Journal of Interior Design最新文献

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Prison as Home: Characteristics of Control Within General Prison and Solitary Confinement Environments 作为家的监狱:普通监狱与单独监禁环境中的控制特征
IF 1.3 2区 艺术学
Journal of Interior Design Pub Date : 2021-01-05 DOI: 10.1111/joid.12190
Gregory Galford Ph.D.
{"title":"Prison as Home: Characteristics of Control Within General Prison and Solitary Confinement Environments","authors":"Gregory Galford Ph.D.","doi":"10.1111/joid.12190","DOIUrl":"10.1111/joid.12190","url":null,"abstract":"<div>\u0000 \u0000 <p>The purpose of this qualitative study was to explore stakeholder' perspectives of control within general correctional and solitary confinement environments with findings focused on trust, sound, views to nature, routine, and time. Research was conducted at two medium security prisons in a large US state with male inmates. Using a survey methodology, interviews occurred with 10 inmates, 10 correctional officers, two superintendents, one staff psychologist, one nurse, and two correctional design architects. Observations and photography followed while visiting and leaving the prisons. Using grounded theory as a data analysis tool identified the themes of trust, views to nature, sound, time, and routine viewed through the overarching premise of control. Incongruence between rehabilitation and punitive environmental goals were found. Correctional officers who emphasized fear and trust valued visual surveillance despite its ability to lead to austere indoor and outdoor spaces. Inmates craved outdoor views along with personal possessions as these items established a more meaningful passage of time. Sound, as noted by the correctional architects, was not designed as a rehabilitative tool, but instead was used to denote impending attacks. And routine, so valued by inmates, was often taken away as a form of control. Implications suggest that the US prisons observed in this study exemplified control, dominance, and punishment. Future prison design should embrace the rehabilitative and healing strategies used in European models to help lower rates of recidivism which are problematic in the American prison system.</p>\u0000 </div>","PeriodicalId":56199,"journal":{"name":"Journal of Interior Design","volume":"46 2","pages":"35-53"},"PeriodicalIF":1.3,"publicationDate":"2021-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/joid.12190","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42337388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Bodily and the Divine: Study of a 10th Century Hindu Temple in Rajasthan, India 身体与神:对印度拉贾斯坦邦一座10世纪印度教寺庙的研究
IF 1.3 2区 艺术学
Journal of Interior Design Pub Date : 2020-12-27 DOI: 10.1111/joid.12185
Tina Patel MFA,, Sarah M. Angne Alfaro Ph.D., Pallavi Swaranjali MDes.,
{"title":"The Bodily and the Divine: Study of a 10th Century Hindu Temple in Rajasthan, India","authors":"Tina Patel MFA,,&nbsp;Sarah M. Angne Alfaro Ph.D.,&nbsp;Pallavi Swaranjali MDes.,","doi":"10.1111/joid.12185","DOIUrl":"10.1111/joid.12185","url":null,"abstract":"<div>\u0000 \u0000 <p>The Hindu temple is a place where gods may be approached, and divine knowledge discovered. The design of the temple based on the cosmic man, the “<i>vastu purush mandala</i>,” allows the experiencing body to be aligned with celestial elements, obtaining harmony with the cosmos. Exploring the sequence and processes of bodily engagement as one progresses from the periphery to the core, the article seeks to apprise designers on the rituals encompassed in worship at a Hindu temple. The article creates a mosaic of hybrid fragments via photographs, drawings, and text to emphasize the intertwining of the bodily and divine.</p>\u0000 </div>","PeriodicalId":56199,"journal":{"name":"Journal of Interior Design","volume":"46 1","pages":"61-71"},"PeriodicalIF":1.3,"publicationDate":"2020-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/joid.12185","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"63953834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Slave House as Symbolic Artifact 作为象征文物的奴隶屋
IF 1.3 2区 艺术学
Journal of Interior Design Pub Date : 2020-12-08 DOI: 10.1111/joid.12184
Taneshia W. Albert M.F.A., Lindsay Tan M.F.A.
{"title":"The Slave House as Symbolic Artifact","authors":"Taneshia W. Albert M.F.A.,&nbsp;Lindsay Tan M.F.A.","doi":"10.1111/joid.12184","DOIUrl":"10.1111/joid.12184","url":null,"abstract":"<div>\u0000 \u0000 <p>The Slave House on Gorée Island is a sacred, spiritual mecca representing the transformational passage of descendants whose ancestors were displaced from continental Africa through the Trans-Atlanta slave trade. This visual essay presents an autoethnographic exploration—including first person narrative voice—to discuss spaces, places, and architectural structures central both to the Slave House as an architectural structure and to the context of Black identity. The structure, we argue, speaks of architectural beatification by Black ancestral spirits at a critical cultural moment of cultural diasporic creation and displacement of spirit and identity. It acts as a witness to the trauma of ancestral separation, the cultural memory transmitted through every taken step, and the common experience of displacement and identity that emotionally connects the present with the past.</p>\u0000 </div>","PeriodicalId":56199,"journal":{"name":"Journal of Interior Design","volume":"46 2","pages":"55-72"},"PeriodicalIF":1.3,"publicationDate":"2020-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/joid.12184","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48427365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Tied to the Desk: The Somatic Experience of Office Work, 1870–1920 绑在办公桌上:1870-1920年办公室工作的躯体体验
IF 1.3 2区 艺术学
Journal of Interior Design Pub Date : 2020-11-10 DOI: 10.1111/joid.12183
PJ Carlino Ph.D.
{"title":"Tied to the Desk: The Somatic Experience of Office Work, 1870–1920","authors":"PJ Carlino Ph.D.","doi":"10.1111/joid.12183","DOIUrl":"10.1111/joid.12183","url":null,"abstract":"<div>\u0000 \u0000 <p>Between 1870 and 1920, American manufacturers designed furniture that re-shaped the sensorial experience of office work. To help businesses inculcate efficient practice, furniture re-shaped the posture of employees, programmed their actions, and determined sight lines, soundscapes, and circulation patterns. In the catalogs, textbooks, and trade journals they published, manufacturers gendered and racialized furniture and occupations. By 1920, White-owned businesses adopted methods built upon standard mass-produced furniture that affixed White male clerks to their desks and transferred the responsibility for moving information through the office to middle-class White women. Understanding the historical use of furniture to shape demographics in the twentieth century office opens possibilities and opportunities for new paradigms in workspaces.</p>\u0000 </div>","PeriodicalId":56199,"journal":{"name":"Journal of Interior Design","volume":"46 1","pages":"27-43"},"PeriodicalIF":1.3,"publicationDate":"2020-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/joid.12183","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47360870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Design for All Needs Design Empathy 为所有人设计需要设计同理心
IF 1.3 2区 艺术学
Journal of Interior Design Pub Date : 2020-11-05 DOI: 10.1111/joid.12182
AJ Paron
{"title":"Design for All Needs Design Empathy","authors":"AJ Paron","doi":"10.1111/joid.12182","DOIUrl":"10.1111/joid.12182","url":null,"abstract":"With the movement toward human-centered design (Fletcher et al., 2015), interior designers strive to create space for all, yet sometimes we do not understand how our designs are truly impacting others (Ulrich, 1991). Judgment is inherently intertwined with the design process (Lera, 1981). The designer’s judgment is used at every step along the practice of creation. Does this look right? Is this the correct solution? Does this combination work? But what happens when that same judgment is extended to people? What we think they will do, how they should act, what they will experience?","PeriodicalId":56199,"journal":{"name":"Journal of Interior Design","volume":"45 4","pages":"3-9"},"PeriodicalIF":1.3,"publicationDate":"2020-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/joid.12182","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44573934","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Le Corbusier and the Daughter of Light: Color and Architecture of Maison La Roche 勒·柯布西耶与光之女:La Roche住宅的色彩与建筑
IF 1.3 2区 艺术学
Journal of Interior Design Pub Date : 2020-08-23 DOI: 10.1111/joid.12178
Gayla Jett Shannon M.Arch, Michael Sprague Shannon M.Arch
{"title":"Le Corbusier and the Daughter of Light: Color and Architecture of Maison La Roche","authors":"Gayla Jett Shannon M.Arch,&nbsp;Michael Sprague Shannon M.Arch","doi":"10.1111/joid.12178","DOIUrl":"10.1111/joid.12178","url":null,"abstract":"<div>\u0000 \u0000 <p>Charles-Edouard Jeanneret, also known as the architect Le Corbusier, developed a method of color selection for the built environment based upon his assessment of universal constants of human perception. Le Corbusier's search for the unchangeable <i>mecanisme de l'emotion</i> was paramount in the development of his compositional and artistic theories and the movement <i>Purism</i>. While Le Corbusier's sense of space, structure, and proportion are deeply ingrained in contemporary design thinking, his architectural modes of color integration and rationale remains elusive to most members of the architecture and design community despite recent research in the field. This widespread uncertainty may reflect many designers' general lack of understanding about architectural color. This investigation explores Le Corbusier's color choices in order to achieve a “constant” human reaction through his development of a standardized method for color use in architecture. His color assignment system was developed in the early phase of his architectural career, from about 1918 through 1931, coincident with his collaborative development of the <i>Purism</i> movement. Le Corbusier's system and use of color is evaluated utilizing Albert Munsell's precise color notation framework. This writing will culminate with analysis of Le Corbusier's first experimental attempt in applying his <i>Purist</i> color theories to architecture as demonstrated in Maison La Roche (1923–1925).</p>\u0000 </div>","PeriodicalId":56199,"journal":{"name":"Journal of Interior Design","volume":"45 4","pages":"33-50"},"PeriodicalIF":1.3,"publicationDate":"2020-08-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/joid.12178","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46568846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A 5-year Report and A 5-year Plan 五年报告和五年计划
IF 1.3 2区 艺术学
Journal of Interior Design Pub Date : 2020-08-17 DOI: 10.1111/joid.12181
John C. Turpin Ph.D., Joan I. Dickinson Ph.D.
{"title":"A 5-year Report and A 5-year Plan","authors":"John C. Turpin Ph.D.,&nbsp;Joan I. Dickinson Ph.D.","doi":"10.1111/joid.12181","DOIUrl":"10.1111/joid.12181","url":null,"abstract":"","PeriodicalId":56199,"journal":{"name":"Journal of Interior Design","volume":"45 3","pages":"3-5"},"PeriodicalIF":1.3,"publicationDate":"2020-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/joid.12181","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47598274","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Staging Poe: A Narrative Approach to Atmosphere in a First-Year Design Studio 舞台坡:第一年设计工作室的气氛叙事方法
IF 1.3 2区 艺术学
Journal of Interior Design Pub Date : 2020-08-11 DOI: 10.1111/joid.12180
Nilay Ünsal Gülmez Ph.D., Durnev Atılgan Yağan Ph.D., Efsun Ekenyazıcı Güney Ph.D., Murat Şahin Ph.D.
{"title":"Staging Poe: A Narrative Approach to Atmosphere in a First-Year Design Studio","authors":"Nilay Ünsal Gülmez Ph.D.,&nbsp;Durnev Atılgan Yağan Ph.D.,&nbsp;Efsun Ekenyazıcı Güney Ph.D.,&nbsp;Murat Şahin Ph.D.","doi":"10.1111/joid.12180","DOIUrl":"10.1111/joid.12180","url":null,"abstract":"<div>\u0000 \u0000 <p>This paper explores how to begin interior architecture education and provides a fertile ground on which students can tackle design departures. Narratives are studied as a vehicle and an opportunity for self-expression and discovery for first-year students to explore and produce atmospheres. The project <i>Staging Poe</i> draws its narrative inspirations from Edgar Allan Poe's poems. It proposes to approach atmosphere through a narrative method, by translating words into materiality. Narratives of literary works are proposed to novice students as starting points while stepping into the not-yet-familiar ways of the design process. <i>Staging Poe</i> further envisions a first-year design studio rooted in ongoing contemporary debates on the theory and practice of atmosphere and materiality in tandem with technology. The objective is to inspire a new generation of interior architecture students. This paper begins by discussing the theory of atmospheres and the potential role of narratives in exploring atmosphere within the Basic Design studio. Next, we examine Poe's <i>The Philosophy of Composition</i> as a guide to translating narrative into atmosphere before discussing the design of the <i>Staging Poe</i> project and the two consecutive phases of its methodology. Student progress is reviewed through an analysis of weekly reports and followed by an examination of the students' overall performance in the course. The findings of the analysis demonstrate how the structure of the studio advances student design thinking and performance in relation to their understanding of <i>atmosphere</i> and its material and quasimaterial agents. The study concludes that there is room for the exploration of alternative and field-specific methods in the education of interior architecture discipline.</p>\u0000 </div>","PeriodicalId":56199,"journal":{"name":"Journal of Interior Design","volume":"45 4","pages":"11-32"},"PeriodicalIF":1.3,"publicationDate":"2020-08-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/joid.12180","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47231660","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Effects of Interior Color Schemes on Emotion, Task Performance, and Heart Rate in Immersive Virtual Environments 沉浸式虚拟环境中室内配色方案对情绪、任务表现和心率的影响
IF 1.3 2区 艺术学
Journal of Interior Design Pub Date : 2020-08-09 DOI: 10.1111/joid.12179
Seung Hyun Cha Ph.D., Shaojie Zhang M.S., Tae Wan Kim Ph.D.
{"title":"Effects of Interior Color Schemes on Emotion, Task Performance, and Heart Rate in Immersive Virtual Environments","authors":"Seung Hyun Cha Ph.D.,&nbsp;Shaojie Zhang M.S.,&nbsp;Tae Wan Kim Ph.D.","doi":"10.1111/joid.12179","DOIUrl":"10.1111/joid.12179","url":null,"abstract":"<div>\u0000 \u0000 <p>The purpose of this study was to investigate the effects of interior color schemes in immersive virtual environments (IVEs) on emotion, task performance, and heart rate to examine IVEs' potential for interior color research. Fifty-five (<i>n</i> = 55) student participants were recruited to experience four different colored IVE models (i.e., red, green, blue, and white), and their emotions, heart rate change, and proofreading performances during the immersion were measured. Participants were also asked about their sense of presence after the experience. The findings support the following three hypotheses: (1) IVE interior color schemes affect subject emotion, (2) IVE interior color schemes affect subject task performance as measured through a proofreading exercise, and (3) IVE interior color schemes affect subject heart rate. Specifically, red was perceived as significantly heavier, warmer, more exciting, tenser, and unpleasant. Significantly fewer errors occurred during the white immersion versus the green color scheme when completing the task performance exercise. While heart rate was reduced for each color, significant decreases were detected in the blue, white, and green color scenarios. The majority of participants felt a sense of being there when experiencing the four colored IVE spaces. Based on these results, we conclude that IVE has potential for interior color research to overcome the limitations of traditional color research tools.</p>\u0000 </div>","PeriodicalId":56199,"journal":{"name":"Journal of Interior Design","volume":"45 4","pages":"51-65"},"PeriodicalIF":1.3,"publicationDate":"2020-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/joid.12179","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45850671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 18
Spatial User Experience: A Multidisciplinary Approach to Assessing Physical Settings 空间用户体验:评估物理设置的多学科方法
IF 1.3 2区 艺术学
Journal of Interior Design Pub Date : 2020-07-27 DOI: 10.1111/joid.12177
Begoña Juliá Nehme M.S., Eugenio Rodríguez Ph.D., So-Yeon Yoon Ph.D.
{"title":"Spatial User Experience: A Multidisciplinary Approach to Assessing Physical Settings","authors":"Begoña Juliá Nehme M.S.,&nbsp;Eugenio Rodríguez Ph.D.,&nbsp;So-Yeon Yoon Ph.D.","doi":"10.1111/joid.12177","DOIUrl":"10.1111/joid.12177","url":null,"abstract":"<div>\u0000 \u0000 <p>In the fields of Product Design and Human–Computer Interaction, the term <i>User Experience</i> has been used to describe the interaction with products and systems. The largest product that humans interact with is the built environment. We <i>use</i> the built environment constantly for various functions. Based on a thorough review of the literature from multiple disciplinary sources, we introduce a model of Spatial User Experience (SUE), in which we define six dimensions as the main influential factors of the User Experience. These dimensions are categorized into two groups: (1) Ergonomic-Instrumental, including Spatial Cognition, Physical Compatibility, and Environmental Compatibility; and (2) Affective, comprising Emotional Reaction, Spatial Appreciation, and Proxemics. Furthermore, the User Experience influences behavioral responses, which will depend on the context and the activity performed. The model aims to be flexible enough to be applied in different physical settings. Its purpose is to contribute to the theory building in User Experience and Interior Design and to provide a foundation for empirical research. Future studies will be able to further validate the relationships defined in the model in diverse physical settings, identifying the dimensions that have greater impact on the User Experience. Ultimately, it is our objective to orient practitioners in the design of places that foster positive experiences and well-being.</p>\u0000 </div>","PeriodicalId":56199,"journal":{"name":"Journal of Interior Design","volume":"45 3","pages":"7-25"},"PeriodicalIF":1.3,"publicationDate":"2020-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/joid.12177","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42789520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 9
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