in 1947 entailed the division of the region into two distinct nations, namely India and Pakistan, predicated upon religious demarcations.2 The etymology of the word ‘nama’ carries a mythological reference. Sage Kashyap’s son Namas was married to Ruchi’s daughter Sulochana and they had two sons from this wedlock. But due to the carelessness of Namas Muni, his sons were not endowed with sacred thread for attaining the Brahminhood in their 14th years of birth and thus remain shudra.Yet their parental progeny, they were respectable but considered as Namashudras and thus the tribe created.3 Byapari as a Rickshaw-puller met the renowned writer Mahasweta Devi and asked the meaning of “jijibisha” he came across in a book. Later his collection of short stories published in 2005 titled as Jijibishar Golpo (See Byapari and Mukherjee Citation2007).4 Fourth World defines as an alternative literary and cultural discourse, which incorporates Dalits and Tribals of India to emphasize upon the marginalized social and literary identity of such poor and indigenous communities. It subverts the First/Second/Third World’s pedagogical aspects of knowledge. In respect of Dalit Literature, Bengal Dalit literary institution was established in 1992 and its preamble was “Chaturtha Dunia” (trans. Fourth World).Additional informationNotes on contributorsPraggnapara","PeriodicalId":85563,"journal":{"name":"South Asian review","volume":"225 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135475813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Ancestral Voices Prophesying War”: Investigating the Legacy of the 1947 Partition in the 21st-Century Indian Cultural Imagination of Nuclear War “祖先的声音预言战争”:在21世纪印度对核战争的文化想象中调查1947年分治的遗产
South Asian review Pub Date : 2023-11-07 DOI: 10.1080/02759527.2023.2277969
Souvik Kar, Shuhita Bhattacharjee
{"title":"“Ancestral Voices Prophesying War”: Investigating the Legacy of the 1947 Partition in the 21st-Century Indian Cultural Imagination of Nuclear War","authors":"Souvik Kar, Shuhita Bhattacharjee","doi":"10.1080/02759527.2023.2277969","DOIUrl":"https://doi.org/10.1080/02759527.2023.2277969","url":null,"abstract":"AbstractThis article investigates the emergence of the Indian Partition of 1947 as an apocalyptic referent for twenty-first-century Indian cultural imagination of nuclear war with Pakistan, because of the Partition’s traumatic, genocidal imprint on the subcontinent’s cultural memory. We will show how performances of nuclear brinkmanship and nuclear anxiety in India have historically been and continue to be symptomatic of the themes the Partition has bequeathed to Indian literature—kinship, vengeance, identity, and mutual destruction on a gigantic scale. With reference to these themes, we will critically analyze three Indian cultural texts—Vikram Chandra’s novel Sacred Games (2006), its Netflix adaptation (2018–2019), and Sami Ahmad Khan’s novel Red Jihad (2012), especially focusing on the ways in which such texts attempt to feature and resolve Indo-Pakistani nuclear crises. We will demonstrate how these texts embody a cultural shift wherein the nuclear crisis ultimately underscores the urgency of healing Partition’s historical wounds.Keywords: Indian Partition studiesnuclear warSouth Asian Studiesliterary studiesnuclear cultureIndian nuclear fiction AcknowledgementsWe would like to thank Dr. Sami Ahmad Khan from the University of Oslo and Dr. Dibyadyuti Roy from the University of Leeds for their constructive feedback and encouragement throughout the writing of this article. We also thank the Indian Institute of Technology Hyderabad for supporting our work.Disclosure StatementNo potential conflict of interest was reported by the author(s).Notes1 The idea, stemming from the Cold War, that the permanent and unprecedently wide scope of the destruction caused by nuclear explosions mean that a nuclear war between two nuclear-armed states would end up causing mutual suicide for both states (Sokolski Citation2004).2 Coined by the Russian literary critic Mikhail Bakhtin, the literary-theoretical idea of a kind of artistic writing in which the persona of the narrator as a dominant, overhanging voice recedes from the narration and characters occupy centre stage with their unique voices: the effect is that of reading a writing with many authors instead of a single one (Bakhtin Citation1984).Additional informationNotes on contributorsSouvik KarSouvik Kar is a Ph.D. Candidate researching Postcolonial Atomic Cultures at the Indian Institute of Technology Hyderabad, India. His research interests include Nuclear Cultures, Energy Humanities, Science Fiction, and South Asian Studies. Several concurrent projects on South Asian videogames, Posthumanism, and British Romanticism, continue to engage him.Shuhita BhattacharjeeShuhita Bhattacharjee earned her PhD from the University of Iowa and is assistant professor of English Literature and Gender Studies (Department of Liberal Arts) and Affiliated Professor of Design (Department of Design) at the Indian Institute of Technology Hyderabad. Her research on Victorian literature, representations of gender and sexuality in po","PeriodicalId":85563,"journal":{"name":"South Asian review","volume":"6 5","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135480519","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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