{"title":"Ave atque Vale","authors":"John Dixon Hunt","doi":"10.1080/14601176.2020.1769387","DOIUrl":"https://doi.org/10.1080/14601176.2020.1769387","url":null,"abstract":"","PeriodicalId":53992,"journal":{"name":"STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES","volume":"40 1","pages":"191 - 193"},"PeriodicalIF":0.1,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14601176.2020.1769387","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43146717","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Le Jardin des Hypothèses","authors":"B. Lassus","doi":"10.1080/14601176.2020.1720353","DOIUrl":"https://doi.org/10.1080/14601176.2020.1720353","url":null,"abstract":"Bernard Lassus’s “Hypothetical Garden” (Jardin des Hypotheses) was shown at the Domaine de Chaumont-sur-Loire in 2019. One of his designs for the garden is on the cover of this double issue. Lassus...","PeriodicalId":53992,"journal":{"name":"STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES","volume":"40 1","pages":"194 - 196"},"PeriodicalIF":0.1,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14601176.2020.1720353","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43667596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dynamic landscapes: the reclamation of disused quarries","authors":"René Davids","doi":"10.1080/14601176.2020.1796368","DOIUrl":"https://doi.org/10.1080/14601176.2020.1796368","url":null,"abstract":"According to English writer and politician Joseph Addison, marble does not show any of its inherent beauty when it is in the quarry. Rather, it is the skill of the polisher that reveals the colors,...","PeriodicalId":53992,"journal":{"name":"STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES","volume":"41 1","pages":"66 - 76"},"PeriodicalIF":0.1,"publicationDate":"2020-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14601176.2020.1796368","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48485869","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gathering ideas for an Irish garden: Lord and Lady Berehaven’s Italian tour of 1842–1843","authors":"F. Boggi","doi":"10.1080/14601176.2020.1797353","DOIUrl":"https://doi.org/10.1080/14601176.2020.1797353","url":null,"abstract":"A nineteenth-century photograph of the south front of Bantry House in County Cork, Ireland, evocatively captures the adjacent garden (Figure 1). It features a fishpond, an iron circle, a labyrinthi...","PeriodicalId":53992,"journal":{"name":"STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES","volume":"40 1","pages":"330 - 352"},"PeriodicalIF":0.1,"publicationDate":"2020-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14601176.2020.1797353","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48448231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Interactive commemoration in the Sacro Bosco","authors":"R. Howard","doi":"10.1080/14601176.2020.1794350","DOIUrl":"https://doi.org/10.1080/14601176.2020.1794350","url":null,"abstract":"One of the most enigmatic and mysterious constructions of the sixteenth century, Vicino Orsini’s Sacro Bosco, located in the hillsides of Bomarzo, just outside of Viterbo, Italy, has been a frequen...","PeriodicalId":53992,"journal":{"name":"STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES","volume":"40 1","pages":"216 - 226"},"PeriodicalIF":0.1,"publicationDate":"2020-08-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14601176.2020.1794350","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45509753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Designing gardens in English novels of the 1790s","authors":"Liz Bellamy","doi":"10.1080/14601176.2020.1750826","DOIUrl":"https://doi.org/10.1080/14601176.2020.1750826","url":null,"abstract":"The 1796 novel, Hermsprong, by the radical writer Robert Bage describes how the autocratic aristocrat, Lord Grondale, ‘had built a sort of pleasure house, an octagon, on an artificial mound’, which...","PeriodicalId":53992,"journal":{"name":"STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES","volume":"40 1","pages":"227 - 237"},"PeriodicalIF":0.1,"publicationDate":"2020-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14601176.2020.1750826","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45754853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The perception of the Semmering landscape between 1850 and 1880","authors":"R. Tusch","doi":"10.1080/14601176.2020.1741926","DOIUrl":"https://doi.org/10.1080/14601176.2020.1741926","url":null,"abstract":"Semmering is a region covering the eastern foothills of the Austrian Alps, approximately 70 km south of Vienna. When in the mid-nineteenth century, railways were built from Vienna heading to all pa...","PeriodicalId":53992,"journal":{"name":"STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES","volume":"41 1","pages":"51 - 65"},"PeriodicalIF":0.1,"publicationDate":"2020-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14601176.2020.1741926","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45131838","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Risk and fun: Dan Kiley’s interior landscape for the Ford Foundation","authors":"D. Choi","doi":"10.1080/14601176.2019.1704025","DOIUrl":"https://doi.org/10.1080/14601176.2019.1704025","url":null,"abstract":"In December 1968, from aboard the Apollo 8 spacecraft, US astronaut Bill Anders photographed a radiant blue earth floating above the gray lunar horizon. Although the primary objective of the Apollo missions was to explore the moon, Anders’ image, NASA AS08-14-2383 (later dubbed Earthrise), would become an icon for the modern era of terrestrial environmentalism, where scientific discovery and rapid technological change led to an anxious understanding of a whole and fragile earth. Earlier that same year, Dan Kiley’s atrium garden for the Ford Foundation Headquarters in New York City opened as the first major interior landscape in the United States. It was a self-contained biosphere engineered for human occupation (in this way distinct from greenhouses and conservatories), and Kiley stated that the project ‘embodied both risk and fun... Although it may not have been what the clients expected to hear, I told them frankly that the project was an experiment’. The midtownManhattan building, designed by Kevin Roche and John Dinkeloo, has been thoroughly studied in relation to the Foundation’s humanitarian mandate, organizational structure, and urban design context. Between 2015 and 2018, the entire building and garden underwent significant restoration and renovation to conform to 21 century building code and better align with the rebranding of the organization as the Ford Foundation for Social Justice. However, Kiley’s garden— particularly the planting design — has received comparatively narrow consideration; it is typically presented as little more than an exotic centerpiece to the atrium. This essay examines Kiley’s consultants, reference materials, and planting palette to reposition the garden as a cosmopolitan horticultural project that synthesizes diverse frameworks of modernism and ecology of the mid-20 century. The garden was not only a revelatory environment for city-dwellers, but, like Earthrise, a cultural artifact of the environmental era wherein new technologies linked local phenomena to planetary forces. This expanded context for the garden offers new perspectives on the historic treatment of landscape design in wholly constructed environments.","PeriodicalId":53992,"journal":{"name":"STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES","volume":"40 1","pages":"109 - 95"},"PeriodicalIF":0.1,"publicationDate":"2020-04-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14601176.2019.1704025","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46822585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Men as plants increase’: botanical meaning in Shakespeare’s The Winter’s Tale","authors":"K. Myers","doi":"10.1080/14601176.2019.1631619","DOIUrl":"https://doi.org/10.1080/14601176.2019.1631619","url":null,"abstract":"Much has been learnt about British horticulture in the early years of the seventeenth century in terms of garden design, plant availability and classification. Recently, greater attention has also ...","PeriodicalId":53992,"journal":{"name":"STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES","volume":"40 1","pages":"171 - 190"},"PeriodicalIF":0.1,"publicationDate":"2020-04-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14601176.2019.1631619","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45736224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The problems of meaning and use of the puer mingens motif in fountain design 1400–1700","authors":"James W. P. Campbell, Amy Boyington","doi":"10.1080/14601176.2019.1675987","DOIUrl":"https://doi.org/10.1080/14601176.2019.1675987","url":null,"abstract":"A small girl stands at the door to a walled garden (Figure 1). In her right hand, she holds a basket of flowers she has just picked while she holds out her left hand on which a butterfly has just alighted. She stares into the eyes of the viewer. Over her shoulder we see through an archway into the garden beyond and in the distance a fountain can clearly be made out. It is a figure of a urinating boy, standing in a large black stone basin (Figure 2). The figure is an example of a Puer Mingens, a urinating boy. There is no reason to believe that the fountain did not indeed exist in the garden in 1606 or at least that it is depicted because it was a desirable object to have in such a position at the time. While fountains became a common feature of seventeenth and early eighteenth century British gardens, those depicted in the works of Knyff and Kipp are almost universally non-figurative simple jet fountains. It appears that figurative garden fountains had fallen out of fashion in Britain by the end of the seventeenth century. On the continent they were, however, common and had been since the Renaissance. Judging by images in literature the Puer Mingens was a popular motif, but there are few surviving examples. Perhaps the most famous figurative fountain in this form, still operating today is the Manneken Pis in Brussels.","PeriodicalId":53992,"journal":{"name":"STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES","volume":"40 1","pages":"110 - 127"},"PeriodicalIF":0.1,"publicationDate":"2020-04-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14601176.2019.1675987","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48577554","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}