发布求助
文献互助 智能选刊 最新文献

Monatshefte最新文献

筛选
英文 中文
The Limitation of Bildung—On the Relation of Reason and Dis/Order in Franz Kafka’s Der Verschollene Bildung的局限性——论卡夫卡《诗歌》中理性与无序的关系
IF 0.1
Monatshefte Pub Date : 2022-12-14 DOI: 10.3368/m.114.4.537
F. Bauer
{"title":"The Limitation of Bildung—On the Relation of Reason and Dis/Order in Franz Kafka’s Der Verschollene","authors":"F. Bauer","doi":"10.3368/m.114.4.537","DOIUrl":"https://doi.org/10.3368/m.114.4.537","url":null,"abstract":"In Der Verschollene, Franz Kafka examines whether the concept of self-realization, as developed in the tradition of the Bildungsroman since Goethe, can still exist in the complex world of the 20th century. My article reflects on metaphors of order and disorder that permeate the novel and are contrasted in different social spaces along Karl Roßmann’s educational path. By means of this tension, Kafka focuses on the crisis of free individuality experienced in modern civilization, in which repressive principles of reason determine the social order. My goal is to show how Kafka updates the genre tradition by formulating a modern but grim idea of ‘Bildung.’ (FB)","PeriodicalId":54028,"journal":{"name":"Monatshefte","volume":"114 1","pages":"537 - 550"},"PeriodicalIF":0.1,"publicationDate":"2022-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44720421","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Preface from the Special Issue Editors 特刊编辑的序言
IF 0.1
Monatshefte Pub Date : 2022-11-11 DOI: 10.3368/m.114.3.vii
Kyle Frackman, Ervin Malakaj
{"title":"Preface from the Special Issue Editors","authors":"Kyle Frackman, Ervin Malakaj","doi":"10.3368/m.114.3.vii","DOIUrl":"https://doi.org/10.3368/m.114.3.vii","url":null,"abstract":"","PeriodicalId":54028,"journal":{"name":"Monatshefte","volume":"114 1","pages":"vii - viii"},"PeriodicalIF":0.1,"publicationDate":"2022-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43272361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
An Ethics of Attentiveness: Photographic Portraits and Deviant Dwelling in German Queer and Trans Archives 关注的伦理:德国酷儿和跨性别档案中的摄影肖像和越轨居住
IF 0.1
Monatshefte Pub Date : 2022-11-05 DOI: 10.3368/m.114.3.363
B. Lang, Katie Sutton
{"title":"An Ethics of Attentiveness: Photographic Portraits and Deviant Dwelling in German Queer and Trans Archives","authors":"B. Lang, Katie Sutton","doi":"10.3368/m.114.3.363","DOIUrl":"https://doi.org/10.3368/m.114.3.363","url":null,"abstract":"Photographic portraits of queer subjects from the early 20th century—shaped by early medical-scientific and legal practices—have often been identified with hegemonic ways of seeing, even when they re restaged in the present. In this article we argue that bringing an ethics of attentiveness to the analysis of such photographs reveals not only how embodied subjectivities were captured by the photographer’s lens, but also how our own feelings and sense of self shape our investments in “touching” the queer past. Attending to such “quiet frequencies” (Campt) of the queer photographic archive llows us to embrace a wide range of emotions, from shame, desire, and grief to desire, exhibitionism, and self-assurance. We argue that through their portraits, the queer subjects examined in our article ay claim to a form of “deviant dwelling” that incorporates a tension between pragmatism, conformity, and refusal. This tension resonates into the present, as curators and artists recirculate and cite archival genres of queer portraiture. In doing so, they create moments of transtemporal queer touch between today’s audiences and historical subjects, albeit in ways that do not always sit comfortably with contemporary attempts at queer world-making. (BL/KS)","PeriodicalId":54028,"journal":{"name":"Monatshefte","volume":"114 1","pages":"363 - 383"},"PeriodicalIF":0.1,"publicationDate":"2022-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49149190","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Queer German Roots of the Alt-Right: Ulrichs, Weininger, Blüher—and Evola 另类右翼的德国酷儿根源:乌尔里希斯、韦宁格、布尔<e:2>赫和埃沃拉
IF 0.1
Monatshefte Pub Date : 2022-11-05 DOI: 10.3368/m.114.3.470
R. Tobin
{"title":"Queer German Roots of the Alt-Right: Ulrichs, Weininger, Blüher—and Evola","authors":"R. Tobin","doi":"10.3368/m.114.3.470","DOIUrl":"https://doi.org/10.3368/m.114.3.470","url":null,"abstract":"Julius Evola, the Italian fascist philosopher who has become a touchstone for far-right thinking throughout the world, has surprising connections to figures in the early German homosexual emancipation movement. From Karl Heinrich Ulrichs, he draws on the idea that men can have female souls and women can have male souls. From Otto Weininger, he adapts the idea of taking this kind of gender inversion and applying it to race. From Hans Blu¨her, he draws on the glorification of the Ma¨nnerbund, an erotically bonded group of men, as the basic building block of society. The unexpected queer roots of alt-right thinking help to explain the presence of gay men and women on the far right, outlining a reactionary queer genealogy that contrasts with liberal progressive LGBTQ+ histories. (RDT).","PeriodicalId":54028,"journal":{"name":"Monatshefte","volume":"114 1","pages":"470 - 488"},"PeriodicalIF":0.1,"publicationDate":"2022-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69652721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Queer Temporalities of Sadomasochism in Robert Musil’s Törless 罗伯特·穆西尔《Törless》中萨多玛索契主义的酷儿时代
IF 0.1
Monatshefte Pub Date : 2022-11-05 DOI: 10.3368/m.114.3.384
A. Merritt
{"title":"The Queer Temporalities of Sadomasochism in Robert Musil’s Törless","authors":"A. Merritt","doi":"10.3368/m.114.3.384","DOIUrl":"https://doi.org/10.3368/m.114.3.384","url":null,"abstract":"This article explores the ways in which sadomasochism (S/M) performs on the level of content and form in Robert Musil’s Die Verwirrungen des Zo¨glings To¨rless (1906). The interconnecting yet disjointed literary tableaux in To¨rless are drawn together through tensions developed by the interplay between what Nicole McCleese calls sadistic time (accelerated and authoritative narrative temporality) and masochistic time (a poetics of delay, suspense, and waiting). Reading sadism and masochism across the narrative exposes the multivariant form of S/M, one that achieves both literalized and symbolic ends. This reading is situated squarely within queer interpretations of sadomasochism, suggesting that, despite the authorial narrator’s claims, To¨rless’s path after the cadet school can only be read as a queer phenomenological turn. The reading of sadomasochism in To¨rless is tied to a metacommentary, concerned with the anxieties associated with modernity. (AM)","PeriodicalId":54028,"journal":{"name":"Monatshefte","volume":"114 1","pages":"384 - 406"},"PeriodicalIF":0.1,"publicationDate":"2022-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45732187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Untimely Belongings: Queer Temporalities in the Wake of National Socialism 不合时宜的归属：国家社会主义后的时代
IF 0.1
Monatshefte Pub Date : 2022-11-05 DOI: 10.3368/m.114.3.426
Simone Stirner
{"title":"Untimely Belongings: Queer Temporalities in the Wake of National Socialism","authors":"Simone Stirner","doi":"10.3368/m.114.3.426","DOIUrl":"https://doi.org/10.3368/m.114.3.426","url":null,"abstract":"This article brings the discussion of queer temporalities to a field from which it has been strikingly absent: Remembrance after National Socialism. Taking a cue from Yael Bartana’s strategy of “transhistorical queering” in her 2021 piece Malka Germania, the study investigates the potential of queer temporalities for memory in the wake of National Socialism by focusing on two stylistically divergent works: Ulrike Ottinger’s film Freak Orlando (1981) that weaves together a network of stories set against frameworks of institutionalized violence and May Ayim’s poem “deutschland im herbst” (1992) that refracts the history of National Socialism through contemporary realities of racist violence in the 1990s, remembering injustices toward gays and lesbians along the way. In both the film and the poem, a temporally queer aesthetic destabilizes linear notions of remembrance that consider the past to be past, and challenges us to reimagine a form of memory in the wake of National Socialism that proceeds through practices of solidarity and through an active interrogation of the present. (SS)","PeriodicalId":54028,"journal":{"name":"Monatshefte","volume":"114 1","pages":"426 - 447"},"PeriodicalIF":0.1,"publicationDate":"2022-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43720080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: Approaches to Queer Temporalities in German Studies 导言:德国研究中的酷儿时间性研究方法
IF 0.1
Monatshefte Pub Date : 2022-11-05 DOI: 10.3368/m.114.3.353
Kyle Frackman, Ervin Malakaj
{"title":"Introduction: Approaches to Queer Temporalities in German Studies","authors":"Kyle Frackman, Ervin Malakaj","doi":"10.3368/m.114.3.353","DOIUrl":"https://doi.org/10.3368/m.114.3.353","url":null,"abstract":"In their 2022 minicomic titled “Feindselig” (Hostile), the Munich-based nonbinary nonfictional comics and graphic novelist Illi Anna Heger casts into sharp relief how structures of belonging informing urban design support some forms of life and living at the cost of others.1 Across eleven panels, Heger shows how hostile designs thwart attempts by animals and humans to dwell in public settings at particular times and in particular ways. In one panel, a pigeon aims to land on one of two newspaper dispensers in one frame (Fig. 1). In another, a pigeon struggles to alight on a lamp bracket outfitted with landing spikes. Each frame contains one half of a sentence, the whole of which links the two images: “Was für manche Frieden ist, / ist für andere Ausschluss” (What is peace for some / is exclusion for others). The next set of frames includes humans. The largest frame of eleven features a park populated by six humans variously taking up space (Fig. 2). Some sit on benches; one person sleeps on one, while pigeons roam about. The next frame features a park bench outfitted with a seat divider to prevent people from lying on it. As was the case with the previous two frames, these two are linked by a sentence: “nicht willkommen zu sein macht alles schwerer/und defensive Architektur beschränkt wie der öffentliche Raum genutzt werden kann” (being unwelcome makes everything more difficult, / and defensive architecture limits how public space can be used).","PeriodicalId":54028,"journal":{"name":"Monatshefte","volume":"114 1","pages":"353 - 362"},"PeriodicalIF":0.1,"publicationDate":"2022-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44084716","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Slow Aesthetics, Fraught Intimacy, and Queer Time in the German Queer New Wave: Sturmland and Neubau 德国酷儿新浪潮中的慢美学、焦虑亲密与酷儿时代:Sturmland与Neubau
IF 0.1
Monatshefte Pub Date : 2022-11-05 DOI: 10.3368/m.114.3.448
Kyle Frackman
{"title":"Slow Aesthetics, Fraught Intimacy, and Queer Time in the German Queer New Wave: Sturmland and Neubau","authors":"Kyle Frackman","doi":"10.3368/m.114.3.448","DOIUrl":"https://doi.org/10.3368/m.114.3.448","url":null,"abstract":"This article analyzes two contemporary German films for their use of slow aesthetic techniques and their engagement with displays of and challenges to notions of intimacy. Appealing to the critical concept of “precarious intimacies,” the article argues that Sturmland (2014, directed by A´ da´m Csa´szi) and Neubau (2020, directed by Johannes Maria Schmit) employ techniques of slow cinema to manipulate the films’ use, and the audience’s perception, of queer temporality. The two films are part of a transnational new wave of queer cinema first identified in 2012 and show hallmarks of slow cinema like long takes, elliptical dialog, sparse non-diegetic soundtracks, and other elements that foster a contemplative tone. Sturmland and Neubau concentrate on diverse intimate circumstances in their plots, which demonstrate that both the narrative and the medium have ramifications for perceptions of queer potential, eroticism, non-conforming gender, and physical expressions of desire. (KF)","PeriodicalId":54028,"journal":{"name":"Monatshefte","volume":"114 1","pages":"448 - 469"},"PeriodicalIF":0.1,"publicationDate":"2022-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48056672","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sex, Politics, and Comedy: The Transnational Cinema of Ernst Lubitsch. By Rick McCormick. Bloomington, IN: Indiana University Press, 2020. 372 pages + 30 b/w images. $95.00 hardcover, $48.00 paperback. 性、政治和喜剧：恩斯特·卢比奇的跨国电影。作者：里克·麦考密克。印第安纳州布卢明顿：印第安纳大学出版社，2020年。372页+30幅黑白图像$精装本95.00美元，平装本48.00美元。
IF 0.1
Monatshefte Pub Date : 2022-04-01 DOI: 10.3368/m.114.2.331
Alan Lareau
{"title":"Sex, Politics, and Comedy: The Transnational Cinema of Ernst Lubitsch. By Rick McCormick. Bloomington, IN: Indiana University Press, 2020. 372 pages + 30 b/w images. $95.00 hardcover, $48.00 paperback.","authors":"Alan Lareau","doi":"10.3368/m.114.2.331","DOIUrl":"https://doi.org/10.3368/m.114.2.331","url":null,"abstract":"Filmversion von 1917, die in ihrer reizvollen Architektur wie in ihren Trickund Lichteffekten bereits charakteristische Merkmale seines späteren Schaffens aufweist. Da die Herausgeber_innen in ihrer Einleitung den Film lediglich nennen (10), ihn jedoch mit keiner Silbe kommentieren, ist davon auszugehen, dass ihnen seine Überlieferung nicht bekannt war. Dies ändert jedoch nichts an der Feststellung, dass die Paul-Leni-Forschung mit diesem Buch auf einen Schlag auf einen neuen Stand gehoben wurde.","PeriodicalId":54028,"journal":{"name":"Monatshefte","volume":"114 1","pages":"331 - 333"},"PeriodicalIF":0.1,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46953813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Love of Things: Reconsidering Adorno’s Criticism of Rilke 爱物：阿多诺对里尔克批评的再思考
IF 0.1
Monatshefte Pub Date : 2022-04-01 DOI: 10.3368/m.114.2.242
L. Hoffman
{"title":"Love of Things: Reconsidering Adorno’s Criticism of Rilke","authors":"L. Hoffman","doi":"10.3368/m.114.2.242","DOIUrl":"https://doi.org/10.3368/m.114.2.242","url":null,"abstract":"As Rainer Maria Rilke began to spend more time in Paris around 1900, his contact with Paul Cézanne’s still lifes and his time working as Auguste Rodin’s secretary led him to develop a sophisticated theory of how the artist should relate to the world of things.1 After his work on The Notebooks of Malte Laurids Brigge in 1904, Rilke began to express his conception of the artist’s relation to things more concretely through the concept of love. In a letter to an anonymous female friend in August of 1920, Rilke reflected back upon the way that Malte helped shape his relation to things, writing: “Besides, it is he [Malte] who obliges me to continue my devotion, who asks me to love all the things I want to shape with all my faculties of love” (Briefe 246). He continues to write that these things present the poet with a series of questions: “Are you free? Are you ready to consecrate all your love to me […] all the love that exists on earth?”2 (Briefe 246). For Rilke, the role of the artist was not a matter of expressing one’s genius, but rather, to form an attentive, loving response to the world of things. The ability to respond to things in this way is framed here as freedom, and this capacity to love things acts as a litmus test for the artist to determine whether or not they are free. Rilke’s conception inverts the typical, 19th-century relation between the artist and thing: to allow the thing to speak, to allow the thing to question the status of the supposedly autonomous artist. In his New Poems, this inversion is almost omnipresent, not limited to artists and the things they seek to represent, but more generally we find a reversal of the power dynamics between the subject and object. Things are brought to life in Rilke’s poems and, as their invisible powers are revealed, they begin to threaten their perceivers.3","PeriodicalId":54028,"journal":{"name":"Monatshefte","volume":"114 1","pages":"242 - 261"},"PeriodicalIF":0.1,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45381870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信