MediaTropesPub Date : 2020-02-05DOI: 10.33137/mt.v7i2.33481
J. Ohl
{"title":"Roger Stahl, Through the Crosshairs: War, Visual Culture, and the Weaponized Gaze","authors":"J. Ohl","doi":"10.33137/mt.v7i2.33481","DOIUrl":"https://doi.org/10.33137/mt.v7i2.33481","url":null,"abstract":"","PeriodicalId":55637,"journal":{"name":"MediaTropes","volume":"7 1","pages":"214-218"},"PeriodicalIF":0.0,"publicationDate":"2020-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48838301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
MediaTropesPub Date : 2020-02-05DOI: 10.33137/mt.v7i2.33667
Ila Tyagi
{"title":"Inscribing Interiority and Ideology: Representing the Visually Elusive in the American Petroleum Institute’s Cold War Films","authors":"Ila Tyagi","doi":"10.33137/mt.v7i2.33667","DOIUrl":"https://doi.org/10.33137/mt.v7i2.33667","url":null,"abstract":"Films sponsored by the American oil industry during the Cold War often pit communism and capitalism against each other, arguing for the latter’s ideological superiority. Since abstract ideologies are difficult to represent visually, the battle takes concrete form via depictions of layers of underground rock in films like The Last Ten Feet (1949) and Destination Earth (1956), which demonstrate how the American oil industry’s engineering ingenuity locates and extracts the precious crude oil reserves found therein. In this essay, I argue that by harnessing moving images’ power to visualize the optically elusive, films sponsored by the oil industry show it to have technological access to customarily inaccessible underground space, thus making the industry seem a more potent foil for the Red menace.Image Credit: Screenshot from Destination Earth (1956).","PeriodicalId":55637,"journal":{"name":"MediaTropes","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46181304","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
MediaTropesPub Date : 2020-02-05DOI: 10.33137/mt.v7i2.33669
Alicia Massie, E. Jackson
{"title":"“Standing Up for Canadian Oil & Gas Families”: Tracing Gender, Family, and Work In the Alberta Petro-economy","authors":"Alicia Massie, E. Jackson","doi":"10.33137/mt.v7i2.33669","DOIUrl":"https://doi.org/10.33137/mt.v7i2.33669","url":null,"abstract":"Drawing on the social media content of four pro-oil Facebook groups, we argue that these ‘subsidized publics’ play an increasingly critical role in facilitating oil and gas companies’ continued accumulation of fossil capital. We adopt O’Shaughnessy and Krogman’s (2011) analytical framework to reveal material-discursive contradictions obscured from view in the pages of these online groups. Through deploying gendered and familial discourses, these subsidized publics celebrate traditional gender roles, present oil as a ubiquitous and benevolent force, and blur the divide between oil and gas workers on the one hand, and absentee transnational employers on the other. In an era of advanced neoliberal petro-capitalism, these quasi-public entities are masking the inherently unequal power relationship that exists between the two. Moreover, in projecting a working-class ethos, we argue that these familial and gendered discourses create a homogenizing narrative, advancing the false notion of a “classless and horizontally beneficial” industry (Gaventa, 1982, p. 58). Our analysis disrupts neoliberal representations of de-gendered extraction and highlights the extent to which gender remains a key axis within resource communities.","PeriodicalId":55637,"journal":{"name":"MediaTropes","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45639206","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
MediaTropesPub Date : 2019-10-28DOI: 10.33137/mt.v7i2.33200
L. Fan
{"title":"Aaron Tucker, Interfacing with the Internet in Popular Cinema","authors":"L. Fan","doi":"10.33137/mt.v7i2.33200","DOIUrl":"https://doi.org/10.33137/mt.v7i2.33200","url":null,"abstract":"","PeriodicalId":55637,"journal":{"name":"MediaTropes","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45025602","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}