Signa-Revista de la Asociacion Espanola de Semiotica最新文献

{"title":"CINE, ÉTICA Y ALTERIDAD. METÁFORAS DEL ENCUENTRO CON EL OTRO","authors":"Í. Albaina","doi":"10.5944/SIGNA.VOL30.2021.29304","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29304","url":null,"abstract":"Resumen: El titulo del articulo me va a permitir un juego combinatorio tomando sus terminos por parejas. De tal manera que lo que viene a continuacion constara de tres partes. Una primera sobre la relacion entre el cine y la etica; una ultima, en torno al cine y la alteridad. Y, entre ambas, un breve exordio que, siguiendo el pensamiento de Emmanuel Levinas, reflexiona sobre el vinculo entre la etica y la alteridad. Para ello me valdre del analisis de tres peliculas: El lector (Stephen Daldry, 2008), Rosetta (Jean-Pierre y Luc Dardenne, 1999) y Lone Star (John Sayles, 1996). Abstract: The article title will allow me a combinatorial game matching its terms in pairs. Thereby, what comes next will consist of three parts. The first one will address the relationship between cinema and ethics, while the last one will approach cinema and the otherness. In between both, there will be a brief exordium that, following the thought of Emmanuel Levinas, reflects on the link between ethics and the otherness. All of this will be based on the analysis of three films: The Reader (Stephen Daldry, 2008), Rosetta (Jean-Pierre and Luc Dardenne, 1999) and Lone Star (John Sayles, 1996).","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"132 1","pages":"177-190"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76804269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"LA TRANSICIÓN EN DISPUTA: CON UÑAS Y DIENTES (Paulino Viota, 1978)","authors":"R. López","doi":"10.5944/SIGNA.VOL30.2021.24107","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.24107","url":null,"abstract":"Resumen: Este trabajo analiza la dimension ideologica del largometraje Con unas y dientes, una reflexion sobre la Transicion espanola (1975-1982) desde una perspectiva marxista. Para ello, se considerara el abandono por parte del autor de sus anteriores posiciones esteticas y la asuncion de codigos genericos convencionales, analizando su construccion narrativa y considerando el contexto cinematografico y politico del momento, asi como la relacion del filme con la labor del Nuevo Frente Critico, principalmente con la vision del colectivo Marta Hernandez sobre los ultimos anos del franquismo y de la revista Contracampo sobre la Transicion. Abstract: This paper studies the ideological dimension of the film Con unas y dientes, a critical view on the Spanish Transition (1975-1982) from a marxist perspective. For that purpose, the author’s abandonment of his previous aesthetic positions in favor of more conventional generic codes will be considered, analyzing the film’s narrative construction. For this purpose, the cinematographic and political context of the period will be taken on account, as well as the film’s connection with the work of the Nuevo Frente Critico (New Critical Front), mainly the colective Marta Hernandez’s view on the last years of francoism and that of the review Contracampo on Transition.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"373 1","pages":"447-471"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77799637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ARTE, ESPECTÁCULOS Y PROPAGANDA BAJO EL SIGNO LIBERTARIO (ESPAÑA, 1936-1939) Emeterio DIEZ PUERTAS (Barcelona: Laertes, 2020, 268 págs.)","authors":"F. Doménech","doi":"10.5944/SIGNA.VOL30.2021.29319","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29319","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"32 1","pages":"775-777"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89443010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TEATRO DE AYER Y DE HOY A ESCENA José ROMERA CASTILLO (Madrid: Editorial Verbum, 2020, 439 págs.)","authors":"S. Pérez","doi":"10.5944/SIGNA.VOL30.2021.29324","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29324","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"58 1","pages":"801-805"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90183853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"BARTOLOMÉ DE TORRES NAHARRO: UN EXTREMEÑO EN EL RENACIMIENTO EUROPEO (CON UN HOMENAJE A MIGUEL ÁNGEL PÉREZ PRIEGO) Julio VÉLEZ SAINZ (ed.) (Mérida: Editora Regional de Extremadura, 2019, 212 págs.)","authors":"Sara Sánchez-Hernández","doi":"10.5944/SIGNA.VOL30.2021.29329","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29329","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"1 1","pages":"829-833"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79670632","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"LOS CONTRASTES Y LAS IRONÍAS EN LA CIUDAD ALEGRE Y CONFIADA DE JACINTO BENAVENTE","authors":"Pol Popovic Karic","doi":"10.5944/SIGNA.VOL30.2021.26892","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.26892","url":null,"abstract":"Resumen: Este trabajo propone un estudio sobre los contrastes y las ironias en La ciudad alegre y confiada de Jacinto Benavente. Estos tienen un impacto estilistico y comico caracteristicos del teatro espanol de las primeras decadas del siglo XX. Ademas, el contraste y la ironia definen la estructura ideologica de esta obra y justifican su cierre. En la primera seccion, las caracteristicas y los personajes individuales seran estudiados a traves de las contradicciones e incoherencias sociales que contribuyen a la imprevisible naturaleza de la trama. En la segunda seccion, el analisis de la estructura socioeconomica de la sociedad proveera las bases para los conflictos individuales y colectivos. La ultima seccion se enfocara en la relacion entre la vida y la muerte. Los protagonistas Crispin y Desterrado estan convencidos que la muerte es la unica manera de purificar a la gente y de salvar su ciudad. Soren Kierkegaard, Wayne Booth and Peter Roster proveen los acercamientos teoricos a la ironia que se utilizaran en este trabajo. Abstract: This paper proposes a study of contrasts and ironies in Jacinto Benavente’s play La ciudad alegre y confiada. They produce stylistic and comical effects that are typical of the Spanish drama in the first decades of the 20th century. However, they also define the ideological structure of the play and justify its outcome. The contrasts and the ironies of this play will be studied in three sections. In the first one, the personal characteristics and roles will be examined. Their contradictions and incoherencies contribute to the unpredictable nature of the play. In the second section, the analysis of the socioeconomic structure of the society will provide the bases for individual and collective conflicts. The last section focuses on the relation between life and death. The key protagonists Crispin and Desterrado are convinced that death is the only way to purify the people and to save their town. Soren Kierkegaard, Wayne Booth and Peter Roster provide the theoretical approaches to irony that will be used in this study.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"28 1","pages":"627-645"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73203434","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"AUCTOR IN FABULA. MODOS Y FIGURAS DE LA AUTOALUSIÓN FÍLMICA","authors":"Imanol Zumalde Arregui","doi":"10.5944/SIGNA.VOL30.2021.29310","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29310","url":null,"abstract":"Resumen: Estas líneas analizan las múltiples formas mediante las que los cineastas se insertan y/o proyectan en sus películas, prolija fenomenología que se revisa mediante una serie de casos significativos (a saber: filmes que tematizan de manera ejemplar el hacer y/o la imagen de su creador) ordenados con arreglo a una taxonomía que hace inventario de las modalidades y figuras de la autoalusión fílmica.Abstract: These lines analyze the multiple ways by which filmmakers are inserted and/or projected in their films. A complex phenomenology reviewed through a series of significant cases ordered according to a taxonomy that try to order and inventory the modalities and figures of cinematic self-reference.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"46 1","pages":"271"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86008726","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"LA REPRESENTACIÓN DE `LA PATA DE CABRA´ EN UN TEATRO DE PROVINCIAS: VALENTÍA O TEMERIDAD","authors":"Sergio Suárez Ramírez, Ángel Suárez Muñoz","doi":"10.5944/SIGNA.VOL30.2021.26427","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.26427","url":null,"abstract":"Abstratc: The city of Badajoz had an intense theatrical activity during the nineteenth century, superior to that which has been verified through the journalistic chronicles of the time, which allow chronological monitoring from 1860. Before, it is possible to rescue loose episodes through the documentation found in municipal and provincial archives. One of those episodes reveals the boldness of the director of a company to stage the kickstand in the theater of a province, precarious and with scarce scenic resources, encouraged by the well-known theatrical hobby of this population, risking its economy and reputation.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"44 1","pages":"669-692"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73124054","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"EPISTOLARIO Margarita XIRGU / Manuel AZNAR SOLER y Francesc FOGUET I BOREU (eds.) (Sevilla: Renacimiento, 2019, 556 págs.)","authors":"A. Nadal","doi":"10.5944/SIGNA.VOL30.2021.29331","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29331","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"32 1","pages":"839-842"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74044729","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"LA INTERFERENCIA INTERSISTÉMICA COMO APROXIMACIÓN AL CANON","authors":"Mario De la Torre-Espinosa","doi":"10.5944/SIGNA.VOL30.2021.26469","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.26469","url":null,"abstract":"Resumen: En el debate sobre el canon, la irrupción de las teorías sistémicas de la literatura propició el desarrollo de nuevos enfoques centrados en el análisis del proceso de canonización y desde una perspectiva diacrónica. Con la Teoría de los Polisistemas como marco teórico, proponemos la interferencia intersistémica, según Rakefet Sela-Sheffy, como indicio de canonización de un producto cultural en un polisistema determinado.Abstract: In the debate about canon, the emergence of systemic theories of literature has contributed to the development of new approaches centered in the analysis of canonization processes from a diachronic perspective.With the Theory of Polysystems as theoretical framework, we propose the intersystemic interference, as Rakefet Sela-Sheffy exposed, as a sign of the canonization of a cultural product in a polysystem.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"212 1","pages":"713"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79429960","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}