American studies (Lawrence, Kan.)最新文献

筛选
英文 中文
“I was Anti-Everything”: Cartoonist Jackie Ormes and the Comics as a Site of Progressive Black Journalism “我反对一切”:漫画家杰基·奥姆斯和作为进步黑人新闻网站的漫画
American studies (Lawrence, Kan.) Pub Date : 2021-05-10 DOI: 10.1353/ams.2020.0027
H. Z. Caldwell
{"title":"“I was Anti-Everything”: Cartoonist Jackie Ormes and the Comics as a Site of Progressive Black Journalism","authors":"H. Z. Caldwell","doi":"10.1353/ams.2020.0027","DOIUrl":"https://doi.org/10.1353/ams.2020.0027","url":null,"abstract":"","PeriodicalId":80435,"journal":{"name":"American studies (Lawrence, Kan.)","volume":"59 1","pages":"120 - 99"},"PeriodicalIF":0.0,"publicationDate":"2021-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ams.2020.0027","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42845050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Cartoons of Ollie Harrington, the Black Left, and the African American Press During the Jim Crow Era 吉姆·克劳时代奥利·哈林顿、黑人左派和非裔美国人的漫画
American studies (Lawrence, Kan.) Pub Date : 2021-05-10 DOI: 10.1353/ams.2020.0028
J. R. Smethurst, Rachel Rubin
{"title":"The Cartoons of Ollie Harrington, the Black Left, and the African American Press During the Jim Crow Era","authors":"J. R. Smethurst, Rachel Rubin","doi":"10.1353/ams.2020.0028","DOIUrl":"https://doi.org/10.1353/ams.2020.0028","url":null,"abstract":"","PeriodicalId":80435,"journal":{"name":"American studies (Lawrence, Kan.)","volume":"59 1","pages":"121 - 141"},"PeriodicalIF":0.0,"publicationDate":"2021-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ams.2020.0028","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46313427","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Introduction 介绍
American studies (Lawrence, Kan.) Pub Date : 2021-05-10 DOI: 10.1353/ams.2020.0022
L. Caplan, Kristen M. Turner
{"title":"Introduction","authors":"L. Caplan, Kristen M. Turner","doi":"10.1353/ams.2020.0022","DOIUrl":"https://doi.org/10.1353/ams.2020.0022","url":null,"abstract":"","PeriodicalId":80435,"journal":{"name":"American studies (Lawrence, Kan.)","volume":"59 1","pages":"12 - 5"},"PeriodicalIF":0.0,"publicationDate":"2021-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ams.2020.0022","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42785328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Race Women, Crisis Maids, and NAACP Sweethearts: Gender and the Visual Culture of the NAACP in the Early Twentieth Century 种族女性、危机女佣和NAACP甜心:20世纪初NAACP的性别和视觉文化
American studies (Lawrence, Kan.) Pub Date : 2021-05-10 DOI: 10.1353/ams.2020.0026
S. Bragg
{"title":"Race Women, Crisis Maids, and NAACP Sweethearts: Gender and the Visual Culture of the NAACP in the Early Twentieth Century","authors":"S. Bragg","doi":"10.1353/ams.2020.0026","DOIUrl":"https://doi.org/10.1353/ams.2020.0026","url":null,"abstract":"","PeriodicalId":80435,"journal":{"name":"American studies (Lawrence, Kan.)","volume":"59 1","pages":"77 - 98"},"PeriodicalIF":0.0,"publicationDate":"2021-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ams.2020.0026","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41623157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Desire, Dispossession, and Dreams of Social Data: Black Clubwomen’s Intellectual Thought and Aesthetics During the Progressive Era in Public Writing and Print Culture 社会数据的欲望、剥夺与梦想:进步时代公共写作与印刷文化中黑人俱乐部女性的知识思想与美学
American studies (Lawrence, Kan.) Pub Date : 2021-05-10 DOI: 10.1353/ams.2020.0024
E. Richardson
{"title":"Desire, Dispossession, and Dreams of Social Data: Black Clubwomen’s Intellectual Thought and Aesthetics During the Progressive Era in Public Writing and Print Culture","authors":"E. Richardson","doi":"10.1353/ams.2020.0024","DOIUrl":"https://doi.org/10.1353/ams.2020.0024","url":null,"abstract":"Carefully and conscientiously we shall study the questions, which affect the race most deeply and directly. Against the convict lease system, the Jim Crow car laws, lynchings and all other barbarities which degrade us, we shall protest with such force of logic and intensity of the soul that those who oppress us will either cease to disavow the inalienability and equality of human rights, or be ashamed to openly violate the very principles upon which this government was founded. —Mary Church Terrell, “What Role is the Educated Negro Woman to Play” (1902)1","PeriodicalId":80435,"journal":{"name":"American studies (Lawrence, Kan.)","volume":"59 1","pages":"33 - 54"},"PeriodicalIF":0.0,"publicationDate":"2021-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ams.2020.0024","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41399172","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Weaponized Whiteness: The Constructions and Deconstructions of White Identity Politics by Fran Shor (review) 《武器化的白人:白人身份政治的建构与解构》作者:弗兰·肖尔
American studies (Lawrence, Kan.) Pub Date : 2021-05-10 DOI: 10.1353/ams.2020.0037
M. Ezra
{"title":"Weaponized Whiteness: The Constructions and Deconstructions of White Identity Politics by Fran Shor (review)","authors":"M. Ezra","doi":"10.1353/ams.2020.0037","DOIUrl":"https://doi.org/10.1353/ams.2020.0037","url":null,"abstract":"","PeriodicalId":80435,"journal":{"name":"American studies (Lawrence, Kan.)","volume":"59 1","pages":"69 - 70"},"PeriodicalIF":0.0,"publicationDate":"2021-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ams.2020.0037","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41665395","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“To Help Enlighten Our People”: ‘Theater Folk’ and Stage Advice Columns in the 1920s Chicago Defender “帮助启发我们的人民”:20世纪20年代芝加哥保卫者的“戏剧人”和舞台建议专栏
American studies (Lawrence, Kan.) Pub Date : 2021-05-10 DOI: 10.1353/ams.2020.0025
Michelle R. Scott
{"title":"“To Help Enlighten Our People”: ‘Theater Folk’ and Stage Advice Columns in the 1920s Chicago Defender","authors":"Michelle R. Scott","doi":"10.1353/ams.2020.0025","DOIUrl":"https://doi.org/10.1353/ams.2020.0025","url":null,"abstract":"","PeriodicalId":80435,"journal":{"name":"American studies (Lawrence, Kan.)","volume":"59 1","pages":"55 - 76"},"PeriodicalIF":0.0,"publicationDate":"2021-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ams.2020.0025","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47774569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hollywood, Washington, and the Making of the Refugee in Postwar Cinema 好莱坞、华盛顿与战后电影中的《难民》
American studies (Lawrence, Kan.) Pub Date : 2021-04-23 DOI: 10.1353/ams.2021.0004
L. Garland
{"title":"Hollywood, Washington, and the Making of the Refugee in Postwar Cinema","authors":"L. Garland","doi":"10.1353/ams.2021.0004","DOIUrl":"https://doi.org/10.1353/ams.2021.0004","url":null,"abstract":"This article explores a pair of postwar Hollywood films: Illegal Entry (Universal-International, 1949) and Lady Without Passport(MGM, 1950). The movies dramatize the nation's uneasy effort during this era to distinguish “refugees” from “illegal aliens.” Both revolve around upstanding US government investigators falling for gorgeous, foreign ladies who are caught up in the underworld of human smuggling. Written, filmed, and shown at a moment in which the United States was debating how and whether to legally recognize, for the first time, the special status of refugees’ claims to enter the nation, the plots of both films wrestle with the question of what such claims might mean. On the surface, both movies praise U.S. efforts at immigration control; at the same time, both also call such efforts into question in the face of migrants’ hardships. But the behind-the-scenes history of the films’ production is equally noteworthy, for it reveals the curious circuitry by which new narratives around refugees were generated at this volatile postwar moment. Drawing on archival research in Hollywood and Washington DC, I tell the story of how these films grew out of a strange collaboration between movie producers and government officials, all invested in forging “reality entertainment” that projected their vision of the US immigration regime onto the nation's silver screens.","PeriodicalId":80435,"journal":{"name":"American studies (Lawrence, Kan.)","volume":"60 1","pages":"108 - 81"},"PeriodicalIF":0.0,"publicationDate":"2021-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ams.2021.0004","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46738780","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Precarious Locations: Streaming TV and Global Inequalities 不稳定的位置:流媒体电视和全球不平等
American studies (Lawrence, Kan.) Pub Date : 2021-04-23 DOI: 10.1353/ams.2021.0001
C. Marez
{"title":"Precarious Locations: Streaming TV and Global Inequalities","authors":"C. Marez","doi":"10.1353/ams.2021.0001","DOIUrl":"https://doi.org/10.1353/ams.2021.0001","url":null,"abstract":"Combining methods from TV studies, ethnic studies/American studies, and critical geography, this essay analyzes the contradictory relationship between setting and location in three streaming shows: Watchmen, Los Espookys, and Vida. Foregrounding state programs to attract media makers that redistribute wealth upward, from poor people of color to Hollywood, I analyze how TV production intervenes in the politics of place, making visible histories of white supremacy and racial inequality, as well as the popular movements that oppose them.","PeriodicalId":80435,"journal":{"name":"American studies (Lawrence, Kan.)","volume":"60 1","pages":"31 - 9"},"PeriodicalIF":0.0,"publicationDate":"2021-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ams.2021.0001","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47561301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Beyond the ‘Futureless Future’: Edward O. Bland, Afro-Modernism and The Cry of Jazz 超越“没有未来的未来”:爱德华·o·布兰德、非洲现代主义和爵士乐的呐喊
American studies (Lawrence, Kan.) Pub Date : 2021-04-23 DOI: 10.1353/ams.2021.0002
William Sites
{"title":"Beyond the ‘Futureless Future’: Edward O. Bland, Afro-Modernism and The Cry of Jazz","authors":"William Sites","doi":"10.1353/ams.2021.0002","DOIUrl":"https://doi.org/10.1353/ams.2021.0002","url":null,"abstract":"The Cry of Jazz, a “thesis film” from 1959 directed by Edward O. Bland, is a long-neglected landmark in black independent cinema recognized today not for its theories about jazz but for its contentious racial politics.  Bland, however, was a composer and music arranger, not a professional filmmaker, and the astringency of his film’s racial claims emerges from a particular theoretical approach to the formal structures of jazz music and their historical evolution.  This article explores the relationship between musical form and racial identity as presented in The Cry of Jazz.  Emphatically insisting on the music as an African American mode of expression, the film develops a critical musicology of jazz that effectively transposes Frankfurt School-like social claims about capitalist dehumanization to American conditions of racial domination.  In doing so, however, Bland also argues that any further advance of African American musical culture depends on a sharp break with jazz traditions as well as the destruction of the ghetto.  The result is not only a more uncompromising contribution to 1960s-era black cultural radicalism than is typically recognized but also a distinctive reformulation of the Afro-modernist aesthetic.  By linking racial change in Jim Crow America to an aesthetic fusion of avant-garde classical and African American vernacular styles, The Cry of Jazz puts forward a high-modernist, composer-centered conception of black art music as cultural emancipation.","PeriodicalId":80435,"journal":{"name":"American studies (Lawrence, Kan.)","volume":"60 1","pages":"33 - 57"},"PeriodicalIF":0.0,"publicationDate":"2021-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ams.2021.0002","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48107906","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信
小红书