发布求助
文献互助 智能选刊 最新文献

JCMS-Journal of Cinema and Media Studies最新文献

筛选
英文 中文
The Expansion of 16mm in Film Distribution and Exhibition in Postwar Brazil 16mm在战后巴西电影发行与放映中的扩展
IF 0.5 2区 艺术学
JCMS-Journal of Cinema and Media Studies Pub Date : 2023-01-01 DOI: 10.1353/cj.2023.0011
Rafael de Luna Freire, Filipe Gama, Tiago Bravo Pinheiro de Freitas Quintes
{"title":"The Expansion of 16mm in Film Distribution and Exhibition in Postwar Brazil","authors":"Rafael de Luna Freire, Filipe Gama, Tiago Bravo Pinheiro de Freitas Quintes","doi":"10.1353/cj.2023.0011","DOIUrl":"https://doi.org/10.1353/cj.2023.0011","url":null,"abstract":"This essay explores the diverse modes of exhibition of 16mm in post– World War II Brazil, when projectors and prints in this gauge gained widespread use. In this way, our case study reflects a different chronology for the rising popularity of 16mm technology than that of the United States and some European countries. Here we argue that the impact of 16mm was felt in postwar Brazil in both theatrical and non- theatrical circuits, stimulating the proliferation of film clubs in major cities but also the opening of commercial 16mm movie theaters around the country. It is true","PeriodicalId":55936,"journal":{"name":"JCMS-Journal of Cinema and Media Studies","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85771862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Black Moviegoing in Harlem: The Case of the Alhambra Theater, 1905–1931 黑人在哈莱姆看电影:以阿尔罕布拉剧院为例，1905-1931
IF 0.5 2区 艺术学
JCMS-Journal of Cinema and Media Studies Pub Date : 2023-01-01 DOI: 10.1353/cj.2023.0005
Agata Frymus
{"title":"Black Moviegoing in Harlem: The Case of the Alhambra Theater, 1905–1931","authors":"Agata Frymus","doi":"10.1353/cj.2023.0005","DOIUrl":"https://doi.org/10.1353/cj.2023.0005","url":null,"abstract":"ABSTRACT:The Alhambra theater opened in New York City in 1905, on the corner of 126th Street and Seventh Avenue, initially as a vaudeville theater catering to white audiences. This article examines the changing racial politics of the theater, which took place as a response to the increasing presence of Black residents in the area. It uses Black weeklies to reconstruct its attitude toward African American patrons, as the Alhambra progressed from a whites-only theater to a buzzing center of Black sociability. In concentrating on a specific cinematic venue, the article provides an insight into Black entertainment in the urban North before the 1930s.","PeriodicalId":55936,"journal":{"name":"JCMS-Journal of Cinema and Media Studies","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90060928","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Cinema Off Screen: Moviegoing in Socialist China by Chenshu Zhou (review) 《银幕外的电影:社会主义中国的电影观影》作者:周晨舒(评论)
IF 0.5 2区 艺术学
JCMS-Journal of Cinema and Media Studies Pub Date : 2023-01-01 DOI: 10.1353/cj.2023.0020
Zhuoyi Wang
{"title":"Cinema Off Screen: Moviegoing in Socialist China by Chenshu Zhou (review)","authors":"Zhuoyi Wang","doi":"10.1353/cj.2023.0020","DOIUrl":"https://doi.org/10.1353/cj.2023.0020","url":null,"abstract":"In Cinema Off Screen: Moviegoing in Socialist China, Chenshu Zhou places two ontological questions at the center of its historical investigation of film exhibition and moviegoing in the People’s Republic of China (PRC) from 1949 to 1992. First, quoting Brian Larkin, she asks if the cinema has “a stable ontology that simply reproduces itself in different contexts over time and across space.”1 Second, she asks, “what does it mean for our understanding of cinema if we stop treating the ‘alternative’ as a mere ‘alternative’?”2 Engaging in a dialogue with works of such scholars as Charlotte Brunsdon, Christian FerenczFlatz, Julian Hanich, and Laura Wilson, Zhou’s investigation poses a convincing and productive challenge to the habitual critical standpoint that overgeneralizes Western cinema’s practice of directing audiences’ attention to films alone as the basis of a universal definition of cinema. Based on her empirical study of screening practices and moviegoing experiences, Zhou instead views cinema as “a system of interfaces.”3 In this system, viewers are active agents interacting with not only films but also such extrafilmic interfaces as “surfaces (screen, seats, etc.), atmospheres, bodies (the projectionist’s, other viewers’, and their own), objects, landscapes, and weather in a","PeriodicalId":55936,"journal":{"name":"JCMS-Journal of Cinema and Media Studies","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84252314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Subversive Horror, Patriarchal Poison, and Progressive Apocalypse in Jeff Barnaby’s Rhymes for Young Ghouls and Blood Quantum 杰夫·巴纳比为年轻食尸鬼和血量子所作的押韵中的颠覆恐怖、父权毒药和进步启示
IF 0.5 2区 艺术学
JCMS-Journal of Cinema and Media Studies Pub Date : 2023-01-01 DOI: 10.1353/cj.2023.0004
D. Christopher
{"title":"Subversive Horror, Patriarchal Poison, and Progressive Apocalypse in Jeff Barnaby’s Rhymes for Young Ghouls and Blood Quantum","authors":"D. Christopher","doi":"10.1353/cj.2023.0004","DOIUrl":"https://doi.org/10.1353/cj.2023.0004","url":null,"abstract":"ABSTRACT:In the ongoing First Nations and otherwise Indigenous apocalypse in Canada and abroad, the colonial footprint continues to remain firmly stamped on cultures and peoples relegated to the socio-political margins. One recent response occurs in Jeff Barnaby’s Rhymes for Young Ghouls (2013) and in his follow-up Blood Quantum (2019). Following a combination of Indigenous theoretical analyses combined with traditional cultural studies, this article demonstrates how these films simultaneously expose the horrific crimes of colonialism in a relatively recent contemporary setting while ironically using the cinematic conventions of horror and apocalypse to critique a stultifying patriarchal ideology both from within and surrounding the Indigenous community.","PeriodicalId":55936,"journal":{"name":"JCMS-Journal of Cinema and Media Studies","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88961067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Category III Films in Post-Handover Hong Kong: Excessive Violence and Its Containment in Weiduoliya yi hao and Chuji 回归后香港电影的第三类:《未来客》《一浩》《初记》中的过度暴力及其遏制
IF 0.5 2区 艺术学
JCMS-Journal of Cinema and Media Studies Pub Date : 2023-01-01 DOI: 10.1353/cj.2023.0003
J. Chang
{"title":"Category III Films in Post-Handover Hong Kong: Excessive Violence and Its Containment in Weiduoliya yi hao and Chuji","authors":"J. Chang","doi":"10.1353/cj.2023.0003","DOIUrl":"https://doi.org/10.1353/cj.2023.0003","url":null,"abstract":"ABSTRACT:This article examines the aesthetics of violence in two Category III–rated films: Weiduoliya yi hao (Dream Home, Pang Ho-cheung, 2010) and Chuji (Sara, Herman Yau, 2015). The author argues that Category III aesthetics, which balance excessive violence and its containment through strategies of genre-blending, analepsis, and narrative references to Hong Kong history, expose the intersection between official discourse and gendered subjects striving for upward mobility. Reading the protagonists in each film as victims and perpetrators of violence within Hong Kong’s neoliberal and subimperial economy allows the author to rehabilitate the cultural function of Category III films in post-handover Hong Kong.","PeriodicalId":55936,"journal":{"name":"JCMS-Journal of Cinema and Media Studies","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87854918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lindsay McIntyre: Indigenous Handmade Cinema 林赛·麦金太尔:本土手工电影
IF 0.5 2区 艺术学
JCMS-Journal of Cinema and Media Studies Pub Date : 2023-01-01 DOI: 10.1353/cj.2023.0015
Kristin L. Dowell
{"title":"Lindsay McIntyre: Indigenous Handmade Cinema","authors":"Kristin L. Dowell","doi":"10.1353/cj.2023.0015","DOIUrl":"https://doi.org/10.1353/cj.2023.0015","url":null,"abstract":"Lindsay McIntyre is an awardwinning analog experimental filmmaker of Inuit and Scottish heritage who has made over forty short films in the last twenty years. She has contributed a body of knowledge to the practice of silver gelatin emulsion for motion picture film. In this essay, I explore how her analog filmmaking practice indigenizes handmade cinema as she breaks settler colonial silences to recuperate her Inuit matrilineal family history through film. Making her own film stock is an act of creative sovereignty and a way to reclaim 16mm film from the apparatus of the film industry while exerting control over the means of production. This is an especially powerful and salient reclamation given the long history of misrepresentation and extractive practices of the dominant film industry with regard to Indigenous stories and knowledge. There is a rich materiality to her films as her highcontrast 16mm film stock shows textures and marks of her own hand while also bearing the traces of the environmental conditions under which the film footage was shot including on her traditional territory in Qamani’tuaq (Baker Lake), Nunavut. I argue that McIntyre’s inventive celluloidbased","PeriodicalId":55936,"journal":{"name":"JCMS-Journal of Cinema and Media Studies","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89389779","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
African Ecomedia: Network Forms, Planetary Politics by Cajetan Iheka (review) 非洲经济媒体:网络形式，行星政治作者:Cajetan Iheka
IF 0.5 2区 艺术学
JCMS-Journal of Cinema and Media Studies Pub Date : 2023-01-01 DOI: 10.1353/cj.2023.0019
Sheila Petty
{"title":"African Ecomedia: Network Forms, Planetary Politics by Cajetan Iheka (review)","authors":"Sheila Petty","doi":"10.1353/cj.2023.0019","DOIUrl":"https://doi.org/10.1353/cj.2023.0019","url":null,"abstract":"the way for","PeriodicalId":55936,"journal":{"name":"JCMS-Journal of Cinema and Media Studies","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73203658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Spotlight: Critical Media Pedagogies Scholarly Interest Group 焦点:批判媒体教育学学术兴趣小组
IF 0.5 2区 艺术学
JCMS-Journal of Cinema and Media Studies Pub Date : 2023-01-01 DOI: 10.1353/cj.2023.0000
Isra Ali, Lauren Berliner, Stephanie Brown, Sarah Choi, T. Goldman, Nicky Hentrich, Regina Lee, Samantha N. Sheppard
{"title":"Spotlight: Critical Media Pedagogies Scholarly Interest Group","authors":"Isra Ali, Lauren Berliner, Stephanie Brown, Sarah Choi, T. Goldman, Nicky Hentrich, Regina Lee, Samantha N. Sheppard","doi":"10.1353/cj.2023.0000","DOIUrl":"https://doi.org/10.1353/cj.2023.0000","url":null,"abstract":"","PeriodicalId":55936,"journal":{"name":"JCMS-Journal of Cinema and Media Studies","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75580243","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Spotlight: Melissa Phruksachart 重点报道:Melissa Phruksachart
IF 0.5 2区 艺术学
JCMS-Journal of Cinema and Media Studies Pub Date : 2023-01-01 DOI: 10.1353/cj.2023.0001
Treaandrea M. Russworm, Melissa Phruksachart
{"title":"Spotlight: Melissa Phruksachart","authors":"Treaandrea M. Russworm, Melissa Phruksachart","doi":"10.1353/cj.2023.0001","DOIUrl":"https://doi.org/10.1353/cj.2023.0001","url":null,"abstract":"","PeriodicalId":55936,"journal":{"name":"JCMS-Journal of Cinema and Media Studies","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72649808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reel Resistance: The Cinema of Jean-Marie Teno by Melissa Thackway and Jean-Marie Teno (review) 《Reel Resistance: Jean-Marie Teno的电影》作者:Melissa Thackway和Jean-Marie Teno
IF 0.5 2区 艺术学
JCMS-Journal of Cinema and Media Studies Pub Date : 2023-01-01 DOI: 10.1353/cj.2023.0017
Yifen T. Beus
{"title":"Reel Resistance: The Cinema of Jean-Marie Teno by Melissa Thackway and Jean-Marie Teno (review)","authors":"Yifen T. Beus","doi":"10.1353/cj.2023.0017","DOIUrl":"https://doi.org/10.1353/cj.2023.0017","url":null,"abstract":"Coauthored by film scholar Melissa Thackway and filmmaker JeanMarie Teno, Reel Resistance: The Cinema of JeanMarie Teno is almost a sequel to Thackway’s Africa Shoots Back: Alternative Perspectives in SubSaharan Francophone African Film (2003), which sees subSaharan Francophone African cinema as a countercinema responding to the West’s colonial portrayals of Africa.1 It exhibits Thackway’s personal “claim and embrace [of] the subjectivity and proximity of [her own] critical gaze and position” in the selection of content for analysis.2 The book focuses on the documentary genre and specifically on the work of Teno, an “unconventional free spirit,” as Thackway describes him.3 Inspired by the “father of African cinema,” Ousmane Sembène, Teno desired for his films to be “political in form and content . . . a tool for liberation.”4 He describes his “romanesque” approach to filmmaking as an essential “Other” method to deconstruct Western mainstream cinema’s colonial representations and “readymade narratives” of Africa.5 As a Camer-","PeriodicalId":55936,"journal":{"name":"JCMS-Journal of Cinema and Media Studies","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84048099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信