{"title":"Ritual and Art Across the Danish Reformation: Changing Interiors of Village Churches, 1450–1600","authors":"L. Prosser","doi":"10.1080/03055477.2018.1524699","DOIUrl":"https://doi.org/10.1080/03055477.2018.1524699","url":null,"abstract":"of Troy House is bleak’ (p. 61). If the purpose of the book is to draw attention to the architectural and historical significance of Troy, thereby providing a mandate for its future preservation, it has been an unequivocal success. The biography of the building presented by Benson advances understanding of the structure and site beyond all other previously published accounts. The work proceeds through seven interrelated chapters, including sections on the landscape setting, ownership history, architectural development, designed gardens, walled garden and built features within the demesne. This approach takes the study of the house beyond the sphere of architectural description, linking the building to the identity of its owners and, importantly, taking account of the house’s broader estate landscape setting — extending to the gardens, farmstead, deer park and estate facilities including the water mill, brick kiln, keeper’s cottage and conduit house. The methodology employed by the author is refreshingly multipronged for a house history, taking into account an array of sources including: estate archives (inventories, wills, correspondence, sale catalogues and estate maps); Welsh praise poetry; old photographs; oral history; archaeological finds; resistivity surveys; and visual and material culture (extending to an early painting of the hall by Hendrick Danckerts dated 1672). This broad range of material is well handled, allowing the author to chart a course through a complex building and ownership history. Benson shows how Troy developed into a site of significance during the fifteenth century, as part of the substantial landholdings amassed by Sir William ap Thomas (d. 1445) of Raglan, whose heir, Sir William Herbert (1423–69), was created 1st Earl of Pembroke. The Troy estate crystallised under the Herberts and remained fastened to the family interest for a period of some 150 years, including during the highs and lows associated with loyalty to the Yorkist cause. During the sixteenth century Troy was established as a residence of junior members of the family; a hall house which was an important site of local office-holding and administration under Sir William Herbert of Troy (d. 1524), its prominence confirmed by a visit from Henry VII in 1502. The sub-heading chosen for the book — ‘a Tudor estate through time’ — does not do justice to the author’s achievements in grounding the long-term architectural development of the site within a continually changing historical context. Between 1584 and 1600 Troy was purchased by the Somerset family and became part of a much broader, multinational complex. Benson demonstrates some of the ways in which the family utilised Troy as an expression of their status and identity, linking aspects of its function and appearance to the Catholic sympathies of the family (pp. 44–7) and a European tour of 1611–12 (pp. 47, 98–9). For the first time, Benson identifies Robert Warren as the architect commissioned to undertake","PeriodicalId":54043,"journal":{"name":"Vernacular Architecture","volume":"49 1","pages":"161 - 162"},"PeriodicalIF":0.2,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/03055477.2018.1524699","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42759055","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Tracing History Through Title Deeds: A Guide for Family and Local Historians","authors":"David Cant","doi":"10.1080/03055477.2018.1522582","DOIUrl":"https://doi.org/10.1080/03055477.2018.1522582","url":null,"abstract":"to the modern clergy house of the inner city (recently portrayed as the vicarage of St Saviour’s in the Marches in the television series Rev), is no easy task, but the author’s sure grasp of the wider cultural picture enables her to interweave the greater historical narrative with what was happening at a local level in parishes across England. Deftly chosen examples of particular clergy and their houses allow valuable glimpses into the way in which the buildings’ design and use changed as the parson’s role changed. There is a welcome emphasis on the challenges that increasing and rapid urbanisation posed to a church organised on the parochial model, and the church’s attempts to meet them. Butterfield’s All Saints Margaret Street complex of church and vicarage combined on a tight urban site and the group of church, vicarage and school at St Mark’s Swindon as part of the new railway town are both well illustrated. The role of some of the leading Victorian architects, and of the Anglican Church’s significant impetus to the Gothic Revival, is also recognised. Indeed, carefully selected and well-reproduced illustrations — historical photographs, plans and documents as well as good contemporary colour photography — in a modestly priced publication is another virtue of this account. The indelible picture that emerges is of the immense variety of the parsonage in England, exploding the myth that the archetypical parsonage is the genteel residence portrayed in the pages of a Jane Austen novel. Poor clergy in very modest houses were common until the reforms of the twentieth century as the old patrician order faded, though not quickly enough to leave children of the vicarage, like the author or the present reviewer, without memories of freezing cold houses and parents struggling to cope in houses far too large to run on modest clerical stipends. As late as the 1970s my parents moved from a moderately sized vicarage (Kidlington, Oxfordshire, a medieval house with an extension by G. E. Street) to a twenty-roomed monster (Banbury, Oxfordshire, an Elizabethan front block facing the town, behind which the Victorian rector had added a vast pseudo-medieval hall range), which took the whole of my father’s salary just to pay for the oil-fired central heating in his first winter; no wonder he soon persuaded the diocese to sell up. The decline of the Anglican Church and modern patterns of ministry in radically changed circumstances meant the sale of historic parsonages, which began in earnest after the Great War (six hundred had been sold by 1930 and a further seven hundred by 1939), accelerated rapidly in the later twentieth century, with modern clergy houses now indistinguishable from their neighbours. It is much to be hoped that this book will be a spur to greater research into this neglected house type: it is not too late to quarry the rich building and architectural history the English parsonage represents, and most of them — better furnished, maintained and heat","PeriodicalId":54043,"journal":{"name":"Vernacular Architecture","volume":"49 1","pages":"165 - 166"},"PeriodicalIF":0.2,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/03055477.2018.1522582","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45903011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"TREE-RING DATE LISTS 2018","authors":"N. Alcock, C. Tyers","doi":"10.1080/03055477.2018.1523305","DOIUrl":"https://doi.org/10.1080/03055477.2018.1523305","url":null,"abstract":"Dates of outermost measured complete rings and sapwood ring number are given in brackets. Complete sapwood is indicated by ‘C’ and where the character of the final ring has been identified, some laboratories signify seasonal felling dates as winter (C), spring (1=4C) and summer (1=2C), referring approximately to October to February, March to May and June to September respectively; ‘c’ indicates the presence of complete sapwood but not on the sample; ‘h/s’ indicates the presence of the heartwood-sapwood boundary; ‘NM’ indicates rings counted but not measured. Superscript numbers, e.g. ‘’, denote two or more samples with the same end date and sapwood complement. Unless otherwise stated, sapwood estimates are those of Miles, “The Interpretation, Presentation and Use of Tree-ring Dates.” Felling date ranges for which the sapwood estimate has been refined using the Dendro function of OxCal (Miles, “Refinements in the Interpretation of Tree-ring Dates”) are given in italics to indicate that they are ‘interpretative’, with the unrefined date in brackets. Site Master gives the years spanned and three highest or representative t-values. All timbers dated are of oak, Quercus spp., unless otherwise stated. References to the master sequences are not printed but are available from the editor on request. RRS [Historic England Research Report Series] reports may be downloaded or obtained as hard copy from Historic England; their address and the list of available reports published in 2017 are printed below, p. 151. Images of selected buildings are included on pages 146–150.","PeriodicalId":54043,"journal":{"name":"Vernacular Architecture","volume":"49 1","pages":"121 - 150"},"PeriodicalIF":0.2,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/03055477.2018.1523305","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48042299","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"CARPENTERS’ ASSEMBLY MARKS IN TIMBER-FRAMED BUILDINGS","authors":"D. James","doi":"10.1080/03055477.2018.1523195","DOIUrl":"https://doi.org/10.1080/03055477.2018.1523195","url":null,"abstract":"This paper discusses the subject of carpenters’ assembly marks, where they are placed on a building and, when they are recorded and understood, how they can help in the analysis and interpretation of a structure. The different forms of assembly mark are explained along with the methods by which they were made with a view to bringing a degree of standardisation to the descriptions used by those engaged in recording buildings.","PeriodicalId":54043,"journal":{"name":"Vernacular Architecture","volume":"49 1","pages":"1 - 31"},"PeriodicalIF":0.2,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/03055477.2018.1523195","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45674564","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘TO BEG A TREE AND TARRY HIS PLEASURE TO ASSIGN IT TO ME’ — THE ROLES OF LORDS, LANDLORDS AND TENANTS IN HOUSE BUILDING AND IMPROVEMENT","authors":"Pam Slocombe","doi":"10.1080/03055477.2018.1523226","DOIUrl":"https://doi.org/10.1080/03055477.2018.1523226","url":null,"abstract":"David Clark in Vernacular Architecture vol. 44 drew together thoughts from papers at the Vernacular Architecture Group Winter conference in January 2013 and suggested what might be the standard model of the medieval house, its use and meaning.1 As a premise it was proposed that customary tenants, the successors of the unfree villeins of the earlier medieval period, holding a single virgate of land, usually built their own house, albeit with the lord possibly supplying materials. This paper examines whether there is evidence that this was usually the case, and considers the availability or otherwise of building materials and the complex relationship between landlords and their tenants, leasehold, as well as customary, when new building or repair was required. This article should to be read alongside C. R. J. Currie, “Why Historians Believe that Customary Tenants Normally Paid for Their Own Buildings: A Reply to Pamela Slocombe,” Vernacular Architecture 49 (2018): 38–43.","PeriodicalId":54043,"journal":{"name":"Vernacular Architecture","volume":"49 1","pages":"32 - 37"},"PeriodicalIF":0.2,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/03055477.2018.1523226","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46701999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"FRAME BUILDING IN BERMUDA: ENGLISH CARPENTRY GONE NATIVE","authors":"Edward A. Chappell","doi":"10.1080/03055477.2018.1524214","DOIUrl":"https://doi.org/10.1080/03055477.2018.1524214","url":null,"abstract":"Early-modern timber framing and associated finish vary significantly among the countless places settled by Europeans and Africans in the age of exploration. Most of these dots on maps of the western hemisphere remain essentially unstudied, as evidence for their vernacular architecture slips away. This is of more than local interest because the material offers opportunities to investigate how related populations share and alter cultural traits, and how the traits evolve in response to degrees of immigration, value of labour, environmental conditions and trade. This paper focuses on one of the dots, presenting new evidence for frame construction on the small British island of Bermuda, and addresses its role in the population’s economic evolution.","PeriodicalId":54043,"journal":{"name":"Vernacular Architecture","volume":"49 1","pages":"79 - 98"},"PeriodicalIF":0.2,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/03055477.2018.1524214","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43130943","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Buildings of England: Oxfordshire: North and West","authors":"S. Mileson","doi":"10.1080/03055477.2018.1523656","DOIUrl":"https://doi.org/10.1080/03055477.2018.1523656","url":null,"abstract":"","PeriodicalId":54043,"journal":{"name":"Vernacular Architecture","volume":"49 1","pages":"154 - 155"},"PeriodicalIF":0.2,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/03055477.2018.1523656","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46764206","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Story of Alderley: Living with the Edge","authors":"A. Crosby","doi":"10.1080/03055477.2018.1527141","DOIUrl":"https://doi.org/10.1080/03055477.2018.1527141","url":null,"abstract":"","PeriodicalId":54043,"journal":{"name":"Vernacular Architecture","volume":"49 1","pages":"159 - 160"},"PeriodicalIF":0.2,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/03055477.2018.1527141","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45944102","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}