ARS Orientalis最新文献

{"title":"Universes Taking Shape: Tai Xiangzhou in Conversation with Martin Powers","authors":"Xiangzhou Tai","doi":"10.3998/ars.13441566.0049.009","DOIUrl":"https://doi.org/10.3998/ars.13441566.0049.009","url":null,"abstract":"","PeriodicalId":54021,"journal":{"name":"ARS Orientalis","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46237136","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Age Old Cities: A Virtual Journey from Palmyra to Mosul: The Success of an Immersive Exhibition at the Service of Endangered Heritage","authors":"Y. Lintz","doi":"10.3998/ars.13441566.0049.014","DOIUrl":"https://doi.org/10.3998/ars.13441566.0049.014","url":null,"abstract":"","PeriodicalId":54021,"journal":{"name":"ARS Orientalis","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48893346","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Art-Historical Art Today","authors":"","doi":"10.3998/ars.13441566.0049.007","DOIUrl":"https://doi.org/10.3998/ars.13441566.0049.007","url":null,"abstract":"","PeriodicalId":54021,"journal":{"name":"ARS Orientalis","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48853197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“宇宙在乎手者”: 包华石与泰祥洲之交谈","authors":"","doi":"10.3998/ars.13441566.0049.010","DOIUrl":"https://doi.org/10.3998/ars.13441566.0049.010","url":null,"abstract":"","PeriodicalId":54021,"journal":{"name":"ARS Orientalis","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47269725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Website Review: The Life of the Buddha","authors":"R. Levy","doi":"10.3998/ars.13441566.0049.013","DOIUrl":"https://doi.org/10.3998/ars.13441566.0049.013","url":null,"abstract":"","PeriodicalId":54021,"journal":{"name":"ARS Orientalis","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41702820","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Past, Present, and Future in the Imaginary of Song Painting","authors":"R. Vinograd","doi":"10.3998/ars.13441566.0049.005","DOIUrl":"https://doi.org/10.3998/ars.13441566.0049.005","url":null,"abstract":"Arthistorical citation is one among several aspects of temporal orientation involving painting of the Song dynasty (960– 1279). Historiographic formulations, modern and historical, variously point to divisions between the Song and later eras of painting, recognitions of the new, and movement toward endpoints of development. Song court paintings may reference presentand futuredirected inaugurations, omen events, and dynastic legacies. Poetic paintings from many Song social arenas often convey passage through time and place. Song scholarofficials directly engaged the problematic of making painting poetic, producing complexly intermingled sequences of imagery and texts, of viewing and reading experiences, and of time, memory, and history within an aesthetic of indeterminacy. Discussions of arthistorical citation in painting of the Song dynasty (960– 1279) open onto broader questions of temporal orientation, both in historiographic discourse and in Song painting practices.1 The following notes explore three arenas of temporality in Song painting, beginning with a consideration of historiographic accounts and images of Songera painting, modern and historical, and evidence of historical consciousness in Song art writing. Examples of past, present, and futuredirectedness, primarily in Song court or dynastic painting, are followed by an account of issues of time, sequence, and experience implicated in poetrypainting conjunctions associated with Song scholarofficial or literati culture. Historiographic Imaginaries Max Loehr famously and aphoristically characterized Song painting in the following terms: “The Song painter, using his style as a tool, tackles the problem of how to depict mountains and water; the Yuan painter, using mountain and water as his media, tackles the problem of creating a style.”2 A few things must be noted, and probably questioned, about even so concise a formulation: the understanding of Song and Yuan (1279– 1368) as coherent, legible units, or objects of arthistorical analysis; the reduction of Song and Yuan painting at large to landscape painting; the interest in style and representation; and the problem/linkedsolution– centered The online version of this article includes digital features that enhance the print version. 62 ARS Orientalis 49 terminology that we might relate to theorists such as E.H. Gombrich and George Kubler in the period when Loehr was writing.3 In such ways we might historicize art history. We certainly could address the limitations of such formulations, whether by recognizing the continuities between Song and Yuan painting or by complicating the component elements of analysis, including not just landscape painting but also other modes and genres— BuddhistDaoist, courtlydynastic, scholarofficial— at the very least. We should also acknowledge, however, that some unitary conception of Song painting is not just a modern arthistorical or pedagogical construct. Such a conception appears in late imperial art discours","PeriodicalId":54021,"journal":{"name":"ARS Orientalis","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-09-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48297411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Citing Wang Wei: Mi Youren and the Temporal Dimensions of Landscape","authors":"P. Sturman","doi":"10.3998/ars.13441566.0049.004","DOIUrl":"https://doi.org/10.3998/ars.13441566.0049.004","url":null,"abstract":"Mi Youren (1074– 1151), one of the few painters active during the transition from the Northern Song (960– 1127) to the Southern Song (1127– 1279) whose works survive, provides a rare window on the trauma of the Jurchen invasions of 1127– 30 that almost brought down the dynasty, and their effect on painting. Comments by Mi reveal that the evocation of the name of the esteemed poet, painter, and statesman Wang Wei (699– 759) continued to be a part of the literati painter’s practice at the end of the Northern Song, but what did Wang’s name mean precisely? Wang, in fact, presented multiple images as a painter— portrayer of figures, landscapes, even bamboo. More importantly, as the connoisseur Mi Fu (1052– 1107) pointed out, what constituted a genuine Wang Wei painting was little understood, as attributions of all kinds had proliferated. The practice of citation in painting will be reviewed against this backdrop, with attention paid to how familial and social contingencies shaped artistic decisions. Mi Youren, witness to the near collapse of a dynasty, presents particular urgency in his use of citation, layering evocations of both the near and distant pasts to affirm continuity in a period of great uncertainty. Specific emphasis is placed on Mi Youren’s Cloudy Mountains of 1130 (Cleveland Museum of Art). The landscape’s references to the painting conventions of the Tang dynasty (618– 907), juxtaposed with the background image of a problematic Wang Wei, reveal Mi’s efforts to establish an exclusive family vision, which he curiously labeled Xiao- Xiang after the poetic landscape of south China. Mi’s repurposing of this well- known landscape term obliquely reflects upon an important transformation in how the past was cited by the second generation of literati painters. Especially after the time of the art- theorist","PeriodicalId":54021,"journal":{"name":"ARS Orientalis","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-09-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44890954","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Introduction: Art-Historical Art","authors":"Nancy Micklewright","doi":"10.3998/ars.13441566.0049.001","DOIUrl":"https://doi.org/10.3998/ars.13441566.0049.001","url":null,"abstract":"","PeriodicalId":54021,"journal":{"name":"ARS Orientalis","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-09-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42549840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Su Shi and Zhao Lingrang: Brush Ideas of Wang Wei","authors":"A. Murck","doi":"10.3998/ars.13441566.0049.002","DOIUrl":"https://doi.org/10.3998/ars.13441566.0049.002","url":null,"abstract":"","PeriodicalId":54021,"journal":{"name":"ARS Orientalis","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-09-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48625904","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Art-Historical Art of Song China: Citation and Historicism in Tao Yuanming Returning to Seclusion","authors":"M. Powers","doi":"10.3998/ars.13441566.0049.003","DOIUrl":"https://doi.org/10.3998/ars.13441566.0049.003","url":null,"abstract":"","PeriodicalId":54021,"journal":{"name":"ARS Orientalis","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-09-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41839635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}