{"title":"Revolution, History, and the Failure of Romantic Prophecy","authors":"Orianne Smith","doi":"10.1353/ECY.2019.0008","DOIUrl":"https://doi.org/10.1353/ECY.2019.0008","url":null,"abstract":"<p>ABSTRACT:</p><p>A review of <i>Romantic Prophecy and the Resistance to Historicism</i> (2016) by Christopher M. Bundock.</p>","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"29 1","pages":"119 - 121"},"PeriodicalIF":0.0,"publicationDate":"2019-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79164115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Of Calendars and Graphs: Transformations of the Succession Concept in British Moral Philosophy","authors":"Collin Jennings","doi":"10.1353/ECY.2019.0003","DOIUrl":"https://doi.org/10.1353/ECY.2019.0003","url":null,"abstract":"ABSTRACT:Recent accounts of digital critical methods posit that techniques of quantification and visualization have produced a new model of historical relationality. This model purports to shift attention from chronological organization in history (which Pierre Bourdieu referred to as the \"model of the calendar\") to graphical visualization in which scholars may observe literary or cultural patterns. In this essay, I take the surprising appearance of the term succession in accounts of this new model of relationality as an occasion for examining the conceptual history of the term in the eighteenth century. From the English Civil Wars, to the Revolution of 1688, to the Jacobite uprisings, questions of historical and social continuity prompted British moral philosophers and historians (including Thomas Hobbes, John Locke, and David Hume) to describe forms of order that linked historical and mental processes in terms of succession without relying on outmoded absolutist principles (such as divine right or royal prerogative). These writers produced an abstract succession concept—underwritten by theories of mental succession and association—that facilitated homological links across personal, civil, and natural domains of temporality. Moral philosophers and historians used the language of succession to relate seemingly arbitrary occurrences to natural tendencies of mental ordering, and, in doing so, they grappled with a tension between contingency and determination that has persisted in historiographical discussions of succession, including those raised by innovations in digital media.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"82 1","pages":"105 - 87"},"PeriodicalIF":0.0,"publicationDate":"2019-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90597844","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Narrative, Bodies, and the Performance of Citizenship","authors":"J. Golightly","doi":"10.1353/ECY.2019.0001","DOIUrl":"https://doi.org/10.1353/ECY.2019.0001","url":null,"abstract":"<p>ABSTRACT:</p><p>Review of <i>Telling the Flesh: Life Writing, Citizenship, and the Body in the Letters of Samuel Auguste Tissot</i> (2015) by Sonja Boon.</p>","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"100 1","pages":"107 - 110"},"PeriodicalIF":0.0,"publicationDate":"2019-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76209807","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Reluctantly Rebellious Jonathan Swift","authors":"R. Mahony","doi":"10.1353/ECY.2019.0005","DOIUrl":"https://doi.org/10.1353/ECY.2019.0005","url":null,"abstract":"<p>ABSTRACT:</p><p>A review of <i>Jonathan Swift: The Reluctant Rebel</i> (2016) by John Stubbs.</p>","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"55 1","pages":"115 - 118"},"PeriodicalIF":0.0,"publicationDate":"2019-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84658396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mimicry, Property, and the Reproduction of Celebrity in Eighteenth-Century England","authors":"Jane Wessel","doi":"10.1353/ECY.2019.0009","DOIUrl":"https://doi.org/10.1353/ECY.2019.0009","url":null,"abstract":"ABSTRACT:As copyright protection became increasingly linked to authorship in the public consciousness over the course of the eighteenth century, artists, musicians, and performers began to wonder what other sorts of creative labor might be rewarded with legal protection against unauthorized reproductions. This essay takes up that question in relation to the theatre. Focusing on the relationship between the century's two most famous mimics, Samuel Foote and Tate Wilkinson, I argue that in what has often been called \"the age of the actor,\" performance and celebrity were valued by many theatrical professionals as forms of intellectual property. Mimicry, in turn, became one of the most threatening modes of piracy. Wilkinson reproduced (and profited from) the older mimic's performance style and celebrity body, and his layered mimicry challenged Foote's sole control over his image and undermined the notion that celebrity might be \"ownable\" as property.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"52 1","pages":"65 - 86"},"PeriodicalIF":0.0,"publicationDate":"2019-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86458605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Revivifying Colley Cibber","authors":"Lisa A. Freeman","doi":"10.1353/ECY.2019.0000","DOIUrl":"https://doi.org/10.1353/ECY.2019.0000","url":null,"abstract":"ABSTRACT:A review of Partial Histories: A Reappraisal of Colley Cibber (2016) by Elaine McGirr, a book reassessing the historical reputation and achievements of early-eighteenth-century actor, playwright and playhouse manager, Colley Cibber.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"48 1","pages":"123 - 126"},"PeriodicalIF":0.0,"publicationDate":"2019-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86831507","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Experiments on the Stage","authors":"J. Golinski","doi":"10.1353/ECY.2019.0002","DOIUrl":"https://doi.org/10.1353/ECY.2019.0002","url":null,"abstract":"<p>ABSTRACT:</p><p>A review of <i>The Theater of Experiment: Staging Natural Philosophy in Eighteenth-Century Britain</i> (2016) by Al Coppola.</p>","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"15 1","pages":"111 - 114"},"PeriodicalIF":0.0,"publicationDate":"2019-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81567429","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Above the Power of Human Nature: Defoe, Necessity, and Natural Law","authors":"Nathan Peterson","doi":"10.1353/ECY.2019.0007","DOIUrl":"https://doi.org/10.1353/ECY.2019.0007","url":null,"abstract":"ABSTRACT:Drawing on Daniel Defoe's Essay upon Projects, the Review, and Serious Reflections of Robinson Crusoe, I argue that Defoe disputes the rational principles of natural law that undergird social contract theory by accentuating the failure of moral autonomy in the face of starvation and extreme insecurity. Though Defoe has often been seen as a proponent of burgeoning capitalism, Defoe's writings embody anxiety that bodily necessity overrules moral autonomy by keeping individuals terrified of losing their means of survival. For Defoe, the passage from nature into civil society can never be complete because human beings remain subject to inexorable bodily demands.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"54 1","pages":"1 - 21"},"PeriodicalIF":0.0,"publicationDate":"2019-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83049832","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Eighteenth-Century Review Journal as Allegory: Smollett's Critical Review and the Work of Criticism","authors":"Richard J. Jones","doi":"10.1353/ECY.2019.0004","DOIUrl":"https://doi.org/10.1353/ECY.2019.0004","url":null,"abstract":"ABSTRACT:One way to read an eighteenth-century review journal would be for the critical judgments that it contains. This essay argues, instead, that it should be read as allegory. The essay focuses on the Critical Review, established by Tobias Smollett in 1756, with the (impossible) aim to review everything, and explores how it appears both as what it is and in what it is not. Placed alongside Smollett's other works of installment and translation, what is disclosed by the Critical Review is a new work: the work of criticism itself.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"28 1","pages":"45 - 63"},"PeriodicalIF":0.0,"publicationDate":"2019-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83073890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Saved by God's \"Grease\": The Pathology of Political Bodies in Smollett's Humphry Clinker","authors":"P. Williams","doi":"10.1353/ECY.2019.0010","DOIUrl":"https://doi.org/10.1353/ECY.2019.0010","url":null,"abstract":"ABSTRACT:The limited scholarship concerning cross-pollination between eighteenth-century science and political theory has begun to show how they informed the claims and premises of each other. This scholarship, however, has been too ready to use Newtonian physics, largely a science of space, as a placeholder for eighteenth-century natural knowledge. Important developments in the understanding of matter had similarly profound implications for political thought. In this essay, I adapt Foucault's theorization of the body as a site of discursive struggle to examine the confluence of political and medico-chemical science in Tobias Smollett's The Expedition of Humphry Clinker (1771). Smollett diagnoses Britain's ailing political body, which was exposed at midcentury to commercial bombardment and moral decay threatening national disintegration. The titular Humphry Clinker is offered as ethical model and coagulative remedy. A vagrant religious enthusiast, Clinker's disruptive practices display, nonetheless, the curative potential of an economy of ethical obligation, which would reinforce failing commercial and legal ligaments in Leviathan's body by catalyzing interpersonal bonds.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"1 1","pages":"23 - 44"},"PeriodicalIF":0.0,"publicationDate":"2019-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89844779","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}