Explorations in Renaissance Culture最新文献_第7页

Meredith Hanmer's Career in the Church of England, c. 1570-1590 梅雷迪思·汉默在英格兰教会的职业生涯，约1570-1590年

Explorations in Renaissance Culture Pub Date : 2018-03-28 DOI: 10.1163/23526963-04401003

A. Andreani

引用次数: 1

Rapture and Horror: A Phenomenology of Theatrical Invisibility in Macbeth 强奸与恐怖：《麦克白》中的戏剧隐形现象学

Explorations in Renaissance Culture Pub Date : 2018-03-28 DOI: 10.1163/23526963-04401001

M. Tassi

引用次数: 2

Sadeler and Procaccini: The Secular Decoration of Castello Visconti di San Vito in Somma Lombardo

Explorations in Renaissance Culture Pub Date : 2018-03-28 DOI: 10.1163/23526963-04401002

A. L. Conte

引用次数: 0

Leonardo’s Dragons—The “Rider Fighting a Dragon” Sketch as an Allegory of Leonardo’s Concept of Knowledge 列奥纳多的龙——《骑士斗龙》素描对列奥纳多知识观念的隐喻

Explorations in Renaissance Culture Pub Date : 2018-03-28 DOI: 10.1163/23526963-04401005

Sharon Khalifa-Gueta

{"title":"Leonardo’s Dragons—The “Rider Fighting a Dragon” Sketch as an Allegory of Leonardo’s Concept of Knowledge","authors":"Sharon Khalifa-Gueta","doi":"10.1163/23526963-04401005","DOIUrl":"https://doi.org/10.1163/23526963-04401005","url":null,"abstract":"It has long been known that Leonardo da Vinci’s sketches showing a rider in combat with a dragon do not portray St. George. Viewing these sketches in connection with several of Leonardo’s writings, this essay suggests that they are allegories that should be interpreted on several levels. On the basic level, these combat scenes represent the battle of contraries, based on the symbolism common to Leonardo’s period where a combat between an equestrian and a dragon represented the clash of light versus darkness, life versus death, good versus evil, etc. However, I argue that they also comment on the scientific and philosophical issues that occupied Leonardo, including action versus reaction and the true concept of knowledge as opposed to falsehood and sophistry. This essay interprets these sketches as offering an insight into Leonardo’s analogical approach, which connects common symbolism to his personal perspective on science and philosophy, and thus points to a new way of looking at Leonardo’s drawings and paintings and decodes new aspects of Leonardo’s personal symbolism.","PeriodicalId":55910,"journal":{"name":"Explorations in Renaissance Culture","volume":"44 1","pages":"104-139"},"PeriodicalIF":0.0,"publicationDate":"2018-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/23526963-04401005","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43365518","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Edmund Spenser’s Ancient Hope: The Rise and Fall of the Dream of the Golden Age in The Faerie Queene 埃德蒙·斯宾塞的古老希望：《精灵女王》黄金时代梦想的兴衰

Explorations in Renaissance Culture Pub Date : 2018-03-28 DOI: 10.1163/23526963-04401004

J. Russell

引用次数: 1

Ars simia naturae: The Animal as Mediator and Alter Ego of the Artist in the Renaissance 自然之物:作为媒介的动物与文艺复兴时期艺术家的另一个自我

Explorations in Renaissance Culture Pub Date : 2017-12-09 DOI: 10.1163/23526963-04302004

S. Cohen

引用次数: 4

Streaming Music into Renaissance Studies: The Case of L’homme armé 将音乐流进文艺复兴研究:以L 'homme arm<s:1>为例

Explorations in Renaissance Culture Pub Date : 2017-12-09 DOI: 10.1163/23526963-04302001

Kevin N. Moll

引用次数: 0

“Vaulted with fire”: The Thermodynamics of Infernal Justice in Book 1 of Paradise Lost “被火包围”：《失乐园》第一卷中的地狱正义热力学

Explorations in Renaissance Culture Pub Date : 2017-12-09 DOI: 10.1163/23526963-04302005

J. Conlan

引用次数: 0

“Swords, ropes, poison, fire”: The Dark Materials of Spenser’s Objectification of Despair-Assisted Suicide, with Notes on Skelton and Shakespeare “剑、绳、毒、火”：斯宾塞对绝望辅助自杀的客观化的黑暗材料，以及斯克尔顿和莎士比亚的笔记

Explorations in Renaissance Culture Pub Date : 2017-12-09 DOI: 10.1163/23526963-04302003

James Nohrnberg

{"title":"“Swords, ropes, poison, fire”: The Dark Materials of Spenser’s Objectification of Despair-Assisted Suicide, with Notes on Skelton and Shakespeare","authors":"James Nohrnberg","doi":"10.1163/23526963-04302003","DOIUrl":"https://doi.org/10.1163/23526963-04302003","url":null,"abstract":"In the Despair episode in Spenser’s Faerie Queene I .ix, the provocative material means for self-slaughter are emblematically doubled with the psychological inducements, particularly on the models of predecessor texts in Skelton’s Magnyfycence and the Cordela story in The Mirrour for Magistrates . The pairing of means and causes is part of a tradition. So also is the despair of a Christian believer over his own sinfulness, in the face of God’s law, as voiced by a conspiratorial evil conscience, leading to a sinful “unbelief and despair of God” (Luther) and likewise unbelief in salvation—and to an unconquerable self-accusation, which doubles the sinner with tormentors, or a diabolic Accuser, and tempts him or her to cut his/her losses, relieve his/her pain, sorrows, and world-weariness, and take his/her life. Other suicidal types in The Faerie Queene and elsewhere, who are not theologically confirmed in their wanhope or assisted by it to their end, such as Phedon or Malbecco, can nonetheless illuminate the projections, temptations, demons, and motions of the Christian despair-er, and his or her adversity, depression, distress, impatience, furor, world-weariness, melancholia, and driven-ness. The despair-er’s condition, as found in Kierkegaard’s Sickness unto Death , can be further illustrated, diagnosed, and ministered to, by means of a variety of early modern and medieval moralizing and homiletic texts. And while the death of Shakespeare’s Cordelia by hanging conforms to Spenser’s account ( FQ II .x.32), her suicidal despair is only a slander bruited by the character Edmund. Rather, it is her would-be rescuer Lear who is the picture of misery and despair.","PeriodicalId":55910,"journal":{"name":"Explorations in Renaissance Culture","volume":"43 1","pages":"158-201"},"PeriodicalIF":0.0,"publicationDate":"2017-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/23526963-04302003","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48947046","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Hakluyt’s Peripatetic Discourse 哈库伊特的流浪话语

Explorations in Renaissance Culture Pub Date : 2017-12-09 DOI: 10.1163/23526963-04302002

R. Imes

引用次数: 1