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Has COVID-19 Changed the World? COVID-19改变了世界吗?
Glimpse (Dhaka, Bangladesh) Pub Date : 2021-08-05 DOI: 10.5840/glimpse202122222
B. Boer
{"title":"Has COVID-19 Changed the World?","authors":"B. Boer","doi":"10.5840/glimpse202122222","DOIUrl":"https://doi.org/10.5840/glimpse202122222","url":null,"abstract":"Starting from March 12th 2020, the Netherlands entered a period of what has come to be known as an “intelligent lockdown”, enforced due to the COVID-19 pandemic. All public meetings were prohibited, institutions of higher education was temporarily shut, and stores and public transport were asked to take measures allowing people to keep 1.5m distance. More generally, people were strongly advised to stay inside. It was only then that many in the Netherlands started to understand COVID-19 intimately. This intimacy meant getting to know the virus as a threat to oneself, as a threat to others, and notably, as introducing new responsibilities and a new idea of what it means to live “normally”. The reconstruction of events of such a phase of the pandemic serves to show how the felt proximity of the virus strongly shapes both individual and societal perception of it. Further discussions might reveal the installment and challenging of science as the sovereign when being treated as offering the ultimate answer on whether certain measures will lead to a decrease in the number of infections. Other discussions might reveal politics as the sovereign, deciding which members of the biopolitical body are in need of protection, such as those asking whether the economic burden put on some citizens is proportionate to the number of lives of other citizens being saved. However, the relative ease with which a large portion of the Dutch society has been willing to sacrifice some of their privileges as a mark of solidarity during this pandemic, makes one not entirely cynical about the willingness to sacrifice some more, in light of the ecological crisis we are living through as well.","PeriodicalId":84824,"journal":{"name":"Glimpse (Dhaka, Bangladesh)","volume":"34 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86484873","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Liminality and Historico-Materialist Readings of Film Genre 电影类型的阈限性与历史唯物主义解读
Glimpse (Dhaka, Bangladesh) Pub Date : 2021-08-05 DOI: 10.5840/glimpse202122230
L. Theo
{"title":"Liminality and Historico-Materialist Readings of Film Genre","authors":"L. Theo","doi":"10.5840/glimpse202122230","DOIUrl":"https://doi.org/10.5840/glimpse202122230","url":null,"abstract":"Film scholars often label cinema that features strange spaces and odd narratives as ‘liminal’. Without further explanation, however, the term is somewhat of a blunt instrument that tends to provide overly neat explanations that are perhaps too broadly abstracted from the larger cultural and creative context. Some cinematic genre statements of ‘liminality’ derive from predominantly historico-materialist framings that see the notion as primarily about politically contingent space/place-based notions of borders, rather a subjective sense of ‘strangeness’ derived from a complex combination of the political, the social, and the personal. Eva Näripea’s description of the cinema of 1960’s Soviet Estonia as an innately liminal phenomena and her accompanying assertion that liminality is an inherent part of local Estonian identities, is perhaps somewhat problematic as an underpinning for a genre statement. This essay explores why and how liminality may indeed seem to serve as a kind of genre for Estonian films as Näripea suggests, but perhaps not for the (historico-materialist) reasons she argues.","PeriodicalId":84824,"journal":{"name":"Glimpse (Dhaka, Bangladesh)","volume":"97 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76972692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Phenomenological Ethics of Contemporary Media Theories 当代媒介理论的现象学伦理学
Glimpse (Dhaka, Bangladesh) Pub Date : 2021-08-04 DOI: 10.5840/glimpse202122114
Dragan Prole
{"title":"Phenomenological Ethics of Contemporary Media Theories","authors":"Dragan Prole","doi":"10.5840/glimpse202122114","DOIUrl":"https://doi.org/10.5840/glimpse202122114","url":null,"abstract":"This article discusses fundamental contradictions regarding the social role of the new media. Avantgarde identifies the emergence of the new media with the possibilities of liberating the man and achieving true individuality, while dystopia qualifies it as the suffocation of individuality, as ballast that levels out and averages a man, as a threat to human freedom. The media technology is for the avant-garde the embodiment of the enriched self and expanded capacities of selfhood, while for dystopia, the media technology is directed against selfhood, since its effects start and end with the creation of alienation, with the distortion of selfhood directed against the fundamental attributes of humanity. On the contrary, for the avant-garde, the breach of media background awareness of the artistic expression has marked the definite parting with the age of alienated artistic practice. According to their most profound beliefs, staggering in the chains of figurative and narrative expressions, art has always served a different purpose, religion, pedagogy, politics, and ideology. Hence, the turn towards the demands and logic of the self-serving media marked the rise from the state of alienation to the state of true achievement, to the emancipation of artists and the art.","PeriodicalId":84824,"journal":{"name":"Glimpse (Dhaka, Bangladesh)","volume":"21 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75799063","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Perverse, Embodied Trickster in Eduard Vilde's Milkman of the Manor 爱德华·维尔德的《庄园里的送奶工》中反常的化身骗子
Glimpse (Dhaka, Bangladesh) Pub Date : 2021-08-04 DOI: 10.5840/glimpse202122117
L. Theo
{"title":"The Perverse, Embodied Trickster in Eduard Vilde's Milkman of the Manor","authors":"L. Theo","doi":"10.5840/glimpse202122117","DOIUrl":"https://doi.org/10.5840/glimpse202122117","url":null,"abstract":"Although the writing of Estonian novelist Eduard Vilde has been described as feminist in asserting women’s right to individuality and equality, Mari, the protagonist in his 1916 novel Maekula Piimamees (Milkman of the Manor), does more than merely defend her standing alongside the male characters. An analysis based in Derridean differance reveals that she is instead a trickster character who delivers dramatic irony that subverts the norms of latefeudal Estonia, which would otherwise write her as dutiful wife and subservient maid. This becomes apparent through the novel’s ‘here-and-there’ narrative logic, which is apparent in a Bakhtinian threshold chronotope that underpins characterisations that reflect Merleau-Ponty’s constitutive liminality to form Mari as self-aware and self-confident in juxtaposition to the oblivious and anxious personalities of the male characters.","PeriodicalId":84824,"journal":{"name":"Glimpse (Dhaka, Bangladesh)","volume":"51 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76531911","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Processing of personal data relating to the health of the data subject in a pandemic situation 在大流行情况下处理与数据主体健康有关的个人数据
Glimpse (Dhaka, Bangladesh) Pub Date : 2021-01-01 DOI: 10.5840/glimpse202122115
Juan Francisco Rodríguez Ayuso
{"title":"Processing of personal data relating to the health of the data subject in a pandemic situation","authors":"Juan Francisco Rodríguez Ayuso","doi":"10.5840/glimpse202122115","DOIUrl":"https://doi.org/10.5840/glimpse202122115","url":null,"abstract":"This study offers a systematic, exhaustive and updated investigation of the declaration of the state of alarm and the processing of personal data relating to the health of citizens affected and/or potentially affected by the exceptional situation resulting from COVID-19. Specifically, it analyses the distinction between the state of alarm and the states of exception and siege and the possible effect on the fundamental right to the protection of personal data in exceptional health crisis situations and the effects that this declaration may have on the applicable regulations, issued, at a Community level. Next, and taking into consideration all the general and sectorial regulations applicable to data protection and health, we proceed to the analysis of the legitimate bases and the exceptions that, applicable to situations of health emergency such as the present one, enable the processing, taking into account the nature of the person who intervenes as the controller, making special emphasis on the public interest pursued by the Public Administrations and on the vital interest of the interested party.","PeriodicalId":84824,"journal":{"name":"Glimpse (Dhaka, Bangladesh)","volume":"70 2 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90714277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
COVID-19 and the Media in Nigeria 2019冠状病毒病与尼日利亚媒体
Glimpse (Dhaka, Bangladesh) Pub Date : 2021-01-01 DOI: 10.5840/glimpse202122226
O. P. Ohiagu
{"title":"COVID-19 and the Media in Nigeria","authors":"O. P. Ohiagu","doi":"10.5840/glimpse202122226","DOIUrl":"https://doi.org/10.5840/glimpse202122226","url":null,"abstract":"This chapter provides a Nigerian perspective to the global COVID-19 public health crisis that began in 2019. Two approaches were used to explain the impact of COVID-19 on the media in Nigeria and the effect of the latter on the spread/containment of the virus. The pandemic directly limited the operations of the media in many ways: socially, economically, and otherwise. On the other hand, both mainstream and social media was instrumental in curtailing the spread of COVID-19 through information, education, and infotainment.","PeriodicalId":84824,"journal":{"name":"Glimpse (Dhaka, Bangladesh)","volume":"21 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89143235","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Phenomenon of the New in the Context of Social Media 社交媒体背景下的新现象
Glimpse (Dhaka, Bangladesh) Pub Date : 2021-01-01 DOI: 10.5840/glimpse20212216
Ģirts Jankovskis
{"title":"The Phenomenon of the New in the Context of Social Media","authors":"Ģirts Jankovskis","doi":"10.5840/glimpse20212216","DOIUrl":"https://doi.org/10.5840/glimpse20212216","url":null,"abstract":"This paper analyzes the phenomenon of the new in the context of social media using the interpretative phenomenological approach based on interviews with social media users. The new, which is mostly used as an adjective (a property), in this paper is treated as a noun (an object), a phenomenon of perception described in three aspects: (1) as the future in presence, (2) as the opposite, (3) as a value. Usually, the new is associated with time, but in the context of social media perception, it rather appears as a value-saturated phenomenon. Two opposing attitudes can be distinguished: on the one hand, the new is seen as a desired progress, on the other hand, it includes an alienation from the being. This alienation also prevents us from seeing the new media as it is.","PeriodicalId":84824,"journal":{"name":"Glimpse (Dhaka, Bangladesh)","volume":"13 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72484770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Identifying News Consumption, News Avoidance Patterns, and Incidental News Exposure among Jordanians: A Qualitative Study 识别新闻消费，新闻回避模式和偶然新闻曝光在约旦人:一个定性研究
Glimpse (Dhaka, Bangladesh) Pub Date : 2021-01-01 DOI: 10.5840/glimpse202122110
Ruba Mohd, Javier Serrano Puche
{"title":"Identifying News Consumption, News Avoidance Patterns, and Incidental News Exposure among Jordanians: A Qualitative Study","authors":"Ruba Mohd, Javier Serrano Puche","doi":"10.5840/glimpse202122110","DOIUrl":"https://doi.org/10.5840/glimpse202122110","url":null,"abstract":"In the world we live in, we encounter news everywhere. Authentic or not, fragmented or complete, audiences are being exposed to vast amounts of information, and it seems impossible to limit news intake, even when we want to. In a recent cross-country research based on data gathered from 35 countries (Toff, Kalogeropoulos et al. .2020), it was found that people avoid the news for factors varying between nations. This paper attempts to look into news consumption and avoidance patterns among Jordanians by posing several questions. Their entry points to news, preferred news mediums, the extent to which they are incidentally exposed to information, consciously or unconsciously, as well as if there were news avoidance patterns amongst them. These questions were explored through examination of a limited number of respondents from different generations, genders, and academic backgrounds and by deploying a Q methodology approach executed through card-sorting exercise with a think-aloud protocol and an in-depth one to one interview. The results indicated that Jordanians use multiple entry points to news, and the majority of them regard social media as a source of news. Neither gender, generation, nor the level of education seems to be a determining factor. The study revealed the existence of news avoidance trends. Education appeared to have no impact on the motives behind them.","PeriodicalId":84824,"journal":{"name":"Glimpse (Dhaka, Bangladesh)","volume":"30 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84238759","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Animation Narrative in Vertical Format 垂直格式的动画叙事
Glimpse (Dhaka, Bangladesh) Pub Date : 2021-01-01 DOI: 10.5840/glimpse20212213
Martha Erika Mateos Genis, Luis Daniel Herrera Romero, Uriel Hidalgo Lerma
{"title":"Animation Narrative in Vertical Format","authors":"Martha Erika Mateos Genis, Luis Daniel Herrera Romero, Uriel Hidalgo Lerma","doi":"10.5840/glimpse20212213","DOIUrl":"https://doi.org/10.5840/glimpse20212213","url":null,"abstract":"Animation, defined as a process utilized to suggest motion to image or drawings, has evolved towards different techniques and styles offered by the industry. Its esthetic nature meets a progressive technologization of art and creativity, and therewith it responds to esthetics enrichment not only in animated object, but also in its creation process. The possibility to have an expanded form in techniques and formats has therefore prompted it to explore and to enrich various elements of its visual narrative. One of the most prominent elements has been the application of vertical format, while also acknowledging the consumption of digital content in smartphones. MOJITO LAB of ARPA/BUAP has focused on this technique as a line of research for 2D animation. This article herein presents some areas with considerable interest in the impact of vertical format in animation as follows: 1) The antecedents of vertical format in both still and moving image; 2) the relation between vertical format and digital media generated by smartphones; 3) observations based on the image analysis of 2D animation utilizing vertical format which provides esthetic qualities to visual narrative language of 2D animation.","PeriodicalId":84824,"journal":{"name":"Glimpse (Dhaka, Bangladesh)","volume":"29 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84307690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Disciplinary Modernity and the Mechanical Uncanny in James Cameron’s The Terminator (1984) 詹姆斯·卡梅隆《终结者》(1984)中的学科现代性与机械神秘
Glimpse (Dhaka, Bangladesh) Pub Date : 2021-01-01 DOI: 10.5840/glimpse202122231
Ryan S. Schroeder
{"title":"Disciplinary Modernity and the Mechanical Uncanny in James Cameron’s The Terminator (1984)","authors":"Ryan S. Schroeder","doi":"10.5840/glimpse202122231","DOIUrl":"https://doi.org/10.5840/glimpse202122231","url":null,"abstract":"This paper explores how operations of the mechanical uncanny in the iconic techno-dystopian film, The Terminator, directed by James Cameron in 1984, facilitate a deepening of apperception among sci-fi viewers regarding the perils of naïve technological progressivism. Some significant aspects of the film which have hitherto gone uncriticised pertain to the relationship between bodily discipline and the mechanical uncanny. In the Terminator, we see the extents to which the disciplinary mechanisms of modernity render our bodies docile, and the ways by which our bodies become organized according the logics of a totalizing mechanistic ethos. Therefore, in The Terminator, the uncanny effect created through uncertainty regarding who is human and who is replicant, may not seem so sophisticated or so subtle, but I insist that the uncanny effect leaves the viewer poised with an uncertain affect pertaining to the contents of their own humanity.","PeriodicalId":84824,"journal":{"name":"Glimpse (Dhaka, Bangladesh)","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77932295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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