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Singapore, City of the Future 新加坡，未来之城
MediaTropes Pub Date : 2022-05-15 DOI: 10.33137/mt.v8i2.37138
Joshua Babcock
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引用次数: 0
McLuhan Meets Convergence Culture: Towards a New Multimodal Discourse 麦克卢汉与融合文化相遇：走向一种新的多模式话语
MediaTropes Pub Date : 2022-04-02 DOI: 10.33137/mt.v8i1.38291
Suzanne de Castell, Milena Droumeva
{"title":"McLuhan Meets Convergence Culture: Towards a New Multimodal Discourse","authors":"Suzanne de Castell, Milena Droumeva","doi":"10.33137/mt.v8i1.38291","DOIUrl":"https://doi.org/10.33137/mt.v8i1.38291","url":null,"abstract":"Drawing principally on public performances in lectures, interviews, and staged presentations, rather than on published texts, this paper discusses McLuhan’s still overlooked contribution to media studies, including a conceptualization of multimodality that defies the logics of literacy, and refutes and refuses its barriers and boundaries. Seen here as a road not taken, McLuhan’s understanding of media, in the form of a transitional theory of media convergence, was an opportunity lost to understand, and to intentionally cultivate, our experience of multimodality, not as a media multiplication, addition, or enhancement, but with the proto-acoustic ‘all-at-once-ness’ of multisensorial convergence. The cost of that lost opportunity for media studies, we argue, has been a conception of multimodality in particular, and media convergence in general, as a ‘multiplication’ driven principally by the characters, capabilities, and economies of digital technologies, not the still vastly untapped sensory and cognitive capabilities of human beings.","PeriodicalId":55637,"journal":{"name":"MediaTropes","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48640261","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editorial Introduction | Oil and Media, Oil as Media: Mediating Petrocultures Then and Now 石油和媒体，石油作为媒体:调解石油文化的过去和现在
MediaTropes Pub Date : 2020-02-11 DOI: 10.33137/mt.v7i2.33699
J. Kinder, Lucie Stepanik
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引用次数: 3
“Take A Good Look At It”: Seeing Postcolonial Medianatures with Karen Tei Yamashita “好好看看”:与Karen Tei Yamashita一起看后殖民媒体
MediaTropes Pub Date : 2020-02-07 DOI: 10.33137/mt.v7i2.33676
Walter K. Gordon
{"title":"“Take A Good Look At It”: Seeing Postcolonial Medianatures with Karen Tei Yamashita","authors":"Walter K. Gordon","doi":"10.33137/mt.v7i2.33676","DOIUrl":"https://doi.org/10.33137/mt.v7i2.33676","url":null,"abstract":"Plastic remains one of the most ubiquitous forms that oil takes as a mediating force in our everyday life. This article tracks the way in which this function of plastic has been obfuscated, particularly within the discursive space of academia, by way of a close reading of Karen Tei Yamashita’s 1990 novel Through the Arc of the Rain Forest. After contextualizing the author’s vision of a neoliberal media culture through a brief history of the recent disciplinary convergences of media studies, ecocriticism, and postcolonialism, I argue that Yamashita’s novel functions as a proleptic, literary articulation of the kinds of insights made possible by the combination of the three. Through its particular attention to the lifecycle of media—the transformation of plastic from raw material into technical object and then into trash—I argue that the novel offers a theory of plastic as media that usefully emphasizes its relation to the natural world as much as it does its connection to technology and culture.Image Credit: From the cover of Karen Tei Yamashita's book, Through the Arc of the Rain Forest, Coffee House Press (2017), https://coffeehousepress.org/products/through-the-arc-of-the-rain-forest.","PeriodicalId":55637,"journal":{"name":"MediaTropes","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42894641","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
“Our Stories about Extraction”: A Brief Interview with Elizabeth LaPensée “我们关于提取的故事”——伊丽莎白·拉彭斯访谈录
MediaTropes Pub Date : 2020-02-07 DOI: 10.33137/mt.v7i2.33677
Elizabeth LaPensée, J. Kinder
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引用次数: 1
Imagine It Thick In Your Own Skin: Sculptures and a Unique Artist’s Book 想象它厚在你自己的皮肤里：雕塑和一本独特的艺术家之书
MediaTropes Pub Date : 2020-02-06 DOI: 10.33137/mt.v7i2.33674
Heide Hatry
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引用次数: 0
Making “The Beast”: An Interview with Patrick McCurdy 制作《野兽》:帕特里克·麦考迪访谈
MediaTropes Pub Date : 2020-02-06 DOI: 10.33137/mt.v7i2.33673
Patrick McCurdy, J. Kinder
{"title":"Making “The Beast”: An Interview with Patrick McCurdy","authors":"Patrick McCurdy, J. Kinder","doi":"10.33137/mt.v7i2.33673","DOIUrl":"https://doi.org/10.33137/mt.v7i2.33673","url":null,"abstract":"In this interview, Jordan B. Kinder discusses The Beast: Making a Living on a Dying Planet with Patrick McCurdy. The Beast is a 2018 graphic novel published by independent Canadian publisher Ad Astra Comix. It is the result of a collaboration between communications scholar Patrick McCurdy, writer Hugh Goldring, and artist Nicole Marie Burton. Emerging from McCurdy’s work on the MediaToil database project—a database that gathers together competing visual representations of the Athabasca Oil Sands from several stakeholders—the graphic novel addresses themes that arise from these representations while creatively exploring and navigating the tensions at the core of trying to live well in our current petroculture, a culture underwritten by neoliberalism and economic precarity.","PeriodicalId":55637,"journal":{"name":"MediaTropes","volume":"7 1","pages":"105-119"},"PeriodicalIF":0.0,"publicationDate":"2020-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42466618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Beyond Doom and Gloom in Petroaesthetics: Facing Oil, Making Energy Matter 超越厄运与忧郁的岩石美学:面对石油，使能源成为问题
MediaTropes Pub Date : 2020-02-06 DOI: 10.33137/mt.v7i2.33675
Bart H. Welling
{"title":"Beyond Doom and Gloom in Petroaesthetics: Facing Oil, Making Energy Matter","authors":"Bart H. Welling","doi":"10.33137/mt.v7i2.33675","DOIUrl":"https://doi.org/10.33137/mt.v7i2.33675","url":null,"abstract":"This essay argues that one of the factors holding back civilization-wide transitions to renewable energy is the widespread tendency to render petroleum and other hydrocarbons abject and abstract. Fossil fuel industry representations do this by hiding the true costs of petroculture behind the virtualization Energy; environmentalist framings do it by relying too much on petroaesthetics of doom (i.e., apocalyptic imagery) and gloom (i.e., Gothic visualizations of oil spills and rusting extractive infrastructure). The scarcity of representations of hydrocarbons that acknowledge both their life-giving and life-destroying properties, their powerful nonhuman agency in mediating practically every human and nonhuman relationship in the modern world, makes it hard to imagine alternatives to petroculture. Recently, artists have begun subverting petroaesthetic conventions in ways that counter the abstraction and abjection of hydrocarbons, including by using crude oil as an artistic medium in its own right. The oddly playful bitumen sands photographs of Louis Helbig, the bitumen-based “petrographs” of Warren Cariou, and the weird, enthralling “oilscapes” of Kathleen Thum are interpreted as meaningful challenges to the petroaesthetic status quo—provocations that matter in every sense of the word. Beyond merely promoting energy transitions, these images perform transitions as they empower viewers to see hydrocarbons as media with which all living things are deeply entangled.","PeriodicalId":55637,"journal":{"name":"MediaTropes","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47844192","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Billboards and Petrocultures In West Texas 西德克萨斯州的广告牌和岩石文化
MediaTropes Pub Date : 2020-02-06 DOI: 10.33137/mt.v7i2.33672
G. Frigo
{"title":"Billboards and Petrocultures In West Texas","authors":"G. Frigo","doi":"10.33137/mt.v7i2.33672","DOIUrl":"https://doi.org/10.33137/mt.v7i2.33672","url":null,"abstract":"This article explores how fossil fuels are expressed on the surface of specific media: billboards. It is based on observations made during a “scholarly” road trip to West Texas aimed at studying the protests surrounding the construction of the Trans-Pecos Pipeline. Blending travel writing with a theoretical analysis of billboards, the article investigates the philosophy behind the Shale Revolution and examines the specific petroculture of the Permian Basin. Given their necessary conciseness, clarity and effectiveness, billboards contain both straightforward messages and profound subliminal cultural references. This makes them meaningful means to understand how oil and gas are embedded in the culture of Oil Country. It is argued that billboards related to fossil fuel extraction constitute nuanced forms of “petromedia” whose semantics and design reinforce a specific “philosophy of energy.” The petrocultural philosophy of West Texas is strongly anthropocentric and promotes ideas such as the instrumentality of nature, domination over untamed land, technoscientific power, drilling prowess, rugged individualism, and masculinity.","PeriodicalId":55637,"journal":{"name":"MediaTropes","volume":"7 1","pages":"67-104"},"PeriodicalIF":0.0,"publicationDate":"2020-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48407895","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Advertising an Empire of Oil: The British Petroleum Company and the Persian Khan Exhibit of 1924–1925 石油帝国的广告:1924-1925年英国石油公司和波斯可汗展览
MediaTropes Pub Date : 2020-02-05 DOI: 10.33137/mt.v7i2.33668
Ian Wereley
{"title":"Advertising an Empire of Oil: The British Petroleum Company and the Persian Khan Exhibit of 1924–1925","authors":"Ian Wereley","doi":"10.33137/mt.v7i2.33668","DOIUrl":"https://doi.org/10.33137/mt.v7i2.33668","url":null,"abstract":"This article explores the publicity and advertising campaigns undertaken by the British Petroleum Company (BP) during the 1920s, focusing specifically on the Persian Khan exhibit mounted at the British Empire Exhibition of 1924–1925. Despite their rich value as primary sources, the marketing campaigns of British oil companies—and in particular of BP—have been relatively overlooked by historians. Using an energy humanities approach, the article reconstructs the Khan exhibit and its galleries, revealing an imaginary world in which oil was framed as an exotic prize held captive beneath wild and inhospitable landscapes. As BP’s most elaborate and expensive advertising campaign of the 1920s, seen and visited by millions, the Persian Khan exhibit provides a valuable lens through which to view the broader development of British attitudes toward oil during the period.","PeriodicalId":55637,"journal":{"name":"MediaTropes","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43309363","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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