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The icon of the Theotokos from the Church of St. Nicholas (Rajko’s Church) and the question of painting workshops in medieval Prizren 圣尼古拉斯教堂(Rajko教堂)的Theotokos的图标和中世纪Prizren绘画工作室的问题
Zograf Pub Date : 2016-01-01 DOI: 10.2298/ZOG1640095V
D. Vojvodic
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引用次数: 0
Research and photographing of medieval monuments under the auspices of the National Museum in Belgrade to 1941 1941年，在贝尔格莱德国家博物馆的赞助下，研究和拍摄中世纪纪念碑
Zograf Pub Date : 2016-01-01 DOI: 10.2298/ZOG1640001P
M. Preradović
{"title":"Research and photographing of medieval monuments under the auspices of the National Museum in Belgrade to 1941","authors":"M. Preradović","doi":"10.2298/ZOG1640001P","DOIUrl":"https://doi.org/10.2298/ZOG1640001P","url":null,"abstract":"","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":"1-33"},"PeriodicalIF":0.0,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68382618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Certains aspects du portrait laic Georgien du haut Moyen age 中世纪早期格鲁吉亚世俗肖像的某些方面
Zograf Pub Date : 2016-01-01 DOI: 10.2298/ZOG1640035M
Kitty Machabeli
{"title":"Certains aspects du portrait laic Georgien du haut Moyen age","authors":"Kitty Machabeli","doi":"10.2298/ZOG1640035M","DOIUrl":"https://doi.org/10.2298/ZOG1640035M","url":null,"abstract":"Dans l’article on présente l’aperçu du portrait en relief géorgien du Haut Moyen Âge créé au sein de l’art religieux. Aux VIe–VIIe siècles, sur les façades des églises géorgiens et sur les colonnes des croix en pierre à côté des images saintes et des sujets chrétiens apparaissent les images des personnalités laïques. La noblesse géorgien placent leurs portraits en relief sur les monuments de culte comme des preuves de leur place dans la hiérarchie féodale. Ces portraits manifestent une certaine hérédité de la tradition locale et représentent les tendances dans l’art byzantin de l’époque.","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":"35-44"},"PeriodicalIF":0.0,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68382672","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The questions of the artistic influences of the Christian east in Serbia in the late twelfth and thirteenth century and the paths of their transmission 12世纪末和13世纪塞尔维亚东方基督教艺术影响的问题及其传播途径
Zograf Pub Date : 2016-01-01 DOI: 10.2298/zog1640045s
Tatjana Starodubcev
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引用次数: 0
Churches and donors in the Treskavac chrysobulls of King Dusan 杜珊国王特雷斯卡瓦茨教堂的教堂和捐赠者
Zograf Pub Date : 2016-01-01 DOI: 10.2298/ZOG1640073S
Svetlana Smolčić-Makuljević
{"title":"Churches and donors in the Treskavac chrysobulls of King Dusan","authors":"Svetlana Smolčić-Makuljević","doi":"10.2298/ZOG1640073S","DOIUrl":"https://doi.org/10.2298/ZOG1640073S","url":null,"abstract":"","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":"73-84"},"PeriodicalIF":0.0,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68382835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The saint of Kotor and the sculpture of the Decani Monastery 科托尔的圣人和德卡尼修道院的雕塑
Zograf Pub Date : 2016-01-01 DOI: 10.2298/ZOG1640085C
Zorica Čubrović
{"title":"The saint of Kotor and the sculpture of the Decani Monastery","authors":"Zorica Čubrović","doi":"10.2298/ZOG1640085C","DOIUrl":"https://doi.org/10.2298/ZOG1640085C","url":null,"abstract":"","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":"85-94"},"PeriodicalIF":0.0,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68382857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
On the possible sources and creators of woodcut illustrations in the Octoechos (Tone 5-8) (1494) 《八声》(音5-8)(1494)中木刻插图的可能来源和创作者
Zograf Pub Date : 2016-01-01 DOI: 10.2298/ZOG1640159S
V. Šimić
{"title":"On the possible sources and creators of woodcut illustrations in the Octoechos (Tone 5-8) (1494)","authors":"V. Šimić","doi":"10.2298/ZOG1640159S","DOIUrl":"https://doi.org/10.2298/ZOG1640159S","url":null,"abstract":"","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":"159-176"},"PeriodicalIF":0.0,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68383126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The post-Byzantine iconography of the individual punishments of the sinners in the depiction of hell in Northwestern Greece. Differences and similarities to the Cretan school of painting 后拜占庭时代对希腊西北部地狱中罪人个人惩罚的肖像画。与克里特画派的异同
Zograf Pub Date : 2016-01-01 DOI: 10.2298/zog1640141c
P. I. Chouliarás
{"title":"The post-Byzantine iconography of the individual punishments of the sinners in the depiction of hell in Northwestern Greece. Differences and similarities to the Cretan school of painting","authors":"P. I. Chouliarás","doi":"10.2298/zog1640141c","DOIUrl":"https://doi.org/10.2298/zog1640141c","url":null,"abstract":"","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":"141-158"},"PeriodicalIF":0.0,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68383565","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Unknown Russian icons at the Holy Lavra of Saint Sabbas the sanctified in Palestine and their iconography 在巴勒斯坦圣化的圣萨巴斯圣修道院的未知俄罗斯圣像和他们的圣像
Zograf Pub Date : 2016-01-01 DOI: 10.2298/zog1640117k
Silas Kukiaris Archimandrite
{"title":"Unknown Russian icons at the Holy Lavra of Saint Sabbas the sanctified in Palestine and their iconography","authors":"Silas Kukiaris Archimandrite","doi":"10.2298/zog1640117k","DOIUrl":"https://doi.org/10.2298/zog1640117k","url":null,"abstract":"","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":"117-140"},"PeriodicalIF":0.0,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68382634","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Private piety or collective worship in early Christian martyria: Late antique Naissus case study 早期基督教殉道者的个人虔诚或集体崇拜:晚期古代奈苏斯个案研究
Zograf Pub Date : 2015-01-01 DOI: 10.2298/ZOG1539001S
Olga Špehar
{"title":"Private piety or collective worship in early Christian martyria: Late antique Naissus case study","authors":"Olga Špehar","doi":"10.2298/ZOG1539001S","DOIUrl":"https://doi.org/10.2298/ZOG1539001S","url":null,"abstract":"Explanation of the purpose of early Christian martyria as places of collective memory is a complex of many different circumstances and meanings and must be observed in accordance. First of all, martyria are architectural monuments dedicated to the martyrs, historical evidences of the martyrial death of those who suffered for Christ - this is a simple explanation of their real meaning. Yet, their social role is even more important than their historical role - martyria continuously transferred an idea of Salvation among the people, becoming thus the places of collective memory. But what happen when the martyr’s relics are “usurped” by one wealthy family? This paper aim to shed some light on what could have been the real purpose of one such example, the martyrium attached to the basilica on the necropolis in Jagodin Mala in Naissus (modern Nis).","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"16 1","pages":"1-10"},"PeriodicalIF":0.0,"publicationDate":"2015-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68381983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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