Rivista di Estetica最新文献_第2页

The Openness of Art. The Poetics of Art and Loss of Autonomy of Art 艺术的开放性。艺术的诗学与艺术自主性的丧失

IF 0.3 4区哲学

Rivista di Estetica Pub Date : 2021-04-01 DOI: 10.4000/ESTETICA.7710

Polona Tratnik

{"title":"The Openness of Art. The Poetics of Art and Loss of Autonomy of Art","authors":"Polona Tratnik","doi":"10.4000/ESTETICA.7710","DOIUrl":"https://doi.org/10.4000/ESTETICA.7710","url":null,"abstract":"With the concept of the open work, Umberto Eco addressed the poetics to which art turned with modernism. In the article the author analyzes the notion of the open work, the references relevant to this concept and the relations of this concept to similar concepts introduced by other scholars such as Roland Barthes. Scholars discussing the openness of art were deriving primarily from Paul Valery, and they distanced themselves from the myth of the artist as a genius and from the concept of art as a vehicle for communication to transmit the truth and instead emphasized the performative character of art. Art on this track aimed at poetic use of its own media. The author argues that Eco’s definition of the open work comprises different dimensions of openness, i.e. the semantic and formal openness of the works of art, as well as the notion addresses the perceptual openness of the world. The author examines how the concept of the openness of art placed stress on the relevance of interpretation instead of the author’s intention and how it was part of a broader debate on interpretation and weak thought. By establishing autonomous poetic situations and exploring the means of art, art began performing philosophical discussions about itself, wherein, as the author argues, the notion of the open work is linked to the notions of the end or the death of art and denotes the dissolution of art into philosophy. Other sorts of dissolution of art which mean the death of art regard the dissolution of art into culture in a broader sense and its subordination to propagandist or political goals, which means art loses its autonomy. Finally, the author questions participatory art as a potential contemporary successor of the open work and argues that this mode of art, though it actively involves the participant, remains semantically closed.","PeriodicalId":53954,"journal":{"name":"Rivista di Estetica","volume":"61 1","pages":"161-180"},"PeriodicalIF":0.3,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44225355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

The Notion of System in the Work of Umberto Eco: Summa, Structure, Code, Encyclopaedia and Rhizome 翁贝托·艾柯著作中的系统概念:总论、结构、代码、百科全书和根茎

IF 0.3 4区哲学

Rivista di Estetica Pub Date : 2021-04-01 DOI: 10.4000/ESTETICA.7670

C. Paolucci

引用次数: 1

Reasons for Agreeing, Reasons for Complying: The Paris Agreement and the Compliance Issue 同意的理由、遵守的理由：《巴黎协定》与遵守问题

IF 0.3 4区哲学

Rivista di Estetica Pub Date : 2020-12-01 DOI: 10.4000/ESTETICA.7285

S. Bacchetta

引用次数: 0

Ontological Frameworks for Food Utopias 食物乌托邦的本体论框架

IF 0.3 4区哲学

Rivista di Estetica Pub Date : 2020-12-01 DOI: 10.4000/ESTETICA.7375

A. Borghini, N. Piras, B. Serini

{"title":"Ontological Frameworks for Food Utopias","authors":"A. Borghini, N. Piras, B. Serini","doi":"10.4000/ESTETICA.7375","DOIUrl":"https://doi.org/10.4000/ESTETICA.7375","url":null,"abstract":"World food production is facing exorbitant challenges like climate change, use of resources, population growth, and dietary changes. These, in turn, raise major ethical and political questions, such as how to uphold the right to adequate nutrition, or the right to enact a gastronomic culture and to preserve the conditions to do so. Proposals for utopic solutions vary from vertical farming and lab meat to diets filled with the most fanciful insects and seaweeds. Common to all proposals is a polarized understanding of food and diets, famously captured by Warren Belasco in the contraposition between technological fixes and anthropological fixes. According to the first, technology will deliver clean, just, pleasurable, affordable food; future generations will not need to adjust much of their dietary cultures. According to the second, future generations should dramatically change their dietary habits (what they eat and how they eat it) to achieve a sustainable diet. The two fixes found remarkably distinct perspectives over dietary politics and the ethics of food production and consumption. In this paper we argue that such polarized thinking rests on a misrepresentation of the ontological status of food, which in turn affects the underlying ethical and political issues. Food is a socially constructed object that draws in specific ways on habits, norms, traditions, geographical, and climatic conditions. Although this thesis seems somewhat obvious, its consequences on the ethical and political perspectives on the future of food have not been derived properly. After introducing the issue at stake (§ 1), we point out the polarities that characterize food utopias (§ 2) and their ontological faults (§ 3). We hence suggest that a socio-ontological analysis of food can better deliver the principles for a foundation of food utopias (§ 4).","PeriodicalId":53954,"journal":{"name":"Rivista di Estetica","volume":"1 1","pages":"120-142"},"PeriodicalIF":0.3,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48462263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 9

Organismality grounds species collective responsibility 生物性是物种集体责任的基础

IF 0.3 4区哲学

Rivista di Estetica Pub Date : 2020-12-01 DOI: 10.4000/ESTETICA.7259

Davide Vecchi

引用次数: 0

The Environmental Crisis and Its Injustice. An (Inevitably Short) Introduction 环境危机及其不公正。一个(不可避免的简短)介绍

IF 0.3 4区哲学

Rivista di Estetica Pub Date : 2020-12-01 DOI: 10.4000/ESTETICA.7190

C. Burelli, D. Pala

引用次数: 0

On tackling the environmental crisis through human rights 论通过人权解决环境危机

IF 0.3 4区哲学

Rivista di Estetica Pub Date : 2020-12-01 DOI: 10.4000/ESTETICA.7354

M. Oksanen

{"title":"On tackling the environmental crisis through human rights","authors":"M. Oksanen","doi":"10.4000/ESTETICA.7354","DOIUrl":"https://doi.org/10.4000/ESTETICA.7354","url":null,"abstract":"There is broad scientific consensus on the anthropogenic roots of the environmental crisis, whether we think about biodiversity decline, climate change, pollution or, in general, about the increasing scarcity of ecological space for living entities. Unlike humans, other living beings have no notion of crisis and are probably not bothered by such highly abstract concerns. When a crisis occurs, non-humans either adapt or vanish, whereas humans may see it lurking ahead and become anxious. This human urge to reflect on the state of nature and the role of humanity is manifest in the new concept of the Anthropocene. Originally, human rights and environmental crisis entered the public sphere as separate themes but from the 1970s, they began to appear together on a regular basis in legal and political documents and in research literature. Philosophically, the ultimate question is whether we humans are to blame ourselves for the environmental crisis because of the rights that we grant to ourselves. In other words, are human rights, above all, a source of the environmental crisis or an essential element in the search for solutions? In this article, this quandary is approached philosophically from the belief that the framework of human rights might help us envisage a civilised way out of the crisis.","PeriodicalId":53954,"journal":{"name":"Rivista di Estetica","volume":"75 1","pages":"104-119"},"PeriodicalIF":0.3,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46471376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Climate issue: the principle of transgenerational responsibility 气候问题：跨代责任原则

IF 0.3 4区哲学

Rivista di Estetica Pub Date : 2020-12-01 DOI: 10.4000/ESTETICA.7201

T. Andina

引用次数: 4

Filosofia e Border Studies. Dal confine come “oggetto” al confine come “dispositivo” 哲学与边界研究。从边界作为“对象”到边界作为“设备”

IF 0.3 4区哲学

Rivista di Estetica Pub Date : 2020-12-01 DOI: 10.4000/ESTETICA.7436

E. S. Papa

{"title":"Filosofia e Border Studies. Dal confine come “oggetto” al confine come “dispositivo”","authors":"E. S. Papa","doi":"10.4000/ESTETICA.7436","DOIUrl":"https://doi.org/10.4000/ESTETICA.7436","url":null,"abstract":"In the present essay we analyse the role of philosophical investigation for the interdisciplinary research field of the Border Studies. The main thesis of the paper is that a border cannot be ontologically considered as an object, and neither metaphorically as a simple line. Indeed, these approaches tend to extremely simplify the very nature of borders and bordering processes. Here we argue that borders are complex social phenomena produced by the coherent combination of several different elements. Therefore, we suggest that a fruitful way in order to conceptualize the nature of the border is the concept of dispositive, provided by Michel Foucault. The paper is structured as follows: in the first and second paragraph we show why the analysis of borders are increasingly a crucial topic both for scientific and public debate; in the third paragraph we criticize the approach provided by social ontology, focused on the conceptualization of the border as an object; in the fourth paragraph, starting from a Rousseau’s suggestion, we analyse the phenomenology of bordering practices, and we argue that a border should be understood as a complex articulation of material and immaterial elements; in the fifth paragraph we introduce the notion of dispositive in order to catch the complex nature of borders; in the conclusions we summarize the main results of the paper and we sketch possible further lines of research.","PeriodicalId":53954,"journal":{"name":"Rivista di Estetica","volume":"75 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41760046","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Tying Climate Justice to Hydrological Justice 将气候正义与水文正义联系起来

IF 0.3 4区哲学

Rivista di Estetica Pub Date : 2020-12-01 DOI: 10.4000/ESTETICA.7401

Sue Spaid

引用次数: 1