{"title":"不稳定的位置:流媒体电视和全球不平等","authors":"C. Marez","doi":"10.1353/ams.2021.0001","DOIUrl":null,"url":null,"abstract":"Combining methods from TV studies, ethnic studies/American studies, and critical geography, this essay analyzes the contradictory relationship between setting and location in three streaming shows: Watchmen, Los Espookys, and Vida. Foregrounding state programs to attract media makers that redistribute wealth upward, from poor people of color to Hollywood, I analyze how TV production intervenes in the politics of place, making visible histories of white supremacy and racial inequality, as well as the popular movements that oppose them.","PeriodicalId":80435,"journal":{"name":"American studies (Lawrence, Kan.)","volume":"60 1","pages":"31 - 9"},"PeriodicalIF":0.0000,"publicationDate":"2021-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ams.2021.0001","citationCount":"0","resultStr":"{\"title\":\"Precarious Locations: Streaming TV and Global Inequalities\",\"authors\":\"C. Marez\",\"doi\":\"10.1353/ams.2021.0001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Combining methods from TV studies, ethnic studies/American studies, and critical geography, this essay analyzes the contradictory relationship between setting and location in three streaming shows: Watchmen, Los Espookys, and Vida. Foregrounding state programs to attract media makers that redistribute wealth upward, from poor people of color to Hollywood, I analyze how TV production intervenes in the politics of place, making visible histories of white supremacy and racial inequality, as well as the popular movements that oppose them.\",\"PeriodicalId\":80435,\"journal\":{\"name\":\"American studies (Lawrence, Kan.)\",\"volume\":\"60 1\",\"pages\":\"31 - 9\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-04-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1353/ams.2021.0001\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"American studies (Lawrence, Kan.)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/ams.2021.0001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"American studies (Lawrence, Kan.)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/ams.2021.0001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Precarious Locations: Streaming TV and Global Inequalities
Combining methods from TV studies, ethnic studies/American studies, and critical geography, this essay analyzes the contradictory relationship between setting and location in three streaming shows: Watchmen, Los Espookys, and Vida. Foregrounding state programs to attract media makers that redistribute wealth upward, from poor people of color to Hollywood, I analyze how TV production intervenes in the politics of place, making visible histories of white supremacy and racial inequality, as well as the popular movements that oppose them.
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